Winkel & Balktick and No Longer Empty Present…

May 8, 2012

Flappers & Philosophers

FLAPPERS & PHILOSOPHERS

Sunday, May 20th, 2012, 3pm-9pm
at The Andrew Freedman Home
1125 Grand Concourse at 166th St, Bronx, NY 10452

wandbnyc.com info@wandbnyc.com
facebook.com/events/346717562044468
$10 limited advance, $15 advance, $20 door, 21+.
All guests must attend in period attire.

On Sunday May 20th, join Winkel & Balktick for a journey into the world of F. Scott Fitzgerald and his coterie of colorful characters. Indulge in the company of upper crust aristocrats, nouveau riche playboys, daring bootleggers, bohemian artist-types and kickline-ready chorus girls.

Our venue is the Andrew Freedman Home, an enormous Italian palazzo-style villa completed in 1924. Freedman, a Tammany Hall operator and financier, built it as a retirement palace for wealthy socialites who had fallen on hard times.

We will begin our celebration upon the limestone terrace and verdant lawn with croquet, bocce, bandstands and champagne. In the evening, the doors will be thrown open and we will continue our gallivanting within the recently-restored Billiards Room, book-lined Library and opulent Grand Ballroom.

The day’s entertainment, ranging from Jazz Age live music and performance to leisurely lawn sports and games, will be announced shortly.

If you are a devotee of the French Riviera of the 20s or the New York of the Great Gatsby, please contact us for performance and participation opportunities.

This event is generously co-presented with No Longer Empty, whose This Side of Paradise art exhibition and program series at the Andrew Freedman Home is open now through June 5th.

Since 1985, The Andrew Freedman Home has been owned and operated by the Mid-Bronx Senior Citizens Council, a non-profit social service organization devoted to serving the families, youth and seniors of the Bronx.

Flappers & Philosophers flyer by Justin Aubuchon.

PARTICIPATE

Winkel & Balktick are always looking for new artists, designers, performers, curators, choreographers, tech crew, spreadsheet junkies and web developers.

Contact us to let us know what you’re about.

Avedon this summer in NYC

May 8, 2012

yes a busy month to begin the summer with Avedon at Gagosian gallery  until July 6, 2012 should have some pretty sharp images on display see the press release, you remember him right? he’s the guy who did this

and this

and my favorite

fun

how many models have i wanted to grab and shake their pretty heads until they understood what i wanted from them? but this was done in fun.

Opening reception: Friday, May 4th, from 6:00 to 8:00pm

“Gagosian Gallery is pleased to present an exhibition of Richard Avedon’s legendary photographic murals and related portraits. The exhibition has been drawn from the collection of and developed in collaboration with The Richard Avedon Foundation.

By the late 1960s, Avedon had worked for more than two decades as a professional photographer. His visionary depictions of couture changed fashion in magazines and his commanding portraits of public figures were among the most venerated in the world. Avedon’s reportage, which he had made since the late 1940s and which included Italian and New York street scenes, had expanded to address cultural touchstones such as the American Civil Rights Movement and the inhabitants of a Louisiana mental institution.”

contuined

but hey who needs in focus pictures when you could be looking at some of my images trying to figure out exactly what i was looking at when i pushed the shutter. well i am right there with you, i wonder myself but then other times i nail it. BAM, for me the photography is just a small part of the picture and not the finished product. what does it look like on paper?

golden slippers

turning

and last but not least this

standing

well still fuzzy but you can move it closer to your eyes.

so as i said if you want to see sharp photographic images go see Avedon other wise take a peek at my work here for the real interesting photography, but it’s late and i am tied as i just got back from a long site survey and want to crawl into bed.

good nite.

jene

We Are Participating in Cinco de mayo weekend ArtWalk in Lancaster, PA

May 3, 2012

where did my brain go this weekend, oh i lost it last night doing ‘Googles Utube Brandcast‘ at the Beacon theater. quite a technical presentation  as google people told audience members how to get the most of google, utube and brand association along with integration. woo hoo……………….lots of video wall images, spiffy stuff but no jetsons. this is the future, for whom the bells toll, you and me.

today arbitron.com contacted me as they are doing a radio and television survey but i was too old to participate, oh well i might as well just disappear……..  but wait……..  i can’t because mary and i will be participating in an  ArtWalk  in Lancaster PA. and the motel room is already paid for. prints are hanging and Annex 24 is expecting us to be there.

to get in the mood for writing i am listing to All That Jazz soundtrack where everything old is new again. i loved that movie but i work in theater a crazy place to earn a living. i really related to Joe Gideon as i knew people like him. what a life, what a death.

mary is excited as she always is going to these events but i am a bit more laid back, not that i don’t interact with people because i love to talk to people about anything and find conversation interesting in it’s self. as we were dropping off our pictures we met a man from Cape Town just passing through town from washington  dc traveling across america. so you never know what or whom you will meet by being open.

mary is bringing  her triptych

retrograd, shedding, cathexsis

since we dropped off more images than able to show for this artwalk because our work will be on exhibit for this summer and the Annex 42 wanted  pictures to replace any sold we brought a few extra. the gallery has a warehouse which is open to the public we thought why not.? saves us a trip down to deliver more.

objects of interest

Mary and I are excited in this summer long exhibit starting with First Friday’s Art Walk in Lancaster, PA.  Click here for a link to the galleries participating.   And what’s not better than strolling in and out of galleries and relaxing in local cafes.  We’ll be at Annex 24 Gallery, 24 West Walnut Street.  I do hope you can make it there, it’s sure to be fun from 5 – 9 pm.   When we dropped off our art last Friday, we had lunch at Rachel’s Cafe & Creperie.

hopefully we will find these images hanging but since we didn’t chose it will be  a surprise for us as well as the other visitors. cool.

ascending

toe shoes

sufi dancer

i am just bringing some dance images even though i am participating in the 4th annual Hell’s Kitchen Art Festival later this month May 18, thru 20th where i’ll be showing some of the Kyoto gallery 16×20″ images. as yet no venue has been set. this being nyc i can show nudes but who wants to buy nudes of other people unless they are on a calendar and i don’t expect too many auto mechanics at the art festival. but hey you never know.

ascending gets good reviews from women even buy it because it’s such an uplifting image. i love it myself but probably for different reasons. i am just happy when my work finds a good home, they are like my children. who doesn’t want the best for their children no matter who they are. here that sean?

jene & mary

This Is Canon’s Shockingly Rudimentary 5D Mark III Light Leak Fix

May 3, 2012

Who knew Canon had MacGyver working in its repair shop? A couple of weeks ago the company confirmed that in extremely dark situations, its new 5D Mark III’s LCD backlight leaked onto the camera’s exposure sensor. Canon said it would fix the problem, and it has, in a shockingly rudimentary way: A strip of black tape now prevents stray light from leaking from the underside of the top LCD. We laugh, but by all accounts the low-tech solution to a highly embarrassing problem seems to work flawlessly.

cameras canon 5dmarkiii canon 5d guts

By Roger Cicala–LensRentals.com May 2, 2012 4:40 PM 27,554 35

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This Is Canon’s Shockingly Rudimentary 5D Mark III Light Leak Fix

This Is Canon's Shockingly Rudimentary 5D Mark III Light Leak FixA few weeks ago, Canon confirmed that in certain extremely dark situations, the excellent 5D Mark III’s LCD’s backlight leaked light onto the camera’s auto-exposure sensor. Oh no! Our friends at LensRentals.com took apart one of the newly fixed models—and the solution is so simple we can’t believe it works.

We got our first “new” 5D III cameras today, the ones with the light leak fixed (above). You know me, I thought perhaps it would be a good idea to take one apart and see what was different. I had photos from the ‘prefixed’ 5D IIIs from a previous post (below), so comparison would be easy. Let me say it here first: I knew this was going to be the fix since the first time I took one apart: Canon has this very cool black tape they used to cover circuit boards (I’m assuming either water resistance or electrical shielding or both) and I figured they’d just slap another piece over the top LCD light. Which is exactly what they did. Yes, I’m making fun, but it’s a perfectly good solution and it works flawlessly.

And because I know you have enquiring minds: I did power the camera up with the shell off in a dark room. There is no more leak.

This Is Canon's Shockingly Rudimentary 5D Mark III Light Leak Fix


Dr. Roger Cicala is the founder of Lensrentals.com. Since the company has long since outgrown his ability to manage it, he is now the Director of Research and Quality Assurance for Lensrentals, meaning he spends all day taking photography things apart and figuring out how they work.

thank you gizmodo top stories

jene

Want to create an event/exhibit for thousands of people to participate in?

May 3, 2012
want to build a machine or just exhibit your ability to, maybe just help others to create? no you don ‘t have to be under 30 to participate all though sometimes it looks it. they need people to put these events on and that’s where you come in.

WINKEL & BALKTICK LABORATORY: CALL FOR PARTICIPATION

Our friends over at Winkel & Balktick are looking for creative energies and artistic sensibilties to participate in this years Winkel & Balktick Laboratory, a series of concerts, parties and other happenings at a vast former pharmaceutical factory in North Brooklyn. Do you have an imaginative vision for a scientifically (or laboratory, technology, etc.) themed installation, sculpture, performance or multi-media, interactive environment? If this peaks your interest, find out more on how you can participate/join the experiment at Winkel and Balktick, go to their first open meeting on Monday 5/7 or see below:

Exhibition & event dates: June 20 – 23, 2012
Deadline for funded projects: Thursday, May 31, but sooner is better. “The early bird catches the worm.”
Open meetings & socials: Mon 5/7, Thu 5/24, Tue 6/12, 7:30pm-10:30pm in Dumbo. RSVP to info@wandbnyc.com to attend. Free food and drink will be provided
This document lives at: wandbnyc.com/labcall
Winkel & Balktick Website: wandbnyc.com
Quick submission form: wandbnyc.com/labsubmission
Questions about projects and art: projects@wandbnyc.com
Questions for executive management: info@wandbnyc.com
Photos from previous events: wandbnyc.com/photosABSTRACT
From Wednesday June 20 – Saturday, June 23, Winkel & Balktick are presenting Laboratory, a series of concerts, parties and other happenings at a vast former pharmaceutical factory in north Brooklyn. Several thousand guests are expected over the week. We are seeking creative and artistic priorities.
Please see these photos that help illustrate what our events are like.WHAT KINDS OF EXPERIMENTS ARE YOU CONDUCTING?
We are seeking installation & sculpture, media, video & light art, large sculpture, performance & interactive environments. We are very open minded about your project’s format, so as long as it is thematically relevant. All projects should fit within the theme of science, laboratories, technology, etc. Yes, we have a budget. (More details about that later.) The venue has about 18,000 square of open space and an additional 20 small (100 – 250 sq ft.) rooms. The open spaces are raw, clean and concrete. The small rooms are mostly empty, windowless and clinical. Ceiling heights range from 11’ – 14’. Most projects will be placed in their own small rooms. Note that the open spaces will often be in use for concerts, dancefloors, etc. If you’d like your work to be placed in the open spaces, it should play nicely with crowds and music.

I’D LIKE TO EXPERIMENT WITH YOU!
Glad to hear it!  Please read this entire document and follow the instructions in the SUBMISSION PROCESS section.  You’ll need to tell us about yourself, describe and illustrate your idea, compile a materials list, budget, and plan of action. Feel free to check in with us before making a submission to make sure your proposal is appropriate.I HAVE LOTS OF QUESTIONS! HOW CAN I GET THEM ANSWERED!
Please send project-related inquiries to projects@wandbnyc.com.
If you’d like to help out, but don’t have a project to contribute, please write to volunteer@wandbnyc.com.
If you’d like to reach the chief scientists, you may write to Winkel & Balktick at info@wandbnyc.com.HOW CAN I MEET YOU AND ALL OF YOUR FRIENDS IN PERSON?
Attend one of our participation meetings & socials on 5/10, 5/30 or 6/15 in Dumbo from 7:30pm – 10:30pm. RSVP to info@wandbnyc.com with the dates you’d like to attend. Free food, drink and good company is provided.

Home Depot Homebrew of $643 Profoto Globe

April 29, 2012

Home Depot Homebrew of $643 Profoto Globe Saves You Enough to Buy a Paul Buff Einstein to Put it On


For the second time in a week, a Paul Buff mod that is so simple I wonder why I hadn’t thought of it earlier. This one is via Houston-based photographer Stephen Hébert.

This Home Depot version of the famed Profoto Globe will set you back all of $10. I have seen people hacking these for Profoto lights using SP-systems mounts and/or gaffer’s tape. But the fact that they mount right to an AB or Einstein is, like, poetic justice or something.

If you are really slick (and handy) you might want to try to drill some holes around the base for heat venting. And I am guessing the color temp is, er, “close enough.”

But having enough money left over from the savings to buy the actual flash (and an additional $130 in other accessories) is icing on the cake.

thank you strobist  photo blog by david hobby a must read for photographers. and it’s free think of that, knowledge freely given for the effort of reading it.

Better not miss this chance to shoot the Venus transit

April 28, 2012

A Checklist for Photographing the Transit of Venus
By Michael Covington – 5/16/2004

What to expect from the transit of Venus.
Picture taken with a Celestron 5, 32-mm eyepiece, Nikon Coolpix 990 camera,
and Baader sun filter, sharpened with Registax.
Image of Venus added with Photoshop.

On the morning of June 8th, you may be one of the first people in history
to take a digital image, or even a good photograph, of a transit of Venus.
For the first time since 1882, Venus will pass in front of the Sun as seen
from Earth.

In the eastern United States, Venus will be about to leave the Sun’s face at sunrise.
(The West won’t see the event at all.)
Venus will reach the edge of the visible Sun about 7:05 a.m. Eastern Daylight Time
and will be completely off it by 7:25, give or take two or three minutes
depending on location.

The picture shows what to expect. I faked it by using Photoshop to alter one of my
existing sunspot pictures. As you can see, Venus in transit looks much larger than Mercury.
In fact, with a suitable sun filter, you’ll probably be able to see it without
a telescope.

Are you ready to photograph or image the transit of Venus? Here’s a checklist of
things to consider.

(1) How well can you photograph the Moon?

The Sun and Moon appear the same
size in the sky, so the Moon is a good object to practice on.
Possible techniques include:

A 35-mm camera body, without lens, at the
focus of a telescope whose focal length is about 600 to 2000 mm
(most portable amateur telescopes are in this range, but some Newtonians
won’t reach focus because they don’t accommodate the depth of the camera body);

A digital camera or video camera
aimed into the eyepiece of a telescope with a magnification of
about 30 to 70 (this is called afocal coupling and the camera must
be focused to infinity, autofocus off, flash off);

A modified webcam or a Meade Lunar-Planetary Imager at the focus of a telescope
(in this case, only the smallest telescopes will cover the full face of the
Moon or Sun, but that’s probably okay).

A camera with a long telephoto lens (at least 300 mm with 35-mm film).

(2) How do you control vibration?

Digital cameras, webcams, and the Meade Lunar-Planetary Imager
have a real advantage because
they don’t have a mirror to introduce vibration.
With SLR cameras, experiment. Often, at higher shutter speeds,
such as 1/250 second, vibration isn’t much of a problem.

(3) Do you have a suitable solar filter?

The filter must go in front of the telescope and be made of aluminized optical glass
or aluminized Mylar (not stretched too tight). Bear in mind that the Sun will be low
in the sky, and your usual filter may be too dense. If you can separate the
two layers of a Mylar filter, be prepared to do so.

If you prefer optical glass, you might want to invest in a “light” sun filter
(density about 4.0 instead of the usual 5.0), which transmits 10 times as much light
but is still safe to use.

(4) How well can you photograph the Sun?

You can practice photographing the Sun with sunspots every day.
Note that if you are using afocal coupling, you’ll need to make sure stray light
is excluded; some camera-to-eyepiece adapters are designed only for use in the dark.
Draping a strip of black cloth around the connection is the cure for light leaks.

(5) Is the transit going to be visible at your location?

I don’t just mean your part of the country, but your exact site, because the Sun
will be very low in the sky, and trees may interfere.
To be certain, practice the day before.

(6)How are you going to process the images?

I often use Registax to sharpen my images.
But in lunar and solar work, it’s not practical to stack a series of images the way we do when photographing planets.
The reason? Air turbulence affects different parts of the image differently at any given moment, and when you’re covering a wide field (even 1/10 of the face of the Moon), successive images don’t stack very well. It’s better to pick the one sharpest image and process it with unsharp masking or wavelet transforms.

(7) When you get your picture, what are you going to do with it?

E-mailing an image to your local newspaper – while it’s still hot news – is often very
much appreciated, and it’s a great way to promote astronomy in your town.

thanks astromart via prophotodaily

jene

i phone or i phobia, smart phones or another dumb idea

April 22, 2012

well it’s that time in our lives we need to get new phones. it’s not a simple choice these days, so much to consider. it use to be go down to the independent verizon store to see what they have. well verizon replaced all those stores, staffing them with their own salespeople. i learned that last time as i ventured downtown to my favorite phone store, yes i am a loyal customer, to see everyone replaced. those salespeople talked us into taking an LG phone which is crap. i wouldn’t buy another product from that company which use to be called goldstar.

the reason i continued shopping at this phone store they would throw in a free car charger on my purchases. the verizon store never gave anything away. i once had an opportunity to pick up a T Mobile franchise that paid $265 commission on each phone connection and that location was doing 20 or so phones a day. but it meant i had to be there and i wanted to be other places.

now with verizon staffing their own stores i guess the lucrative commissions are gone. oh well so did the service.

always choices…………..

so here i sit gathering information. being a photographer do i go with an iphone?  dan burkholder has done a lot of work creating artistic images with this phone and has written the book  IPhone Artistry and i’ve seen the print from his i phone and apps he won the soho photo gallery alternative image contest with. very nice.

but apple seems to be a moral problem with me. now i am a long time apple user starting with a Mac C ll computer. my first computer was a commodore 64 but i did use the macintoshs at a desktop publishing store during that time writing my resume the constant job search.

one of my problems is will apple produce another work station along the lines of my mac pro? or will they phase these out replacing them with imacs, which can’t be color calibrated. personally i don’t believe this will happen but it wouldn’t be the first time a company changed directions as seems to be a rumor. after all isn’t this what kept apple in business through all those lean years?

then there is apple’s manufacturing and related products. see the lengthy New York Times article  ‘how the U.S. lost out on iphone work’ or the human cost of producing ipad or iphones again another  NY Times article  and other foxconn articles. i wonder where the wall street journal is in all of this, oh probably in england testifying before parliament .

when did apple change? i knew apple computers were made in good old usa but hadn’t given it too much thought after that.  i just kept buying their products. making savior  steve jobs a rich man, after all wasn’t bill gates and the dreaded ‘death star of microsoft’ the real enemy, making us use internet explorer, ugh?

but something change at ‘death star’  bill and his wife melinda did go on to start the bill and melinda gates foundation but what have they done for us lately? oh changed parts of the world and helped people, how could the proponent of evil and master of  ‘death star’, who couldn’t see the future of computing and never came up with these cool things we carry around with us call I what-evers.

but steve had apple’s billions stashed in the bank and a vision as to how we should live using his products,  see latest sec report to see everything steve had, now apple is the ‘new death star’ another black hole and dark spot in the earth. people line up around the block to be the among the first to get their hands on I whatever.

who has the last laugh now steve, oh tim clark with his reported $376 million salary a meer pittance compared to apples worth at $500 billion, see ebersole’s blog on all you could do with that stash. but i guess my readers could compile their own list. what would you do with $500/376 billion dollars?

do i really need to add to apples coffers and make the plunge to iphone or ever a smart phone with data. heck i’ve just started using my phones calendar to record appointments and alarms, it does help keep me focused and on time. will i give up my bulky dslr and join the multitudes who how up phones at events. at rock concerts they’ve become the new matches held aloft at the end.

this post is about my quandary about buying a phone, any phone, not about steve over bill and melinda or even tim, who, could spend all their money anyway? it’s not about a government bail out of the auto industry, these people all have money. oh verizon wants $199 for an iphone plus a two year contract plus plan. can i afford this? hey now that i have all this time on my hands because i’ve retired i could get another job that’s if there are any around to pay for the PLAN.

our two grand children both have their own iphones, well if we make that choice then they can show us how to use them. i am sure the apple store has classes on their use for a buck or two. but we’ve also seen thee new 4G samsung stratosphere  which looks good and doesn’t cost us anything except a plan.

then there is motorola and american company producing phones here in america, droid 4 by  motorola. all these choices give me a headache as i’ve just started using my calendar on the phone i’ve got now. odd all the dates i set before daylight savings go off an hour late. oh well better late than never.

i talked to a young salesperson who related he had hacked into his phone to improve it, now when would i ever want to do that? at my age life is to short to bother with that. i just want a phone that is reliable doesn’t notify me ten seconds before turning it self off because of dead battery which my stupid LG phones does.

oh decisions decisions i think it’s time for a nap, wonder what ever happened to my teddy bear?

jene

Dutch drawings at Morgan Library, closes april 29, 2012

April 17, 2012

The Morgan Library & Museum Shows “Dutch Drawings From the Clement C. Moore Collection”

Written by Rupert Haffstader Tuesday, 28 February 2012 23:26

Attention: open in a new window.

New York City.- The Morgan Library & Museum is proud to present “Rembrandt’s World: Dutch Drawings from the Clement C. Moore Collection”, on view at the museum through April 29th. Bolstered by its recent political independence, economic prosperity, and maritime supremacy, the Dutch Republic witnessed an artistic flourishing during the seventeenth century, known as the Dutch Golden Age. “Rembrandt’s World” presents over ninety drawings by some of the preeminent artists of the period, among them Rembrandt Harmensz van Rijn and his followers Ferdinand Bol and Gerbrand van den Eeckhout, Abraham Bloemaert, Aelbert Cuyp and Jan van Goyen.

The Dutch Republic of the seventeenth century was a federation of seven states (Holland, Zeeland, Gelderland, Utrecht, Friesland, Overijssel, and Groningen). The exhibition focuses on artists who worked primarily in their native lands, rather than those whose careers took them to France, Italy, or elsewhere abroad, and highlights the broad spectrum of subjects, portraiture, marine views, landscapes, biblical and mythological narratives, genre scenes, and the natural world—that fueled their creative imaginations.

Among the finest drawings in the exhibition are portraits and figure studies, including two by Rembrandt. “A Beggar, Facing Left, Leaning on a Stick” is Moore’s most recently acquired Rembrandt, and is also the earliest chronologically, dating to 1628–29. Rembrandt executed the sheet during his Leiden period (1625–31), when he was preoccupied with the theme of beggars. This figure, with his tall hat, ample cloak, and walking stick, was deftly sketched with an economical use of pen and ink. Adjusting the pressure on his pen and with it the width of each stroke—thin for the shading of the figure’s face, thick for the darkest side of his hat—Rembrandt worked quickly and confidently to capture the essence of the man, and masterfully suggested the fall of light through a combination of areas of blank paper, such as the hat, and rapid parallel hatching in his face, left leg, and the ground at the left to suggest volume and shadow. “Two Men in Polish Dress Conversing” demonstrates Rembrandt’s powers of observation. An endless variety of people lived in and traveled through the Dutch Republic during this period, and the artist diligently recorded the bustling activity of the world around him. The men represented here are identifiable as Ashkenazi or Eastern European Jews by their long beards and costumes. By the 1640s when Rembrandt created this drawing, he had come to black chalk; this work belongs to a group of some sixty small clusters of figures shown in everyday pursuits. Hendrick Goltzius was one of the most important Dutch artists of the transitional period between the late sixteenth and early seventeenth centuries. His rapidly drawn “Portrait of a Smiling Young Boy” reflects a departure from the artist’s early Mannerist style in favor of greater naturalism following a trip to Italy in 1590–91. His bold, animated pen work masterfully captures the sitter’s lively, smiling eyes. The awkwardly drawn hands may constitute an autobiographic allusion: Goltzius’s own fingers were badly burned and his hand permanently crippled during childhood. David Bailly is represented by three accomplished works, including his 1624 “The Lute Player”. This drawing is one of at least three copies that Bailly made after a celebrated painting by Frans Hals (now in the Musée du Louvre, Paris). Minor differences, such as the straggly strands of hair on the lute player’s forehead and the position of his little finger on the neck of his instrument, suggest that Bailly used as his model an early copy of the original, perhaps by Frans’s brother, Dirck Hals, or his pupil, Judith Leyster. The table, which puts the viewer at a low vantage point, was entirely Bailly’s invention. As well as the portraits, the exhibition contains sections featuring seascapes by Herman Saftleven and Willem van de Velde the Elder, landscapes by Jacob de Gheyn II, Allart van Everdingen and Aelbert Cuyp, genre scenes by Willem Pietersz. Buytewech, Isaac van Ostade and Cornelis Dusart, flora and fauna by Herman Henstenburgh and Pieter Holsteyn II and religious and mythical imagery by Abraham Bloemaert and Rembrandt among others.
Today, The Morgan Library & Museum is a complex of buildings of differing styles and periods covering half a city block. It began as an intimate palazzo-like structure designed by Charles Follen McKim to serve as the private library of financier Pierpont Morgan. “Mr. Morgan’s library”, as it became known, was built between 1902 and 1906 to the east of his New York residence at Madison Avenue and 36th Street. In the years since the Morgan’s incorporation as a public institution in 1924, there have been several additions to the original library building. As the collections grew, the Annex was added in 1928, on the site of Morgan’s home. In 1988, the mid-nineteenth-century brownstone on Madison Avenue and 37th Street, where J. P. Morgan, Jr., lived was also added to the complex. A garden court was built in 1991 to unite all three buildings in the complex. A century after the completion of the McKim building, The Morgan Library & Museum unveiled the largest expansion and renovation in its history. The Renzo Piano design integrates the three landmark buildings with three intimately scaled new pavilions constructed of steel-and-glass panels to create an accessible, inviting setting. Pierpont Morgan’s immense holdings ranged from Egyptian art to Renaissance paintings to Chinese porcelains. For his library, Morgan acquired illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints. To this core collection, he added the earliest evidence of writing as manifested in ancient seals, tablets, and papyrus fragments from Egypt and the Near East. Morgan also collected manuscripts and printed materials significant to American history. Over the years—through purchases and generous gifts—the Morgan has continued to actively acquire rare materials as well as important music manuscripts, a fine collection of early children’s books and manuscripts, and materials from the twentieth century (as well as earlier periods). Nevertheless the focus on the written word, the history of the book, and master drawings has been maintained. Visit the museum’s website at … http://www.themorgan.org

 


Canon 5D Mlll product advisories, opps

April 17, 2012

Product Advisories

Many people have been reporting an issue with the 5D Mark III that Canon has now finally addressed. It seems that when the top LCD backlight is turned on in a dark environment, it’s possible that the camera’s automatic exposure will be affected and the resulting photos will not look correct. For video, this is a non-issue, but the fact that Canon is possibly going to fix or replace 5D bodies out there is a pretty big deal. They won’t go so far as to call it a recall, but it seems that essentially all cameras that have been released up to this point may suffer from the issue.

thanks to nofilmschool

To Users of the Canon EOS 5D Mark III Digital SLR Camera

Thank you for using Canon products.

The phenomenon described below has been confirmed when using the Canon EOS 5D Mark III Digital SLR Camera.
Canon is now examining the countermeasures and once the countermeasures are decided, we will post the information on our Web site.

Phenomenon In extremely dark environments, if the LCD panel illuminates, the displayed exposure value may change as a result of the AE sensor’s detection of light from the LCD panel.

Affected Product
Canon EOS 5D Mark III Digital SLR Camera

Support
Once the preparations are complete, we will be making an announcement on our Web site.

This information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.

Please register the EOS 5D Mark III. By registering, we will be able to notify you via email when service updates are available. If you already registered, please ensure you are opted-in to receive the notification.

Thank you,
Customer Support Operations
Canon U.S.A., Inc

Contact Information for Inquiries
Canon Customer Support Center
Phone: 1-800-OK-CANON
1-800-652-2666
TDD: 1-866-251-3752
Email: carecenter@cits.canon.com
For additional support options: www.usa.canon.com/support