Posts Tagged ‘video’

A great video from Carl Zeiss showing angle of views for different lenses

September 13, 2012

Watch This Zeiss Video to See Examples of Lens Focal Length and Angle of View on Full-Frame DSLRs

Crop factor is one of those terms that really shouldn’t exist, but it does because it makes it very easy to immediately multiply what a particular lens will look like on a sensor that is smaller than full frame 35mm (or Vista Vision in motion picture terms). The correct term, angle of view, isn’t used nearly as much thanks to the popularity of cameras like the Canon 5D Mark II, which uses lenses that have a larger diameter image circle than motion picture lenses do. Angle of view is platform agnostic, but crop factor is the term used everywhere (even by us, admittedly). Zeiss has made a video showing the angle of view of their full frame lenses mounted on a full frame camera. There is no crop factor since these are native lenses, but when we refer to crop factor, you can use the video below to see the equivalent focal length we’re talking about.

the one thing the novice needs to know about the settings that each demo is in movie language, CP.2 refers to compact prime lenses, [non zoom] the 35/T2.1 relates to 35mm angle of view and i believe the T2.1 is the aspect ratio, or f stop.  it’s been so long since i’ve worked  close to movie cameras, but lenses are lenses and no matter how you’re recording, film or digital the system work almost the same way.

I would like to never use crop factor again, since it changes depending on the lenses in question and the platform, but since it has become the standard online, it will be hard to move completely to angle of view. Either way, the video is a good representation of what you can get out of particular lenses depending on the chosen focal length and the format (full frame in this case). When talking about crop factor, for the most part it is related to these focal lengths and angle of views, so video can help give a clearer picture of exactly what we’re talking about when we use that term.

For example, when we’re discussing a camera like the Blackmagic Cinema Camera, we take about it having a 2.3x crop factor. This means that no matter what lens you mount on the camera, if you multiply the focal length by 2.3, you can use the video above to determine what that lens will look like on that camera. While this can get confusing, it’s helpful for some people who have come over from DSLRs and have been only using full frame still lenses.

B&H also thinks we would be better off just using Angle of View, and here’s a chart from Allan Weitz to show you exactly what’s going on:

What do you guys think? Would you like to see all mention of crop factor go away? Should NoFilmSchool move to simply referring to lenses by the correct term, angle of view?

Links:

‘Robbie’: A Short Film That Proves Sometimes You Don’t Need a Camera to Make a Great Film

July 28, 2012

reblogged from no film school

We write a lot of posts about cameras here on No Film School in order to make our readers aware of what options are out there and what each particular camera is capable of. But as you know, the camera doesn’t make your film. The story is the most crucial part of any narrative film, and you don’t necessarily need a camera or a crew to make that film a reality. Sometimes, all you need is some public domain footage, the right music, and an editing program. This what Australian filmmaker Neil Harvey used to create his beautiful short film Robbie:


The film-making process involved downloading about 10 hours of footage from the NASA archives and compiling a list of shots which resonated with me at some level. I did this over about 2 or 3 months when I had the spare time. From there, I put these selected shots on an editing timeline and watched them back until characters and narratives began developing in my mind. That is when I met Robbie.

Whether you use Harvey’s method of having your story emerge out of compelling images or you write a script and then find the images that fit, with some effort and creativity you can make a great film. If you’d like to dive in and make your own found footage film, there are some good resources for 720p footage at The Internet Archive’s 35MM Stock Footage Collection, and NASA, and if you’re looking for a more extensive collection of footage –albeit SD– check out FedFlix, and the Perlinger Archive.

Link: Short of the Week – Robbie

thanks to nofilmschool

jene