Katarina Jerinic
The Work Office (TWO)
www.theworkoffice.com
Katarina Jerinic
The Work Office (TWO)
www.theworkoffice.com
at Joyce Towbin Chasan Art Source International Gallery at 333 Park Ave. So., NYC, NY 10010, 212 228 5908. This one is so different from the Visaes De Nuit exhibit at the Sous Les Etoiles Gallery of B&W almost abstract soft focus portraits.
in this exhibit Wendy concentrates on the city Paris, France where she has spend a lot of her time, showing us its wonderful Carousel from many different angles which brings back memories of anyone who’s visited Paris. Least we forget the prints of I.M.Pei’s the Louve Pyramid which brought memories of mary’s and my stay just three blocks away on our visit.
Included some of my favorites of those fascinating French hallways. I had only a passing remembrances of them from the french movies of the sixties but here Wendy has captured them in beautiful B&W prints . Anyone who has had an apartment in paris will remember what i am talking about. alas there are no pictures to show you because wendy never sent any over to me.
Joyce Towbin Chasan always has such a warm welcome feeling in her gallery. We first met her during Aneta Barto’s exhibit for Emmanuel Fremin’s gallery who was showing at Joyce’s space. i feel comfortable as if i am in my own living room at her space. mary and i both love talking with her. she seems to be one of those few people who have an open heart and generous nature at least easy to talk to.
also talked with Tracey Henry of Type A Media who had some great suggestions for mary’s and mine Labor of love pic wedding and maternity business. so who knew or knows whom or what they will find once they venture out of their confines? one of the topics of conversations Tracey and i had were about there being no difference between giving and receiving, they both are the same thing.
not a bad evening at all, i’d say a pretty good one.
today i am trying to finish up a Lower Manhattan Culture Council application for a workspace. this is my first time application for anything of this kind. seems collage people take classes in this or are born with these qualities. for me it’s a big push, not in doing my artistic work, just writing about it. glad i took those creative writing courses at the new school. i am sort of stymied at doing a resume, i don’t want a job, i’ve had too many of those. all i want out of this is a clean space to work.
so i needed to put together a cd of images and all the ones i selected are a few years old, lets dig through a HD and see what i can find, it’s always interesting.
these images are part of a commission work for the Parul Shah Dance company advertisement but are my outtakes. originally they had me shooting in a dance rehearsal studio way too small and ugly background, but ‘all we need are the images and we’ll photoshop the background out.’ OK
but i think listening to me and doing these images in a more controled enviroment is better for the images, but hey what do i know
these images are from reshoot in my studio because my camera canon 20d at the time stopped working. it does that every once in a while oh well. so we did these the next day. but i can’t remember if they were happy with the other images or what but i got a couple for me.
odd that some people come through my life briefly and i never hear from them again while others keep in touch, life is that way.
jene
NEW YORK, NY.- A unique exhibition of Hyperphotos by the leading French artist Jean-Francois Rauzier is to open the Goldman Projects Space, New York City’s newest dedicated art space. Mounted by Goldman Projects in partnership with the London based art dealer Waterhouse & Dodd, the show will run from 7th to 29th May at the new Goldman Projects Space in Manhattan’s The Soho Building at 104, Greene Street. The Goldman Projects Space, in Soho, is the brainchild of community preservation developer Tony Goldman. It will offer New Yorkers a major new space to see contemporary art in a setting designed to be imaginative and accessible, including the opportunity to sit down in adjoining space and enjoy some refreshment.
originally posted in Art Knowledge News
Dear Jene,
Thank you for using Canon products.
We apologize sincerely for the inconvenience caused to our customers by suspending the availability of the Version 2.0.3 firmware.
We are now introducing the Version 2.0.4 firmware. This firmware corrects the malfunction that occurred in the previous Version 2.0.3 firmware, in which the manual recording level changed and made recording impossible.
Customers who have the Version 2.0.3 firmware on their cameras should update the firmware to Version 2.0.4.
Functional Enhancements
In the Version 2.0.4 firmware, the following phenomena that occurred with the Version 2.0.3 firmware (which was to enhance the movie functions) have been corrected.
The Version 2.0.4 firmware includes the movie function enhancements listed in items 1 through 5 below, and also incorporates the correction listed in item 6.
Affected Product
EOS 5D Mark II Digital SLR
Firmware
Firmware update Version 2.0.4 is now available for download from the following URL: http://web.canon.jp/imaging/eosd/firm-e/eos5dm2/firmware.html
Notes
Firmware Version 2.0.4 is for EOS 5D Mark II cameras with firmware up to Version 2.0.3. If the camera’s firmware is already Version 2.0.4, it is not necessary to update the firmware.
Movies captured using EOS 5D Mark II cameras with Firmware Version 1.1.0 to 1.2.4 can be played back on cameras updated with Firmware Version 2.0.4. However, if you try to play back movies captured with a camera with the new firmware on a camera with a previous firmware version, the message “Cannot play back image” appears on the camera’s LCD monitor.
It is recommended that you use the latest Canon applications1 to edit movies captured with EOS 5D Mark II cameras that have the latest firmware because some previous versions do not support movie-editing functions and the frame rates that are added or changed by the latest firmware. You can download the latest Canon applications from our Web site.
1 ZoomBrowser EX Version 6.5.0 or later (compatible operating systems: Windows XP/Vista/7)
ImageBrowser Version 6.5.0 or later (compatible operating systems: Mac OS X v10.4/10.5/10.6)
In addition to the enhancements to the movie function, the accompanying instruction manual has also been revised. Users are asked to download both the latest firmware and the latest instruction manual.
(When updating the firmware of your camera, please first read the instructions thoroughly before you download the firmware.)
Support
The following contact information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.
Thank you,
Customer Support Operations
Canon U.S.A., Inc.
Contact Information for Inquiries:
Canon Customer Support Center
Phone: 1-800-OK-CANON (toll free)
1-800-652-2666
TTD: 1-866-251-3752 (toll free)
E-mail: carecenter@cits.canon.com
For additional support options: http://www.usa.canon.com/support
NEW YORK, NY.- The human form, disrobed and displayed in all its glory, is arguably the most enduring motif in the history of Western art. Museums dedicated to art both ancient and modern are filled with nudes rendered every which way: painted, chiseled, molded, sketched and photographed.
They’re just usually not living and breathing. But New York’s Museum of Modern Art (MoMA) will host daily performances of five seminal works by Marina Abramović, three of which feature performers in the altogether. In Imponderabilia (1977), two players stand opposite each other, au naturel, in a narrow doorway. Visitors must brush past them to enter the exhibition—an early, if awkward, example of interactive art. On exhibition 14 March through 31 May, 2010.
and if you time your visit right you can also see a rareity from Germany in “World on a Wire”, 1973. Germany. Directed by Rainer Werner Fassbinder. Pictured: Barbara Valentin. Courtesy: Rainer Werner Fassbinder Foundation.
NEW YORK, NY.- ‘World on a Wire’ (1973), written and directed by Rainer Werner Fassbinder (German, 1945–1982) and based on the novel Simulacron-3 by American author Daniel F. Galouve, will have a weeklong run at MoMA, from April 14 through April 19, 2010. Originally made for German television in 1973, Fassbinder’s revolutionary adaptation has only been shown in America once before, in 1997, as part of a comprehensive Fassbinder retrospective at The Museum of Modern Art.
while i’ve never understood all of his films i’ve always found him interesting and knowing that Michael Ballhaus did some of the cinematography is an education in it’s self.
I first fell in love with Fassbinder for his “Berlin Alexanderplatz” done in 14 episodes, 1980 and shown on PBS when PBS filled it’s mandate of bringing quality television to the airways. now PBS is just a shadow of it’s former self especially the new york stations. i think the nyc stations should be taken off the air.
This went live Monday, but unless you shot something yesterday, it shouldn’t matter that I’m a couple days late with this. Yes, the Canon 5d Mark II, a wonderful camera previously limited to shooting 30p video with automatic, terrible-sounding audio, is now many, many times more valuable thanks to a free firmware update live on Canon’s site. Kind of a big deal:
UPDATE FROM CANON: Recently we have discovered a malfunction that occurs with Firmware Version 2.0.3, in which the manual recording levels for C1/C2/C3 are changed and the camera becomes unable to record audio if the power is turned off (or if Auto power off takes effect) after registering “Sound Recording: Manual” in the camera user settings.
We apologize very sincerely for the inconvenience, but we are going to stop making this firmware available for download. For customers who have already updated to the new firmware, when using the camera with the mode dial set to C1/C2/C3, please either set the sound recording settings to Auto.
We are currently preparing firmware that will correct this malfunction. As soon as those preparations have been completed, we will let you know on this Web site. In the meantime, we apologize for the inconvenience this represents, but please wait until the fixed firmware is ready.
Thanks noschool.com.
Wouldn’t you think canon would have a 5D Mll hanging around the tech support department to test firmware on before they release it? duh
here is something that, if i were a young man or woman interested in a photographic career, i would love to do. but since i am not i’ll pass this along to you my readers. maybe someone out there will benefit from this opportunity.
Howard Schatz
Beverly Ornstein
Schatz/Ornstein Studio
The photographs of Howard Schatz are exhibited in museums and photography galleries internationally and are included in innumerable private collections. He has received international acclaim for his work.
H2O, Schatz’s seventeenth book of photographs, is the third in his series of explorations of imagery made on, over and underwater. Published in the fall of 2007, it is a breathtaking feat of underwater photography and a visionary celebration of movement and form. Working with uncommonly graceful and aquatically gifted dancers, models, and performers, photographer Howard Schatz has found joyous inspiration underwater. The images in H2O take advantage of water’s unique properties- light, clarity, buoyancy, and reflectivity-to create a delightfully serene and otherworldly aesthetic. At once uncanny, lithe, athletic, and mysterious, the figures in Schatz’s photographs transform the pool into studio and stage. Howard Schatz first established a following in the 1990s with two collections of underwater photography, Water Dance and Pool Light. With H2O, Schatz takes the magic of weightlessness and the beauty of dance to new heights. Whether in single portraits or as part of a larger, spectacular ballet, his dancers are as utterly elegant as they are phantasmagorical. They appear before the camera as though borrowed from a dream.
In Character: Actors Acting Schatz’s sixteenth book of photographs, was published in April 2006 by Bulfinch Press. Schatz photographed 100 actors of stage, screen and television, directing them in one-on-one improvisation. Botanica (Bulfinch 2005) and Athlete, (HarperCollins, 2002) were Schatz’s two other most recently published books of photographs. Schatz’s books are known worldwide; other titles include: Nude Body Nude; Body Knots, Passion And Line, and Pool Light. Schatz’s editorial work has been published in magazines around the world, including Time, Sports Illustrated, Vogue, Vogue Italia, GQ Italia, The New York Times Magazine, The New Yorker, Stern, Life, Black/White, American Photo, Photo France, and Photo Italia. His work has been featured on the Today Show, Good Morning America, NPR, Fox Sports Network, the Discovery Channel and widely in Europe.
He has made extraordinary images for such advertising clients as Ralph Lauren RLX, Escada, Sergio Tacchini, Nike, Reebok, Wolford, Etienne Aigner, Sony, Adidas, Finlandia Vodka, MGM Grand Hotel, Virgin Records, and Mercedes-Benz.
Howard Schatz’s fine art work is represented in New York by the Staley-Wise Gallery, in Denver, by Gallery M, and in Los Angeles by the David Gallery. A full listing of other galleries in the United States and abroad can be found in the Galleries section of the website.
Schatz Ornstein Studio Internship/Apprenticeship
Howard Schatz is a fine art and commercial photographer who, along with his wife and business partner, Beverly Ornstein, owns Schatz Ornstein Studio located in Manhattan. Each year, we choose one young photographer, artist or videographer for a year-long, non-paying internship.
During that year we commit to the following goals for the intern:
1. Thorough familiarity with principles of still photography
2. Thorough understanding of studio/imaging workflow
3. Working knowledge of studio lighting
4. Working knowledge of medium and small format digital cameras
These goals are accomplished (among others) through the following:
1. Regular review of work created in the studio And discussion of esthetics as well as technique.
2. Regular review of the work of photographic masters through study of their work
3. Intern to take primary responsibility for all archiving and logging of shoots
4. Intern to take primary responsibility for transfer of files to photographer and digital studio
5. Daily hands-on assisting in setting up of medium format cameras and sets in studio
6. Assisting on location with the handling of 35mm digital cameras
The goal for this internship is to learn, in a professional, working environment, the business, the art and the science of photography. During the course of the year, the intern can learn to master not only a wide range of highly sophisticated technical equipment, but to develop a well-tuned understanding of the subtleties of lighting and camera work in the studio. With training, the intern will take over full responsibility for workflow management of all digital imagery. With demonstrated skill, intern can also function as photo assistant on shoots.
Email a letter of interest and your resume to bjo@schatzornstein.com
well here it is at least a link to the canon web site with a download button and instructions for loading it into your camera. it first time i tried to do a firmware update on my 20D i just couldn’t get it. sometimes when i read something i just don’t understand what i read, but following these instructions step by step is pretty easy.
this page also tells you what the features are in the software for recording video and sound. looks like they have listened to some of the comments on the cinema 5d web site.
if i can do it so should other people.
last night i made the effort to leave my safe warm house to attend two photography show openings. the first gallery was the Aperture Foundation Gallery and Bookstore opening of ‘Angry Black Snake’ by Michael Corridore which runs from 2/25/2010 thru 4/8/2010, 547 W 27th street, 4th floor, New York, NY 10001.
In the words of Aperture book publisher Lesley A. Martin, “Corridore’s project, Angry Black Snake, is an exercise in minimalism. Each image has been pared down to the barest of elements—urgent gestures and barely traceable figures cloaked in smoke and dust. Yet each image pulses with palpable emotional tension, telegraphed by these barest of representational sketches and the subtle shifting colors of the clouds that descend upon each scene like a flimsy curtain.”
but what i found really exciting at aperture was the exhibit ‘ No Singing Allowed‘ Flamenco & Photography which runs 2/6/2010 thru 4/6/2010, with prints supplied from collections from all over the world. Yes they have an accompanying book for sale. in the web page notes
Whether as social phenomenon or musical expression, flamenco has been of enduring interest and inspiration to photographers from the mid-nineteenth century to the present. While some photographers from outside of Spain went in search of it or encountered it by chance, to others flamenco and its practitioners are an essential, if not innate, aspect of their cultural heritage and their photographic work. This artistic form—also considered a way of life or being—has generated fascination in cultured urban circles, remaining one of the most secret, mysterious, and seductive manifestations of twentieth-century European popular art. Marginalized and ostracized, the world of flamenco took root in an economically backward region of southern Europe, culturally peripheral and marked by a history of authoritarianism and local despotisms. This exhibition of more than one hundred and fifty years of images, frequently taken by foreigners rather than Spaniards, is an extensive survey of how photographers of different eras have approached the universe of flamenco, whether documenting the dance itself, gestures that recall it, or the culture that is developed around it.
way cool was the best discovery of the night Wendy Paton’s work at Sous Les Etoies Gallery, 560 Broadway,#205, NY, NY 0012, 212 966 796, runs from 3/11/2010 thru 4/30/2010. her show is called Visages De Nuit consisting of a series of gelatin silver black & white candid night images that are intended to provoke compelling and mysterious emotions of uncertainly .
the gallery program says Wendy Paton ‘allows herself to disappear in order to let her subjects emerge from the night.’ ” my experience is that people act differently a night. they let their guard down.they become who they really are, or they transform themselves into someone,real or imagined,that the want to be. there are seemingly no restrictions at night. life seems to become more free flowing as opposed to how people tend to act in the light of day” she says.
but at the opening Wendy was the shining light with her red hair, busy talking to everybody, it surely was her night and she looked lovely. good luck