Archive for the ‘public art’ Category

proposals from artists for a mural project, queens ny

May 21, 2010

c h a s h a m a

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RFP for MidBlock Parking Garage Mural in Jamaica, Queens, NY

Contact:
Samantha Lewis
chashama Jamaica Studios
Curator & Outreach Coordinator
Samglewis@gmail.com
914.260.7974


Project Description:
The Greater Jamaica Development Corporation (GJDC) is seeking proposals from artists for a mural project in the MidBlock Parking Garage located at 89-35 163rd Street in Jamaica, NY. The goal of the mural project is to enhance the pedestrian pathway that stretches from the entrance to the garage on 162nd street to the entrance on 163rd street. The mural design should be contemporary, colorful and appropriate for a wall 248’ in length and 12’ in height. The mural will seldom be seen front on. For pedestrians viewing the mural, it will be a progressive experience as they move along the pathway. In conjunction with the mural project, GJDC will also be enhancing the pedestrian pathway with new lighting.

Guidelines:
The design should be picture-based, not word-based. Designs that include logos, copyrighted or trademarked images, advertisements, or political, commercial, religious, or sexual symbols, themes or messages will not be accepted. Designs should be appropriate for a diverse, broad-based audience of all ages.

The artist will develop and submit a preliminary visual concept for the mural to be painted on the concrete wall surface. GJDC staff members will review the conceptual design for the mural project and provide feedback to the artist/s before design approval.

Proposals should include the amount of time necessary to complete the mural and materials needed.

Timeline:
Weather permitting; the mural project will begin in July.

Deadlines:
Conceptual Design Proposals due: June 15th, 2010
Artist Selection:                            June 21st, 2010

Artist Compensation:
Compensation for the artists TBD. GJDC will pay for materials.
www.gjdc.org

_______________________________________________

chashama is supported, in part, by public funds from the New York City Department of Cultural Affairs, an award from the National Endowment for the Arts and an award from the New York State Council on the Arts in partnership with the City Council: Council Speaker Christine Quinn, Manhattan Delegation, Council Member Sara Gonzalez and Council Member Daniel Garodnick; and with funds from A.R.T./New York, Carnegie Corporation, Robert Sterling Clark Foundation, Dramatists Guild Fund, Peg Santvoord Foundation, Rockefeller Brothers Fund, Steinberg Charitable Trust, Tides Foundation, and through private donations from individuals. Also supported in part with goods and materials provided through donations to Materials for the Arts, NYC Department of Cultural Affairs/NYC Department of Sanitation/NYC Department of Education.

Kenro Izu; a thirty year retrospective “Sacred Places”

May 11, 2010
Dear friend,
I thought you may want to join Kenro’s talk at the Rubin Museum of Art on Wedensday, May 12th.
For those who are not in NYC, I’m sending this for your information in case you have friends who may be interested.
Hope to see you there!

RUBIN MUSEUM OF ART

presents

KENRO IZU: A thirty-year retrospective

Wednesday, May 12, 7 p.m.  $15*

*includes admission to the museum’s exhibitions beforehand

In this richly illustrated talk, Kenro Izu talks about his life’s work: the renowned series “Sacred Places,” which includes work from holy sites in Syria, Jordan, England, Scotland, Mexico, Easter Island and, more recently, Buddhist and Hindu sites in India, Cambodia, Burma, Vietnam, Indonesia, and China.

Using a custom-made, 300-pound camera, Izu creates negatives that are 14 inches high by 20 inches wide. The resulting platinum palladium prints are widely recognized as being among the most beautiful prints in the history of the medium. Kenro Izu’s Thirty Year Retrospective, a stunning collection of the artist’s most powerful work to date marks the thirtieth year of the ongoing “Sacred Places” series. This gorgeous new monograph published by Nazraeli Press comprises some 100 plates, beautifully printed in duotone on matt art paper and bound in Japanese cloth and will be on sale at the book signing following the talk. This is Kenro Izu’s third talk at the museum.

His work has been the subject of two exhibitions here, the most recent being Bhutan: The Sacred Within (2007).

RUBIN MUSEUM OF ART

150 WEST 17 STREET, NEW YORK CITY  www.rmanyc.org

Buy tickets on line here: www.rmanyc.org/tickets or call 212.620.5000 x344

Christie’s New York announces the Prints & Multiples Sale

April 26, 2010

mary and i took a stroll  this sunday went over to christie’s to see some very fine prints. christie’s is one of the excellent free perks new york has to offer.all the usual big names with three small prints from an artist we discovered in Pistola , Italy, his birthplace, Marino Marini who’s a sculptor and print maker, one of his main themes are horses.

we did see something unusual in the handling of prints as a sale associate was showing a print to a perspective customer. the sales associate nor the customer wore the usual white gloves, they didn’t actually touch the printed surface but did feel the paper the print was on under the matt. odd because i’ve always thought that any human oils weren’t good for papers.

oh well the exhibit was pretty cool.

NEW YORK, NY.- Christie’s New York announces the Prints & Multiples Sale on April 26 and 27. The auction features 482 lots including an impressive variety of American, Modern, Post-War, and Contemporary prints estimated in the region of $7 million. Highlights in the sale include works by Edvard Munch, as well as Works from the Collection of Michael Crichton — best-selling author, screenwriter, film director and producer — and Pop Art prints by artists such as Andy Warhol, Jean-Michel Basquiat, and Roy Lichtenstein.

Works from the Collection of Michael Crichton
The Print Department will offer Works from the Collection of Michael Crichton. Crichton was renowned for his riveting scientific thrillers such as The Andromeda Strain, Jurassic Park, Timeline, The Lost World, Rising Sun, and State of Fear, as well as the dramatic television series ER. This rich collection of Post-War prints will be spread over three sales including the Prints & Multiples Sale on April 26-27, the Post-War & Contemporary Art Evening Sale on May 11, and the Post-War & Contemporary Art Day Sale on May 12. The Prints & Multiples Sale will contain a selection of fourteen prints from the collection. Among the works to be offered are two prints by Jasper Johns, Two Flags (Whitney Anniversary) (ULAE 207) (estimate: $20,000-30,000) and Light Bulb (ULAE 170) (estimate: $5,000-7,000).

Marc Chagall, (1887-1985), “Four Tales from Arabian Nights”, Pantheon Books, NY, 1948. (Mourlot 36-47; Cramer books 18). Estimate: $300,000 – $400,000. Photo: Christie’s Images Ltd., 2010Prints by Edvard Munch
Leading the sale are three rare and distinguished prints by the Norwegian artist Edvard Munch. The works Der Kuss (estimate: $150,000-250,000), Madonna (estimate: $350,000-500,000), and Das kranke Kind I (estimate: $100,000-150,000) are each intimate and emotionally charged images. The intertwining nude bodies in Munch’s Der Kuss create a physical and psychological tension, as the viewer becomes a voyeur peering in on the lovers’ intimate embrace. First shown in Oslo in 1895, Der Kuss was considered so provocative that officials decreed it immoral and prohibited it from exhibition. An equally evocative image, Madonna is often assigned an eroticized interpretation. The dark background of the Madonna frames and isolates the nude torso in the center of the composition, emphasizing the significance of her sexuality. In contrast to the swirling blackness behind the figure, the relaxed face of the Madonna creates a sense of peacefulness and calm. One of Munch’s most acclaimed subjects, it is a work for a true connoisseur.

Pop Art Prints
A robust selection of Pop Art works are offered in the Prints & Multiples Sale including works by Andy Warhol, Jean-Michel Basquiat, Roy Lichtenstein and Tom Wesselmann Nude with Yellow Pillow (estimate: $100,000-150,000), a later work by Lichtenstein, is a homage to his own oeuvre. Toward the end of his life the artist reflected on his own career and art historical legacy through new experimentation in his work, creating works that were self-referential. The figure in the print references art historical nudes while also suggesting that Lichtenstein believes himself to be a part of that tradition. And yet the confrontational gaze of the women rendered in a Pop style also marks his break from that convention, a suggestion of how the artist would like to be remembered.

American Prints: George Wesley Bellows
A selection of American prints, including eight works by George Wesley Bellows, also highlight the sale. Bellows was a member of the Ashcan School and was famous for depicting images of class struggle. Splinter Beach (estimate: $6,000-8,000) and Tennis (Tennis Tournament) (estimate: $4,000-6,000) are both scenes indicating the rise of social mobility in the United States. In these prints members of the middle class are taking part in leisurely pastimes, spending a day at the beach and watching a tennis match. Before the turn of the century, leisure activities were only enjoyed by high society; Bellows shows that times were changing. His images have a rigorous quality which reflects the tumultuous nature of the class struggle. This extensive selection of lithographs provides iconic examples of Bellows’ unique style.

new york is a crazy town, MOMA nude show & others

April 19, 2010

well seems the moma nude show is going well according to expectations but some of the guest are getting a bit frisky. see an article in the new york times about some of the repercussions of inappropriate actions or touches.

now one of my zen teaches explained why we have skin and didn’t  ooze out all over the place as we moved. our skin is there so we can touch the world. i understand personal privacy and don’t like the thought of just anyone touching me. but people get so upset when they bump into me or brush by them uttering an ‘excuse me’. to me it’s just one of these things. we touch the earth or people.

i also don’t like the idea of being touched or groped on the subway bus or what ever by any dirty old woman or more likely man so i wonder how these people are raised. there are times people and places i do like to be touched as i guess we all do.

on another story seems people are responding to another public art event

A sculpture of a human figure by artist Antony Gromley, is seen on display on a rooftop over looking the streets near madison park in New York. the realistic looking sculptures, which are part of the installation Event Horizons which will be on view through Aug 15, 2010, prompted the New York City police department to issue an advisory to mitigate worries that real people were on the edges of buildings.-EPA/Justin Lane

NEW YORK, NY (AP).- New York City police have responded to 10 calls in the past few weeks from residents concerned that life-size body casts gazing down from buildings are real people preparing to jump. The work by Antony Gormley consists of 31 life-size figures of the artist cast in iron and glass fiber. The sculptures were installed on pathways, sidewalks and rooftops of buildings surrounding Madison Square Park for an exhibit called Event Horizon that began March 26. The NYPD had alerted the public to the exhibit so they would know the figures were not residents in distress and ready to jump.

Police received a 911 call Wednesday at the Empire State Building, where one of the figures is located. A Yale University student had really jumped to his death from the building March 30.

Mayor Bloomberg was asked at a midtown press conference about the lifelike statues on building ledges – part of a public art exhibit called Event Horizon – that have triggered a rash of 911 calls from people reporting possible suicide jumpers.

The mayor denied the frequent 911 calls, saying there were only a “handful,” and said the solution wasn’t taking down the exhibit but, rather, publicizing it so people know what’s going on.

“If you give enough press, if your Arts section really writes a story about this, then people will know that it’s great art — including our Police Department,” Bloomberg said.

Then, pausing awkwardly, he recalled that he’d already done his part for the event’s publicity by attending the opening and gazing — just so — at one of Antony Gormley’s anatomically correct statues.

“My recollection is you did write — was it your newspaper or another one that had a picture of Madison Square Park when I was walking by one of the statues?”

The mayor then turned beet red and, as a room full of reporters and city officials burst out laughing, added: “I mean, I don’t know what we can do to get publicity. You can’t have it both ways.”

His press secretary, Stu Loeser, also a sporting a fine shade of crimson, then intervened.

“Last question,” he said.

http://www.artknowledgenews.com/

Who said New Yorkers don’t respond to art?

Jene


Call For Artists and Photographers (Center City Philadelphia)

March 25, 2010

Artists and Photographers are invited to submit work(s) to the “Black and White” open juried exhibition to be held April 4th to April 23rd, 2010 at the Plastic Club, 247 South Camac Street ( Between 12th and 13th, Locust and Spruce Sts.). You may submit one to two works that must not have any other color in them other than Black and White and shades of grey. Work will be taken in on Friday and Saturday, March 26th and 27th from 10 AM to 3 PM. Go to our web site plasticclub.org for the full prospectus. Click on “Exhibitions”.

Want to be part of the modern WPA ?

March 25, 2010
The Work Office (TWO) is now hiring!

Visit www.theworkoffice.com to apply. We are accepting applications on a rolling basis through April 30th.
The Work Office (TWO) is a multidisciplinary art project disguised as an employment agency. Informed by the Works Progress Administration (WPA) of the Great Depression in the 1930s,
TWO is a gesture to “make work” for visual and performing artists, writers, and others by giving them simple, idea-based assignments that explore, document, and improve daily life in New York City. From a temporary, publicly accessible storefront office, TWO’s administrators will hire employees, exhibit work, and distribute Depression-era wages during weekly Payday Parties. You are invited to submit an application online, choosing from one of the following assignments:
Build a bridge
Document a need for repairs
Make a regional travel guide for your block or neighborhood
Record an oral history
Reinterpret a newspaper photograph
Design a poster to promote something
Catalog existing WPA structures in New York
Make a mixed CD related to…
Give a concert for your houseplant
Start an American tradition that you’d like to be preserved
Assign yourself
A TWO administrator will contact and interview applications of interest.
Once hired, you will have a week to complete your assignment, for which you will be paid $23.50, the weekly wage for an artist in the Federal One Project (the arts division of the WPA).
TWO will hold a Payday Party at the office at the end of each work week: April 23, May 7, and May 21. Employees will collect their wages and the public will be invited to view the week’s works and learn about the project.
We are accepting applications on a rolling basis through April 30, 2010. Please visit our website
www.theworkoffice.com for details and an application. Questions? Write us at: apply@theworkoffice.com
The Work Office (TWO) is made possible by Lower Manhattan Cultural Council’s Swing Space
program; project space at 156 William Street is donated by Capstone Equities. Additional funds are provided by a grant from the Black Rock Arts Foundation and donations from generous individuals.

Katarina Jerinic
The Work Office (TWO) 
www.theworkoffice.com
917 751 5589

New York City’s Newest Art Space Opens With Rauzier ‘Hyperphotos’ Exhibition

March 23, 2010

Jean-Francois-Rauzier-Evolution

NEW YORK, NY.- A unique exhibition of Hyperphotos by the leading French artist Jean-Francois Rauzier is to open the Goldman Projects Space, New York City’s newest dedicated art space. Mounted by Goldman Projects in partnership with the London based art dealer Waterhouse & Dodd, the show will run from 7th to 29th May at the new Goldman Projects Space in Manhattan’s The Soho Building at 104, Greene Street. The Goldman Projects Space, in Soho, is the brainchild of community preservation developer Tony Goldman. It will offer New Yorkers a major new space to see contemporary art in a setting designed to be imaginative and accessible, including the opportunity to sit down in adjoining space and enjoy some refreshment.

originally posted in Art Knowledge News

Live Nudity at the Museum of Modern Art in NYC

March 19, 2010

NEW YORK, NY.- The human form, disrobed and displayed in all its glory, is arguably the most enduring motif in the history of Western art. Museums dedicated to art both ancient and modern are filled with nudes rendered every which way: painted, chiseled, molded, sketched and photographed.

They’re just usually not living and breathing. But New York’s Museum of Modern Art (MoMA) will host daily performances of five seminal works by Marina Abramović, three of which feature performers in the altogether. In Imponderabilia (1977), two players stand opposite each other, au naturel, in a narrow doorway. Visitors must brush past them to enter the exhibition—an early, if awkward, example of interactive art. On exhibition 14 March through 31 May, 2010.

and if you time your visit right you can also see a rareity from Germany in “World on a Wire”, 1973. Germany. Directed by Rainer Werner Fassbinder. Pictured: Barbara Valentin. Courtesy: Rainer Werner Fassbinder Foundation.

NEW YORK, NY.- ‘World on a Wire’ (1973), written and directed by Rainer Werner Fassbinder (German, 1945–1982) and based on the novel Simulacron-3 by American author Daniel F. Galouve, will have a weeklong run at MoMA, from April 14 through April 19, 2010. Originally made for German television in 1973, Fassbinder’s revolutionary adaptation has only been shown in America once before, in 1997, as part of a comprehensive Fassbinder retrospective at The Museum of Modern Art.

while i’ve never understood all of his films i’ve always found him interesting and knowing that Michael Ballhaus did some of the cinematography is an education in it’s self.

I first fell in love with Fassbinder for his “Berlin Alexanderplatz” done in 14 episodes, 1980 and shown on PBS when PBS filled it’s mandate of bringing quality television to the airways. now PBS is just a shadow of it’s former self especially the new york stations. i think the nyc stations should be taken off the air.

jene

Eastern State Penitentiary in Phila. Pa seeks art proposals

March 10, 2010

Eastern State Penitentiary Historic Site located at 22nd & Fairmount Avenue
Philadelphia, PA 19130, Phone: (215) 236-3300

Eastern State Penitentiary Historic Site seeks proposals for its 2011 tour season. The historic site will fund a maximum $7,500.00 per project. This funding includes approval to exhibit during the next exhibition cycle. All projects that are approved will be installed for one full tour season (March through November), unless the artist proposal states otherwise.

The proposal deadline (for all funding and approvals) is Tuesday, June 15, 2010 at 4 pm. This is not a deadline for a postmark, but for delivery at the historic site.

For additional information, including the 2011 Guidelines, Current Installations, Past Installations and Sample Proposals, please see: http://www.easternstate.org/exhibits/guidelines.php or just view past exhibits at http://www.easternstate.org/exhibits/

jene

calling all artists

March 8, 2010

CALLING ALL ARTISTS!!!!

(Filmmakers, Visual Artists, Sculptors, Musicians, & Performers)

Interested in presenting your work in an untraditional raw space in Williamsburg???

The Northside Town Hall Community and Cultural Center Inc., (NTHCCC) is looking for artists to present their work in the currently vacant Engine 212 Firehouse – the future home of the NTHCCC.

Art Happening Series 2010 Dates:

April 9th June 11th
May 7th July 9thth
August 6th

VISIT: WWW.NTHCCC.ORG to download an application NOW!!

All applicants MUST attend a site visit on March 20th from 2pm- 4pm before submitting their proposal.

Deadline for Applications is March 31st, 2010 in the office-

postmarked applications will NOT be accepted.

NTHCCC Art Happening Series-

where activism, art and culture stand together

Have Questions? Contact Art Happenings Producer- Jackie Moynahan at arts@nthccc.org or 516-647-9555

jene