Posts Tagged ‘design’

i am back from north country in the wacky world of new york, hows this for fun?

September 13, 2012

Fashion week who cares? we got tat’s.

Designers, by definition, are all about creativity, visual communication, and self-expression. One of the most common ways designers express themselves is by indelibly declaring their status as Homo Creativus in the medium of ink in skin. Like anyone else, designers’ tattoos are often butterflies, skulls, koi, Tardises, or names, but sometimes the ink is a little more graphic, speaking directly to the art, science, and people of design. Here is some of that designer ink; join me again in one week for the second half of this two-part series.

Click each image to view the image at its original resolution, on its original website. see creative pro for links.

Warning: Many Websites that display tattoos also often display images and slogans that are Not Safe For Work!

Please note: This article links to resources hosted on external Web sites outside of the control of CreativePro.com and  fuzzypictures. At any time those Web sites may close down, change their site or permalink structures, remove content, or take other actions that may render one or more of the above links invalid. As such neither Pariah S. Burke nor CreativePro.com can guarantee the availability of the third-party resources linked to in this article.

Pariah S. Burke is a design, publishing, and digital & epublishing workflow expert and consultant bringing creative efficiency into studios, agencies, and publications around the world. He is the author of ePublishing with InDesign CS6, Mastering InDesign for Print Design and Production, and other books for professionals with jobs to do on InDesign, Creative Suite, Adobe Illustrator, QuarkXPress, and digital publishing; author of more than 450 published tutorials and articles; co-author of the InDesign and Illustrator Adobe Certified Expert exams; an Adobe Community Professional; the former trainer and technical lead for InDesign, InCopy, Illustrator, Photoshop, and Acrobat to Adobe’s own technical support team; the host of a series of digital publishing, epub, and the business of design Webinars; a freelance graphic designer and publisher with more than 20 years’ experience; a WordPress and social media evangelist; and the publisher of a network of Websites, communities, and tools for creative professionals, the Workflow: Network.

Scanning Around With Gene Gable on creative pro com, 1939 graphic illustrations

May 17, 2012

A garage-sale find of three small children’s books highlights some great 1937 illustrations from a little-known artist by the name a Th. D. Luykx.

Kids grow up these days taking a lot of things for granted. The electricity that comes out of the wall, the gasoline in our cars and the steel in our skyscrapers are all just there and have been for so long it doesn’t seem like any big deal. I don’t even know if we teach kids about the history of these and other industries — much of it would seem like ancient history I suspect, and does it really matter how electricity is made or what goes on in a steel mill? Kids these days are probably a lot more interested in how iPhones are made.

But in 1939 when the illustrations in this installment were published, there was still a lot of fascination with big industry, and we were proud as a nation at the infrastructure we had built for these things. Today’s images come from a series of three books published by the George Duplaix Company in New York: “Oil Comes to Us,” “Electricity Comes to Us,” and “Steel.” The authors are different for the three books, but the illustrator, one Th. D. Luykx, is the same, and each book follows the same format.

I tried to find out more about Luykx, but a rudimentary Google search only brought up references to these books and nothing else that I could find. Could be these were a one-off effort, at least of books where credit is given to the illustrator.

And I can’t really tell in which medium Luykx worked in — the illustrations are brightly colored and, in many cases, limited to two colors, red and black. The high contrast and stark lines indicate a mechanical rather than illustrative process; there are halftones in the printing, and some colors seem slightly out of registration on close inspection, so I suspect each color was produced as a separate layer in whatever process Luykx used.

The books are pretty straight forward, telling in pictures and limited text the stories of how we make steel, how we drill for and refine oil, and how electricity is produced and brought to the home.

Like so many printed products of the time, full color is limited to certain spreads, and the artists was limited to two colors for many illustrations. These make for the more interesting work as far as I’m concerned.

Illustrating kids’ books is always a challenge, especially when dealing with technical topics. Luykx did a good job of being technically accurate and fairly detailed, but general enough to appeal to kids with limited knowledge of the subject matter.

I’m not sure why I was so taken by these three books — together they make a wonderful set and I have to wonder why the publisher did not do more (at least no others show up on Google). Perhaps it was a series that just didn’t take off.

But I’m glad I found them and will keep my eyes open for any additional work by Luykx. It would be interesting to see if he did fine art as well. His technique seems very unique to me.

i’ve read creative pro emails for years having learned some pretty cool stuff along the way. this is just a small part of what they post, if you find it interesting i’d drop by and give it a glance. creative pro

jene