Posts Tagged ‘modern dance’

Adam & Eve modern dancer performance & video

March 2, 2013

well sitting around watching other dancers and companies i’ve finally gotten off my ass and am trying to use all my training and put a dance together. of course using my friends whom i really enjoy being around, as the Beatle’s said ‘with a little help with my friends’ that’s the way to go.

using the money i spent at UCLA for screen writing courses and independent workshops Robert Mc Kee in Hollywood being one. if you’ve ever been in hollywood and connected to the movie industry this is the one to be at. one heck of a weekend.

what did i do with all this higher learning, wrote produced Karaoke videos in LA. i’d write the script take it to the company who would forward it back to japan wait for approval and budget, find someone to shoot it, pay for all props rentals do all the grunt work then sit in an off line video console and do a off line edit. sometimes banging my head on the table because some idiot camera person would have the seconds  i needed on tape, ugh. unless you’ve been there needing 5 or 10 seconds more, doesn’t sound like a long time but believe me sometimes it’s an eternity. what to do at 2 am with just a pile of tapes on the table?

enough with all this backstory so i opened my mouth with a dancer and now we are off on my Adam & Eve performance shoot. oh yes it’s just not a workshop performance but i want to do a video. how much this will all cost i’ve no idea but it should be fun or a nantucket sleighride .

but we’ve started so here we go. one of the hardest parts is finding the right people, i’ve got two of the three both of whom i’ve worked with.

Juan Michael Porter ll as Adam

Juan Michael Porter ll and Masha as Mother Earth

Masha

Masha

the third part is still open although i’ve talked with a dancer who declined. so the search is still on. posted on craigslist and model mayhem. still waiting.

but there’s a lot to do so we’ve [mary & i ] begun working on the costumes. i shot the first model fitting in my apt/studio just to begin a reference, maybe even start a kickstart opportunity. hey you never know.

Cast is simple: Mother Earth a Russian woman, Adam an African American male, Eve an Asian female. at least this is how i see it now political statement maybe but this earth is peopled by all kinds of colorful things and people. of course a wonderful dancer could change my mind.

Waiting isn’t one of my strong points but sometimes that’s all one can do. how to forge ahead well that what one has and see what develops. how to costume whom, Adam seems easy some sort of loin cloth so his personal parts don’t flop around, now Mother Earth how to portray her? i’ve an idea of making her part tree, part human, that we all come from the earth not just plopped on it.

so we began with this concept

_MG_5709now move the limb see how that works

_MG_5728

_MG_5779

_MG_5777

adding headband

adding headband

now the trick is assembling the costume because of the material, no one can accuse my ideas being simple ones. now move on to another important part the music which i’ve no clue. this weeks assignment.

BTW if an Eve is out there drop me a line.

more to come

Jene

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Martha Graham Company at the Joyce theater

February 22, 2013

we are going to see this company this sunday, program A to meet one of the dancers whom i’ve never met. the last dance program we saw was Juan Michael Porter’s II program of Tales of Kojiki; Redux and after the show he and i talked about working together again. i’ve got a dance project i’d like to do so that is the purpose for the sunday meeting.

i never thought of myself as a dance creator but why not i’ve been involved with dance for twenty years. one of my models Masha is very interested in doing this piece, i’ll do some testing with her next week and a costume fitting to see if my ideas work.

here is  a link to the nytimes about recreating ‘Imperial Gestures’ something i’ve been involved with during my tenure at the Jose Limon Company  but for me to create a new dance ( new dance) is there such a thing? maybe a different look to an old story. more on this later.

my earliest exposures to the Phaedra story came from the movie version with Melina Mercouri, Anthony Perkins, Raf Vallone in the classic tear jerker Phaedra movie. what a tour de force and the ending whew, i bought the soundtrack record and listened to it over and over. lovely. talk about crying this does it.

here is a review in this weeks financial times Limited of the graham season

Graham’s ‘Phaedra’ was impressive for its storytelling, but it was another choreographer’s work that stole the show
Martha Graham Company in ‘Phaedra’
Martha Graham Company in ‘Phaedra’

According to Euripides, ill-fated Phaedra’s helpless, forbidden passion “is what the god has chosen [her] to become” – which makes Martha Graham the perfect artist to depict her. In fact, unlike the characters in the choreographer’s earlier and better Greek tragedies, Night Journey and Cave of the Heart, the players in Phaedra are more stiff instrument than person. They do not win our sympathy when they suffer enormously for attempting to heed the dictates of their cruel gods.

After a decade in storage, the briefly controversial ballet – at its 1962 premiere a couple of congressmen deemed it too sexy for government funding – returns as part of the company’s Myth and Transformation season, whose abundant works either riff on Graham or are by her. What does impress in Phaedra – besides the excellent actor-dancers, including the newcomers on which the troupe’s bright future depends – is the storytelling. Typical of Graham, the drama moves as dexterously as film can do between reality and dream, dread or the past that has cursed the present.

Deft shifts in register also distinguish Richard Move’s hour-long tour de force The Show (Achilles Heels), crafted in 2002 for Baryshnikov and Blondie lead singer Deborah Harry and only now set on the Graham company, where it deserves a long life. With The Iliad as his source, Move stitches together a host of unlikely elements: a hilarious game show rigged like Achilles’ fate, a chorus that lip-syncs wooden dialogue from a 1950s movie epic, and dreamlike tone-poems that feature Helen as desperate, voluptuous captive, vain Achilles and his devoted lover Patroclus dancing arm in arm, and war widows clasping mechanical doves that beat their wings. Arto Lindsay’s finely textured industrial score conjures a recycled, subterranean world, with Harry’s songs adding notes of elegy and romance.

Move may replace Graham’s temporal and psychological excavations with postmodern pastiche, but the end is the same: outsized feeling. Even without Baryshnikov and Harry to prod us, The Show excites euphoria over bigger-than-life people like this Achilles (the Brit and Graham newbie Lloyd Mayor), who, beyond anything else, is beautiful and knows it. The dance lets us yearn for image and person to unite. It not only accepts our shallow pleasures, it discovers their dignity and their depth.

Until March 3, www.joyce.org

Painting or drawing on prints

October 8, 2009

this is a post i made on one of my user groups about one of my work process that goes into my dancer series.

i use pastel chalks in some of my pieces because i am not happy with the gamut that i get from my printers. i use to use a Epson 1280 with dye ink which i loved that gamut but with my Epson 7600 pigment inks the gamut is much smaller. some colors just don’t reproduce as vivid as i’d like so i’ve gone back to my roots which is drawing.

i’ve talked to the people at Eastman Kodak about any destructive reactions that might happen to mixing the two mediums but since the, the 7600 and pastels are both pigments there should be no adverse effects. i do spray prints with printshield between mediums. archival? live longer than me? that never bothers me nor do i loose sleep over it. i try and make the best product i can, but looking at some old art in paris it too has seemed to have faded somewhat. what can you do? all of this planet is impermanent.

i usually print on hahnemuhle papers my fav being william turner textured papers but have moved to german etching. i know some use arches uncoated watercolor paper which i might go back to. i am thinking of looking into cranson. i’ll look around at photo expo for papers. one year i found kodaks metallic paper, woohoo.

now it seems to me in my ignorance that one could mix charcoal with b&w printing without a negative effect. the same would apply to india inks and sumi carbon which would give more permanency to the product. but do be aware that some gallery owners won’t touch my stuff even though its original and one of a kind. ignorance abounds. but the buying public seems to like these works as they do sell, alas not as many as i’d like but i am no name and people do like name dropping. but sometimes i get lucky in that my color gamut fits in with their decor.

personally i am not a big fan of acrylic paints or washes because i started with oil paints but hey what ever floats your boat and makes you happy then go for it. i think it’s all about exploring learning how to then letting the process go where it wants to. personally i am not here to make the rest of the world happy. i do clean up after myself, help others in need and believe it helps to love one another. i know too many people who don’t know how to love. that’s why i create art because i love to, it’s an inside job that i hope spills out into the world.where would we be if we didn’t explore all of creation?

i have started using adorama lab for my kodak metallic c prints, love those blacks but there again some colors just don’t come out. but hey maybe i’ll see if i can add some colors on top. it’s not brain surgery and no children or animals will be harmed,why not? just my two cents.

jene

http://www.jene youtt .com

amazon jungle in B&H photo

August 28, 2009

well their at it again or should i say still.

Mary went down for a seminar yesterday and i asked her to pick up a firewire cable. same run around go to the back of the store wait in line, select the item, wait for the salesperson to print up an order form, then you take it across the store, wait in another line, see another clerk who then types the item into his computer, throws away the piece of paper you gave him, you and he wait, hopefully you have something to talk about while your item comes up from the basement, which he then scans into computer and prints out a payment statement.

now does this all seem like a waste of time and resources? it’s my personal opinion that B&H is trying to get rid of it’s ‘in person’ customers and just become the amazon of photography stores. it’s a jungle out there full of pitfalls and quicksand .

i for one have always opted for the personal touch, yes price is somewhat important but so is personal contact. i guess this comes from the artist in me, as i am not so much a photographer which captures something them moves on to the next. what is important to me is to be able to create in my images or have them express the feeling that others,my subjects create.

i work with dancers who’s art is so ethereal, gone in a puff of the moment, yet so beautiful in that moment. it’s hard to define as the perfect moment because so much work goes into it, all the class work, rehearsal, stretching and physical exertion, never mind the sweat and pain to achieve a nanosecond of form.

well i guess all this can be remembered as one stands in line after line waiting to spend your money and get on with your life. i could be reliving the ‘nutcracker’ before i get out of the store. well maybe only the first act.

hey made another store.

now if you’d like to express your opinion on this subject to B&H try here no purchase necessary.

Momentum Dance photography contest 2010

August 26, 2009

momentum

Welcome to Momentum: Images of Dance — the sixth annual Sanford L. Rosenberg Memorial Dance Photography Competition.

this is a dance photography contest i’ve happened to win one year against some very accomplished dance photographers, i know Howard Schatz won at least one year, so being in his league is always pretty impressive.

Do enter if this is your forte. it’s always more fun to have some great images to compete against. last year i was on some other planet so i didn’t send any prints off but this year i plan to.

join in the fun, hey you never know and they are such nice people.

2009 International Photography Awards

August 19, 2009

well i got this notice a couple of weeks ago and was thrilled, who wouldn’t be. the other photographers i talked with said WOW. that’s pretty good company to keep.

Hello jene youtt,
Congratulations. Your entry ‘Ascending’ has advanced through the second round and is now in the third and final round of the jurying process. Your entry is now an official Honorable Mention of the 2009 International Photography Awards.
In addition, your entry is now competing for a 1st, 2nd or 3rd place title. All winners will be announced on Tuesday, August 18th.
Congratulations again. Stay Tuned and thank you for participating in the 2009 International Photography Awards.
Sincerely,
International Photography Awards

reach for the stars

reach for the stars

But the final  notification date has passed for the top prizes so it looks as if they aren’t going to send me & mary  around the world or where ever they are sending the winner. but life isn’t so bad. i am really looking forward to see the results because it’s quite an honor to be selected for anything. i am just a guy who shoots pictures, don’t consider myself special, and to be included with these photographers (see archive) it’s some honor, there are moments in life that make it very worthwhile just to wake up.

i look everyday for a link to all the winners and honorable mentions, hey that’s me!

now what do i do?

Prix de la Photographie, Paris (PX3)

August 18, 2009

gee i must be doing something right these days as i received this email the other week, see i am way behind my life. 

Congratulations for receiving an Honorable Mention in the 2009 Prix de la Photographie, Paris (PX3) competition. We received over 6,000 entries from 85 countries. PX3 strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. For your entry of BLUE.

African American Dancer

African American Dancer

i am aways amazed at what images people like in my work, happy for sure that they like what i do. but as i said on my facebook page wish they wanted a print as we love to go back to paris and maybe see a blue sky. last time we were there we rented an apartment a block from the Louve, how cool is that to walk a block down to the Seine and watch the boats pass by.

be still my heart before i spend more money, and then there is Venice, the active mind never sleeps

‘Celt’ shoot

August 18, 2009

well it’s been awhile since my visitor the Celt left back across the water to her home in merry old england and i’ve not even visited this site in how many months. the problem is that i journal, something i’ve picked up years ago after being turned on to the book from a neighbor. i did go to a workshop lead by the co-author who said the major asset was in the journaling. well i got into that and it just stuck.

but i am a photographer and take pictures so without them what’s the point of being here? so onto the meat of the day or should i say entree as ‘meat’ might be politically incorrect and i really don’t like to offend people, but i seem to have a knack.

little red celt

little red celt

this image did get me work renting my tungsten lighting system for an internet shoot for Dwell Magazine.Also a days pay which is nice and meeting two new creatives which is always nice. it was shot using the Canon 5D m ll, something new to me for sure.

Dance images found

June 3, 2009

this week i’ve got a visitor the ‘little red celt‘, a model from England staying on my couch. we met last year when she and her partner came over to model for some photographers here in the states. she’s back doing the same this year after graduation. we’ve been talking about doing a shoot together this time.well she offered as payment for staying here which really isn’t needed but hey me turn down a lovely woman to shoot. so i’ve been thinking well maybe.

i showed her some found pictures i’d done with a dancer over a year ago which i hadn’t really looked at. i get busy just breeze through the contact sheets, as it were, and forget to come back. i always get something out of a session i can use. but i do get down on myself because of the low rate of return on my images. i am really hard on myself for not being perfect, sorry to say i can be that way with other people close to me also. the saving grace is i am willing to admit that and can back off.

here is a series that i found which ‘celt‘ also liked.

dancer copy

_MG_2833-copy

but our favorite image was this one below. what my work is about is trying to capture the feeling of dance. it’s the same way i light performance pieces. getting my lighting to advance the story through mood or what ever means necessary. one show i remember doing a bump to white lighting and getting ohs from the audience. now that’s a light cue.

_MG_2838-copy

i’ve invited my partner over here for this shoot, ‘the celt’ hasn’t met her yet but we know of each others work. we want to work with some china silk and a fan and see what happens. i love china silk ever since i saw a 100′ backdrop of red china silk the ‘peking opera’ brought over to the the metropolitan opera here in new york city may years ago.

that’s pretty much how i like to work with someone , it’s about a discovery between whom ever i am working with. them, the camera and me. heck i do have some experience doing this stuff so why not have fun along the way?

no animals will be harmed in the making of my pictures, we might have a few laughs along the way, and who knows if any art will be performed. i am very happy if someone buys my prints and hang them in their house. they have a little bit of me when they do so.

well that’s all folks for today……….