Archive for the ‘Uncategorized’ Category

Cheerleaders Banned from wearing Breast Cancer T shirts

October 14, 2011

Lately it’s almost a everday occurance that i wonder why i ever served in this countries armed forces to protect the american way of life if these types of things go on.

ABC News’ Carrie Gann reports:

Cheerleaders at Gilbert High School in Gilbert, Ariz., can’t wear the pink t-shirts they bought to raise money for breast cancer research because the school’s administrators claim the slogan they bear is inappropriate.

According to a Thursday report in the Arizona Republic, the squad’s shirts say “Feel for lumps, save your bumps,” and the team planned to wear them during the school’s football games during their cheers on the field and while collecting money from the crowd.

Gaylee Skowronek, the cheer booster club president, told the Arizona Republic the administration approved the squad’s plan to raise money, but the school’s principal, J. Charles Santa Cruz, objected to the slogan on the shirts and banned the cheerleaders from wearing them.

“We thought the shirt was age-appropriate,” Skowronek said. “I think it’s hypocritical they would approve a fundraiser for breast-cancer research but they won’t approve a shirt to bring awareness to breast cancer.”

“All we want to do is support the cause and raise money for breast-cancer research,” said Ashlee, 16, a member of the squad.

This is not the first time breast cancer awareness campaigns have caused a stir for edgy messages. The Keep a Breast Foundation makes bracelets and t-shirts that say “I [heart] Boobies” and distributes them to young people with the goal of raising their breast cancer awareness. The bracelets have been banned by several school districts across the U.S., but in April, a federal judge in Pennsylvania upheld public school students’ rights to wear them.

Other breast cancer organizations are more cautious when it comes to supporting campaigns with these kinds of messages.

“While Komen for the Cure tends to stick with more mainstream language about breasts, we do understand that young people talk differently than adults,” said Andrea Rader, the director of marketing communications of Susan G. Komen for the Cure, a network of breast cancer survivors and activists based in Dallas. “We generally support efforts to educate and engage young people, especially young women, about this disease.”

JPG Magazine Breast Cancer Photo contest

October 13, 2011

Breasts… They Need Your Support!

With National Breast Cancer Month (October) upon us (http://www.nbcam.org/), we want to throw our support behind some great organizations that are helping those patients, survivors, families and others that have been affected by this disease.

This Shoot Out photo contest is intended, mirroring the goal of NBCAM, to increase awareness of the disease and to raise funds for research into its cause, prevention, diagnosis, treatment and cure.

Enter your images that promote breast cancer awareness and/or celebrate the beauty, strength, spirit and nurture threatened by the disease. Enter your images that tell a story of inspiration, of strength, of survival. Enter your images that are touching, humorous, sensual, perceptive… real.

We want to really make a splash. We’ve got lofty goals for this contest and would love to see the total raised get OVER $100,000. To do this, WE NEED YOUR HELP! We need everyone to get the word out… share this on Facebook, Twitter, via email. Tell your friends, your neighbors, your clients, your kids’ friends… everyone.

The ‘starting pot’ will be $100 in total, but we want to see a truly inspiring number here. So help us get these numbers growing! Help us demonstrate the power of images to help raise awareness and money to make a difference!

We’ll be updating the prizing as the entries come in, so check back… and enter as often as you can! You’re supporting a great cause!

Remember, a portion of the proceeds from your entry fees will be donated to these fine charities to help in the ongoing battle against this disease:

Susan G. Komen for the Cure, Breastcancer.org, and Standup2cancer (su2c) – you can also visit these links directly to learn more and/or donate.

Once the contest has closed and winners have been announced, the cash prizes will be awarded and the donations paid to the 3 charities.

Enter now~!       JPG Blog

P.S. To do more to advance the discussion, awareness and overall message of breast cancer awareness, prevention, detection, treatment and support check out:

Cafe Express

Zazzle

 

 

 

 

 

The Keep A Breast Foundation

 

 

Check them out. Be aware.

To help spread the word on your site or blog, check out these slogan buttons (and others from Blogaholicdesigns):

Show Your Support- Grab A Badge

good luck all log in or sign up for JPG Community

Art party November 12th, 2011* 6pm- November 13, 2011* 10pm

October 12, 2011

an artist we’ve met, Penelope Fox at Hoboken open studios, is having an art party next month at Hudson Terrace, 621 west 46th Street,, NYC, NY

Terrace-Art-Splatters-Event

this should be an interesting event, so if you’re in town why not drop by and see for yourself what’s going on. am i showing any of my art? i haven’t been invited so i am just passing along this information.

jene

In memory of Ruth Currier 1926 – 2011, Limon Dancer

October 7, 2011

Ruth Currier

A former director of the José Limón Dance Company and a primary disciple of Doris Humphrey, died on October 4, 2011 at the age of 85.

I had toured as the Technical Director/ Lighting Supervisor for the company for Jennifer Tipton while Ruth Currier was the artistic director of the company. In my opinion she was a wonderful lady and it was a pleasure to have had the opportunity to know and work with her. She knew what she wanted and wasn’t afraid to ask for it from me or her dancers. I’ve had the privilege to see her dance in archival films with the original Limon company while we were on tour. The only references I can find to Ruth  in the New York City Public Library, Jerome Robbins Dance Division are taped interviews. Pity as she danced beautifully, the films do live in some college somewhere.

Ruth Currier was born in Ohio as Ruth Miller, she was raised in Durham, North Carolina and attended Black Mountain College where she studied piano with Fritz Cohen and danced with Elsa Kahl. She moved to New York to continue her piano studies and study dance with Doris Humphrey and José Limón. She joined Limón’s company in 1949, and soon began appearing in leading roles and participating in the creation of new works. Her first new dance was Humphrey’s Invention, a trio in which she appeared with Limón and Betty Jones.

Ruth Currier, Jose Limon

Ruth Currier was a prominent performer with Limón for nearly two decades, creating roles in some of his most important and enduring works, such as There is a Time and Missa Brevis. She also created roles in Humphrey classics such as Night Spell and Ruins and Visions.

Currier became increasingly involved in the creation of Humphrey’s works, officially serving as creative assistant throughout the final decade of Humphrey’s life. Humphrey had sketched out her final work, Brandenburg Concerto No. 4, but only managed to complete the first movement before her death in 1958, asking Currier to complete the choreography. It was my pleasure and honor to light the first performance of this dance for the company. Currier’s choreographic apprenticeship coincided with her own growing reputation as a dancemaker, having made an auspicious debut with a 1955 duet, The Antagonists, in which she appeared with Betty Jones. She would go on to create more than fifty works, including Quartet and Toccanta for the Limón Company and the Ruth Currier Dance Company, which she formed in 1958.The Limón Company survives the founders death, Jose, with the help of Ruth Currier…

After five years as artist-in-residence at Ohio State, she returned to New York to direct the Limón Company, having been invited by the dancers to lead them after Limón’s death in 1972. Her five years as director helped make the case that the Limón Company could continue, in itself a formidable achievement at a time when conventional wisdom held that a modern dance company could not survive its founder. A 1975 New York Times article dubbed her “something of a miracle worker”. One of Ruth Currier’s notable achievements as a director of the Limón Company was broadening the repertory well beyond the scope of Limón and Humphrey works. One particularly ambitious acquisition in 1977 was Kurt Jooss’s The Green Table – a work with special personal significance since its composer, Fritz Cohen, had been Currier’s piano teacher at Black Mountain College more than thirty years earlier.

Ruth Currier

Currier resigned from the directorship of the Limón Company in 1978, devoting her efforts for the next twenty years to teaching at the Ruth Currier Dance Studio and at the Limón Institute. Teaching had long been a central focus, with assignments over the years at Julliard, Bennington, Sarah Lawrence, and residencies throughout the world.

Ruth Currier defined the principles of Humphrey and Limón, and established a formal base for using the principles to teach contemporary technique. See her Bio and tribute to Ruth’s teachings on adriaan kas web page.

Steve Jobs, Focus and Simplicity, Mantra rooted in Buddhist

October 6, 2011

Long before Steve Jobs became the CEO of Apple and one of the most recognizable figures on the planet, he took a unconventional route to find himself — a spiritual journey that influenced every step of an unconventional career.

Jobs, who died Wednesday at the age of 56 of pancreatic cancer, was the biological child of two unmarried academics who only consented to signing the papers if the adoptive parents sent him to college.

His adoptive parents sent a young Jobs off to Reed College, an expensive liberal arts school in Oregon, but he dropped out and went to India in the 1973 in search of enlightenment.

Jobs and his college friend Daniel Kottke, who later worked for him at Apple, visited Neem Karoli Baba at his Kainchi Ashram. He returned home to California a Buddhist, complete with a shaved head and traditional Indian clothing and a philosophy that may have shaped much of his corporate values.

Later, he was often seen walking barefoot in his trademark blue jeans around the office and reportedly often said that those around him didn’t fully understand his way of thinking.

“I wouldn’t say Steve Jobs was a practicing Buddhist,” said Robert Thurman, a professor of Buddhist studies at Columbia University, who met Jobs and his “Tibetan buddies” in the 1980s in San Francisco.

“But he was just as creative and generous and went outside the box in the way that he looked to Eastern mental discipline and the Zen vision, which is a compelling one.”

“He was a real explorer and very much to be mourned and too young at 56,” said Thurman. “We will remember the design simplicity of his products. That simplicity is a Zen idea.”

Thurman met Jobs in San Francisco in the 1980s with Grateful Dead drummer Mickey Hart and actor Richard Gere. The discussion was about Tibet.

“It was before the Dalai Lama, and he was very sympathetic and had advice for the Tibetans,” he said. “But he was into his own thing and didn’t become a major player.”

Jobs used Dalai Lama in one of Apple’s most famous ad campaigns: “Think Different.”

“He put them up all over Hong Kong,” Thurman said of the computer ads. “But then the Chinese communists squawked very violently and as my son says, ‘He had to think again.'”

Zen Buddhist monk Kobun Chino Otogawa married Jobs and his now widow, Laurene Powell, in 1991.

Jobs could have just as easily taken his philosophy from the hippie movement of the 1960s. The Whole Earth Catalogue was his bible, with founder Stewart Brand’s cry, “We are as gods.”

The catalogue offered an integrated and complex world view with a leftist political calling. Jobs later adopted the catalogue’s mantra: “Stay hungry. Stay foolish.”

Buddhism a Wake-Up Call for Steve Jobs?

The catalogue also delved into spirituality. In one 1974 article, author Rick Fields wrote that Buddhism is “a tool, like an alarm-clock for waking up.”

That may have been the case for Jobs. He said in his now-famous 2005 Commencement speech at Stanford that he lived each day as if it were his last, admonishing graduates not to “live someone else’s life.”

“Don’t be trapped by dogma — which is living with the results of other people’s thinking,” Jobs said. “Don’t let the noise of other’s opinions drown out your own inner voice.”

In that speech he told students to relish the time to follow their passions, recounting the time after he dropped out, but continued to audit non-credit classes like calligraphy. The elegant typefaces — serif and sans serif — were later introduced for the first time in the Macintosh.

“I didn’t have a dorm room, so I slept on the floor in friends’ rooms, I returned coke bottles for the 5 cent deposits to buy food with, and I would walk the seven miles across town every Sunday night to get one good meal a week at the Hare Krishna temple,” he said. “I loved it.”

Jobs was also influenced by Richard Baker, who was head of the Zen Center in San Francisco from 1971 until 1984, when Baker resigned after a scandalous affair with a wife of one of the center’s benefactors. But Baker helped the center grow to one of the most successful in the United States.

Jobs was receptive to Baker’s message of change, “helping the environment and empowering the individual.”

Jobs admitted to experimenting with the hallucinogenic drug LSD, which he has said was “one of the two or three most important things” in his life.

In an unauthorized biography by Alan Deutschman, a college friend said that Jobs had even been a lover of folk singer Joan Baez, who was 41 at the time, and the attraction was largely because she had also been intimate with another ’60s icon, Bob Dylan.

He was a fan of the Beatles, who also embraced spirituality and made a similar pilgrimage to India. Jobs told television’s “60 Minutes” he modeled his own business after the rock group.

“They were four guys that kept each other’s negative tendencies in check; they balanced each other,” he said. “And the total was greater than the sum of the parts. Great things in business are not done by one person, they are done by a team of people.”

Jobs said that “focus and simplicity” were the foundation of Apple’s ethic.

“Simple can be harder than complex: You have to work hard to get your thinking clean to make it simple,” he told Businessweek in 1998. “But it’s worth it in the end because once you get there, you can move mountains.”

Even the minimalist design of his products — from the first Macintosh to the sleek iPad have a “aesthetic simplicity and keenness of line” that smacks of Japanese Zen, according to Columbia’s Thurman.

Former Pepsico President John Sculley, who eventually fired Jobs, said walking into Jobs’ apartment had the same design feel.

“I remember going into Steve’s house, and he had almost no furniture in it,” Sculley said in a 2010 interview with Businessweek.”He just had a picture of Einstein, whom he admired greatly, and he had a Tiffany lamp and a chair and a bed. He just didn’t believe in having lots of things around, but he was incredibly careful in what he selected.”

Jobs reportedly convinced Sculley to work for Apple when he asked, “Do you want to spend the rest of your life selling sugared water, or do you want a chance to change the world?”

Jobs Gave People Computer Power

Thurman contends Jobs’ greatest success was not necessarily financial.

“It was his initial role in making the PC available to individuals to give them computer power,” said Thurman. “He was democratizing computer power. It was his own inspiration of things and not accepting the status quo and breaking through the power of the people.”

Though Jobs may not have been a devout practitioner of Buddhism, his personal and corporate vision certainly struck the same tone — “wisdom and compassion,” he said.

“Zen vision is that human beings can understand reality if they focus their mind on it and develop wisdom,” said Thurman. “When you do, you have the greater capacity to arrange the nature of things and to help people.”

But the irony of Jobs’ spirituality was that as much as it reflected the most beautiful aspects of the products he made, those very “machines” have in some ways enslaved a generation of users, according to John Lardas Modern, a professor of religious studies at Franklin and Marshall College in Pennsylvania.

Jobs made computers and hand held devices that have allowed people to become “disembodied” on a certain level — “to escape and transcend the mundane reality of bodily existence,” according to Modern.

Such spirituality begs for freedom from the trappings of tradition, he said, but they have a down side.

“These machines are amazing,” said Modern. “For the last 12 hours, I have been seeing people on Facebook and Twitter in praise of how the devices he made allow ease and convenience and empowerment.”

“I love my iPad, precisely because it feels like an extension of my mind and I can’t live without it,” said Modern. “The irony is, these products ground us in a chair behind a desk, behind a computer and in a sense they have pushed us inward?and you don’t have physical connections with others.”

“It cuts both ways,” he said.

originally posted ABC News & Yahoo News

SEE Los Angeles Times story on “Steve Jobs’ virtual DNA to be fostered in Apple University

Jene Youtt

HERE is currently accepting applications to HARP

September 27, 2011

HERE is currently accepting applications to HARP which commissions and develops new hybrid works over a 1- to 3-year period. Our deadline is January 2, 2012.

HERE has been one of New York’s most prolific producing organizations since 1993, and today, stands at the forefront of the city’s presenters of daring new hybrid art. We have a long history of supporting unique and innovative artists, ensuring them the opportunity to develop and perform original work as well as assist them in enhancing their skill in all areas of artistic work. Through the HERE Artist Residency Program (HARP), artists are able to develop their work in a peer-based program designed to nurture new and unique work. Our community of mid-career resident artists meet monthly, show works-in-progress, develop workshop productions, and mount full-scale productions.

For more information regarding the HERE Artist Residency Program and how to apply, please visit: http://here.org/programs/harp/

collapsible Bubi water bottles, see it here first

August 18, 2011

yesterday i had a pleasant distraction as a friend Craig Madaus came over asking me a favor to take some pictures of his new venture Bubi Bottles which doesn’t have a web site yet but will be up next week at http://www.bubibottles.com.

these are pretty neat, soft collapsible bottles that you can roll for storage. more on that when the web site is up and running giving a link to buy them.

this came at a time i am getting ready for our extended car trip across America so i was a bit rushed. the studio wasn’t set up to shoot anything but we moved a table under a strobe lighting position but i felt better shooting this with tungsten lighting so i pulled out some ‘C’ stands to hold the roll of white paper, another to hold bounce card add a couple of Lowel KSA stands and DP lights and we were set to go.

lighting setup

Table top setup

simple right?

Bubi Bottles

single bottle

Bubi bottles collapsed

Bubi bottle rolled up

lonely bottle waiting to be filled

three different colors

as i said this was a down and dirty shoot. not too worried about the double shadows but on some shots i had Craig float in a black flag to try and eliminate the second shadow but we were both in a hurry and that’s not something he’s use to.

i did learn something from this shoot, when ever possible shot tethered to the computer as it makes focusing on the subject much more accurate. it’s not something one should leave to a small low res preview on the camera. on most of these images i stopped down somewhere around F 11  to get the depth of field allowing for everything to be in focus.

what i wound up doing was setting auto focus on then turning it off to fine focus the image. even that wasn’t fool proof so that’s why i said to shoot tethered  and on a tripod of course. but i don’t always think of these things as a spur of the moment things. it’s like lunch another thing i forget to do before my body grabs me saying ‘it’s lunch time’

today as i write this it’s 6pm and i am eating some raw carrots to stave off hunger pains. at least it’s healthy. so i’ll post this and get back to packing for the trip. i am a bit behind but have another day to get everything put together.

jene

Laura Ward/Octavia cup at fringe nyc 2011

August 3, 2011

last week i met a dancer/choreographer Laura Ward/Octavia Cup Dance Theatre

through Linked-in about taking some pictures of her company. she replied that she was in rehearsals with a new piece ‘The Dreaming’ for The 15th Annual Fringenyc  so we agreed to meet downtown at the rehearsal studio. it’s always interested to meet new people and begin working with them especially if none of us have expectations. this suits me fine as i never know what i’d be interested in either.

laura ward, octavia cup

as you can see i start off pretty normal just trying to get a feel of what laura’s work is all about. well today it’s not going to happen because only a few of the dancers are there and they are rehearsing only parts of. why not?

laura ward, octavia cup

as you can see this is a large space with mixed lighting sources which of me is always interesting. hey what are those funny shoes? ballet dancers………….. holy smokes i don’t usually run into these types of dancers.

laura ward, octavia cup

 but i always like to see what would happen if i try this, so i turn towards the mirrors

laura ward & dancers

 then back towards the window

dancer

lets try something different as the dance pieces are all different

laura ward

so i attached my 580 flash with a grid attached for a couple of shots, sometimes the magic works sometimes it doesn’t.

laura and dancers

i am not sure i like this effect either or maybe i am just sick of using it. it really depends on the composition i guess.

another abstract experiment

laura ward

of all the images i took that day this is one of my favs and looking at the order i took them in it was one of the first so maybe i just need to take a fewer images in the beginning then go home.

most of the dancers i’ve worked with like my abstracts best yet i continue my people pleasing ways in trying to get good representational dance pictures. duh it’s not like i am being paid for this work, i do it because i love the art of dance and the ability of creating my own work.

laura’s octavia cup performances of  ‘The Dreaming’are at the 4th Street Theater, 83 East 4th street on 8/13 again on 8/18-8/19, 8/21-8/22 and last performance 8/24. do check the fringe web site  for specific time and place.

jene

www.jeneyoutt.com

BalaSole dance company, creativity talent and humor

August 2, 2011

this past saturday we were invited down to Dance Theater Workshop space to see this company by an old friend  and collaborator who was performing as part of the company. it’s also nice to keep in touch with special people, to know they think of you and want to share their life/work.

Juan Michael Porter II 'BLUE' © jene youtt

what we found is a dance company who’s vision statement says

The vision of BalaSole Dance Company is to promote a balance in the field of concert dance where the general public can experience a dance concert filled with diversity and where artists are able to fully demonstrate their individual artistry.

balasole-dance-company

By building the general public’s sensitivity to the imbalances that exist in the field of concert dance, BalaSole Dance Company hopes to:

–  Expand dance artists’ creative freedom and growth
–  Improve multiethnic representation in dance companies
–  Foster artistic and career mentorship of dance artists
–  Engender artistic collaboration in dance companies
–  Increase visibility for dance artists of all ages, shapes, and sizes
–  Promote versatility of dance artists in varied dance styles
–  Elevate compensation of many dance artists to an appropriate level
–  Increase outlets for emerging dance artists to learn from
professional dance artists
–  Provide dance artists a vehicle by which to showcase their full
artistic talents and identity to other companies for potential
employment
–  Make the art of dance accessible to everyone
–  Broaden opportunities for male and female dance artists to become
soloists
–  Encourage greater male viewership, interest, and participation in
concert dance
http://www.balasoledance.org/

if you’re a modern dancer who is looking for a company to join i would suggest this one. they come in all sizes, shapes, colors and sexes. go to their web site and click on auditions for the next opportunity to join.

the program we saw was a series of short solo pieces very well done with technical virtuosity, creativity and humor. here is a link to one reviewers blog highlighting each dancer http://oberon481.typepad.com/oberons_grove/2011/07/balasole-dance-company-dtw.html and an additional page at http://oberon481.typepad.com/oberons_grove/2011/07/balasole-gallery.html

so i’d suggest keeping an eye out for this highly creative dance company. living here in this city it’s so hard keeping on top of interesting things to do as we are almost overloaded. i know i am. but we are a social group of living organisms so what better place to socialize than in a cool theater watching young talent grow.

can life be better than that?

jene

www.jeneyoutt.com

not all shadows are dark, 2011 Mercury Cougar nationals

July 25, 2011

wow it’s been over a month since i’ve had time to sit down and write about my life and photography. here is the reason, i’ve been working so hard on this ‘ THE CAR PROJECT ‘ and it’s taken over our life.

1970 xr7 convertiable

1970 xr7 convertible

i would suggest if you’re ever thinking of restoring a classic car you pinch yourself until you come back to the real world. everything i’ve heard from people who’ve done this is buy it all ready done.

that’s certainly my advice having spent years crawling around over & under this car spilling my blood in places i never dreamed of, never mind making up new and original curse words. they say let the professionals do if and i probably would if i can find any. there are very few craftsmen out there working on rebuilding classic cars, but they are out there they are few and far between.

not sure how we did it but the last piece of the car came to us, well last piece might be a misnomer as there are always more things you can do, on tuesday before the friday 2011 national cougar car show, in bridgewater nj hosted by the Cougar Club of NJ/PA.

mary drove the xr7 down with me following with the cat behind her, i could just see her head sticking up above the seat but couldn’t get any pictures, oh well. i thought this was pretty cool with both of us going to the show as i never had anyone in my life interested in doing this with me.

Parking lot

i remember my only other national cougar show in 2003 where i was alone which isn’t half the fun. no matter where or when these are always given in parking lots which on hot days aren’t too much fun standing around, but mary came prepared.

mary's umbrella and xr7 convertible

at least the hotel had a swimming pool which we soaked in daily helping to refresh ourselves before dinner.

the first night we arrived there was a cruise through somerville nj which during the summer has a huge impromptu car show with people parking their classic and antique cars along main street along with a dj in front of the church.

main street

1958 impala

we ate a mediocre italian dinner in a restaurant that had signs saying it was a famous nj restaurant. oh well so much for signs unless they come with lightning bolts. but back at the campgrounds and car show.

2011 cougar nationals

more cars

eliminator line

but this post is about our experience at this show. what with all the time spent on judging the cars with mary learning all she didn’t have on the car i.e. stickers and autolite rubber hoses along with some of the wrong parts, not even ford parts. so buyer beware. see the winners pdf list here or offical pictures here.

mary & i

the kiss

we did go to the awards dinner with me not expecting anything because it after all just a learning experience. the hotel offered some strange choices for dinner we kept with chicken which was pretty good considering how lacking in taste everything else was. i always do like to win door prizes as they can be quite nice. when it came to judging my category Daily driver i was completely surprised the Cat won. woo hoo. personally i’d rather gotten the chrome valve covers but hey can’t have everything.

the cat

but this story is about the xr7

1970 xr7

1970 mercury xr 7 cougar convertible

1970 mercury xr7 cougar convertible dashboard

so if you’re driving around the country side and see a red 1970 mercury cougar convertible go by wave and say hello. there aren’t too many of them out there, only under 500 out of 1700 produced.

next is the hard part figuring out where and when we will drive around across the United States and what to see when. we haven’t yet named the xr7 other than SHADOW in memory of our beloved dog who we wanted to share this adventure with. old age and pain had diminished her life where it just wasn’t as much fun anymore. we all have that to look forward to.

Cougars aren’t all that popular with the muscle car people like cameros & mustangs but i love my cars. here is a testimonial from a cougar owner.

I LOVE that cougar! Just that one time that the old lady with the walker (with tennis balls on the feet) and the arthritic fingers (she must have been at least 80 years old) stopped in the middle of the Casey’s parking lot while following her husband into the store and gave me a thumbs up, convinced me that it really is a special car. If I did the math right, that gal most likely was about 25-35 years old when my car was new. And she still thought enough of it to risk letting go of her walker. It just made my entire year…LOL! I laughed on the way out of the parking lot, reflecting on her jesture…her thumb was so bent from arthritis she might have been trying to hitch a ride with me…it really wasn’t straight up in the air, kind of bent off to the side…but I got the message. Every single time I go out in it, somebody tells me how much they like it. Just the fact that they don’t make them any more makes them more valuable to me than any Mustang could ever be.

as that old singing cowboy sang……………’ happy trails to you’

jene

www.jeneyoutt.com