Posts Tagged ‘instagram’

GoPro’s killer new video is about sharing, not just surfing

August 6, 2013

 photos for Instagram, too By David Griner
surfer’s super-selfie

For years, GoPro has been synonymous with helmet-cam footage of skydiving, 
surfing, heli-skiing and other extreme activities that most of us prefer 
to enjoy by proxy while browsing YouTube and eating a cruller.

But as the technology and innovation behind the camera have evolved, so too has the company’s marketing strategy. And you don’t have to look any further than this new ad for the GoPro smartphone app to see how a once-quirky outdoor gadget has become a leading millennial lifestyle brand.

The two-minute clip, shot entirely on a GoPro HD Hero3 camera in the Mentawai Islands of Indonesia, features three popular pro surfers—Alana Blanchard, Lakey Peterson and Camille Brady—not only recording their day on the waves but sharing stills from the Hero3 directly to Instagram right from the beach. Instead of a tool for creating raw first-person video footage, GoPro is portrayed as the key to taking a super-selfie.

Justin Wilkenfeld, GoPro’s director of lifestyle marketing, tells Adweek that these features showcase how the brand has kept pace with modern life. Outdoors enthusiasts don’t just want to capture their experiences, they want to share them as quickly as possible. The brand’s WiFi-enabled Hero3 and smartphone app, both of which launched last year, have helped make immediate sharing a reality.

“It was a bit of a frustration that you had to go back to your computer to download that footage,” Wilkenfeld says. “There’s something lost there because we are so real-time these days.”

http://bcove.me/gvikqy7b

While the ad shows off GoPro’s newest features, it also harkens back in some ways to the brand’s early days. Before it was known for helmet-mounted cameras, GoPro was a wrist-mounted camera that surfer (and recent billionaire) Nicholas Woodman created to take 35mm photos of himself and friends.

Now, the camera has come full circle, with GoPro becoming known as a source for some of Instagram’s most interesting photos, not just a tool for extreme YouTube clips.

“In the world of social media, you don’t have to take two minutes or five minutes out of your time to watch the full video and get immersed in that moment. You can just take snapshots,” Wilkenfeld says. “That’s kinda the way of the world now—short-attention-span theater.”

Meanwhile, GoPro is also trying to reach beyond its core audience of extreme athletes by highlighting the camera’s versatility as a tool for capturing any kind of experience, not just crazy outdoor adventures.

“It’s been a progression for us,” Wilkenfeld says. “We definitely started in action sports, extreme sports, but we found that if you follow that line of passion, the average person is passionate about the moments in their life, too. That might be playing with their kids. We do try to embrace the broad community and the lifestyle those people try to live, regardless of what it is.”

This ad, like all the brand’s videos, was shot and produced entirely by the GoPro staff without any agency assistance. The soundtrack is “Riptide” by Australian singer-songwriter

via ADWEEK

jene youtt


CNET reports facebook/instagram claims the right to sell user’s images without payment

December 18, 2012

Instagram says it now has the right to sell your photos

In its first big policy shift since Facebook bought the photo-sharing site, Instagram claims the right to sell users’ photos without payment or notification. Oh, and there’s no way to opt out.

Declan McCullagh

December 17, 2012 9:54 PM PST

Instagram said today that it has the perpetual right to sell users’ photographs without payment or notification, a dramatic policy shift that quickly sparked a public outcry.

The new intellectual property policy, which takes effect on January 16, comes three months after Facebook completed its acquisition of the popular photo-sharing site. Unless Instagram users delete their accounts before the January deadline, they cannot opt out.

Under the new policy, Facebook claims the perpetual right to license all public Instagram photos to companies or any other organization, including for advertising purposes, which would effectively transform the Web site into the world’s largest stock photo agency. One irked Twitter user quipped that “Instagram is now the new iStockPhoto, except they won’t have to pay you anything to use your images.”

“It’s asking people to agree to unspecified future commercial use of their photos,” says Kurt Opsahl, a senior staff attorney at the Electronic Frontier Foundation. “That makes it challenging for someone to give informed consent to that deal.”

That means that a hotel in Hawaii, for instance, could write a check to Facebook to license photos taken at its resort and use them on its Web site, in TV ads, in glossy brochures, and so on — without paying any money to the Instagram user who took the photo. The language would include not only photos of picturesque sunsets on Waikiki, but also images of young children frolicking on the beach, a result that parents might not expect, and which could trigger state privacy laws.

Facebook did not respond to repeated queries from CNET this afternoon. We’ll update the article if we receive a response.

Another policy pitfall: If Instagram users continue to upload photos after January 16, 2013, and subsequently delete their account after the deadline, they may have granted Facebook an irrevocable right to sell those images in perpetuity. There’s no obvious language that says deleting an account terminates Facebook’s rights, EFF’s Opsahl said.

Facebook’s new rights to sell Instagram users’ photos come from two additions to its terms of use policy. One section deletes the current phrase “limited license” and, by inserting the words “transferable” and “sub-licensable,” allows Facebook to license users’ photos to any other organization.

A second section allows Facebook to charge money. It says that “a business or other entity may pay us to display your… photos… in connection with paid or sponsored content or promotions, without any compensation to you.” That language does not exist in the current terms of use.

Google’s policy, by contrast, is far narrower and does not permit the company to sell photographs uploaded through Picasa or Google+. Its policy generally tracks the soon-to-be-replaced Instagram policy by saying: “The rights you grant in this license are for the limited purpose of operating, promoting, and improving our services.” Yahoo’s policies service for Flickr are similar, saying the company can use the images “solely for the purpose for which such content was submitted or made available.”

Reginald Braithwaite, an author and software developer, posted a tongue-in-cheek “translation” of the new Instagram policy today: “You are not our customers, you are the cattle we drive to market and auction off to the highest bidder. Enjoy your feed and keep producing the milk.”

One Instagram user dubbed the policy change “Instagram’s suicide note.” The PopPhoto.com photography site summarized the situation by saying: “The service itself is still a fun one, but that’s a lot of red marks that have shown up over the past couple weeks. Many shooters — even the casual ones — probably aren’t that excited to have a giant corporation out there selling their photos without being paid or even notified about it.”

Instagram CEO Kevin Systrom speaks at the LeWeb conference in Paris. Click for larger image.

(Credit: Stephen Shankland/CNET)

Another unusual addition to Instagram’s new policy appears to immunize it from liability, such as class action lawsuits, if it makes supposedly private photos public. The language stresses, twice in the same paragraph, that “we will not be liable for any use or disclosure of content” and “Instagram will not be liable for any use or disclosure of any content you provide.”

Yet another addition says “you acknowledge that we may not always identify paid services, sponsored content, or commercial communications as such.” That appears to conflict with the Federal Trade Commission’s guidelines that say advertisements should be listed as advertisements.

Such sweeping intellectual property language has been invoked before: In 1999, Yahoo claimed all rights to Geocities using language strikingly similar to Facebook’s wording today, including the “non-exclusive and fully sublicensable right” to do what it wanted with its users’ text and photos. But in the face of widespread protest — and competitors advertising that their own products were free from such Draconian terms — Yahoo backed down about a week later.

It’s true, of course, that Facebook may not intend to monetize the photos taken by Instagram users, and that lawyers often draft overly broad language to permit future business opportunities that may never arise. But on the other hand, there’s no obvious language that would prohibit Facebook from taking those steps, and the company’s silence in the face of questions today hasn’t helped.

EFF’s Opsahl says the new policy runs afoul of his group’s voluntary best practices for social networks. He added: “Hopefully at some point we’ll get greater clarity from Facebook and Instagram.”