Archive for the ‘Photography’ Category

Revelations: Unlocking Diane Arbus’ Composition Techniques

April 8, 2014

this is an interesting read of an interesting photographer, does it explain her life?

Kris Phan's avataroptical collimator

“Child with A Toy Hand Grenade” taken by Diane Arbus. Central Park, NY. 1962. “Child with A Toy Hand Grenade” © Diane Arbus

As I was sitting in my living room flipping through the pages of Diane Arbus Revelations, I realized that all of her photographs shared the same visual element. Not the perversity or the freakish that my mind continuously sipped at her photos throughout the years. It was the identical arrangement repeated to the same effect in all of her photographs. Most of her subjects were presented almost

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session #2…….. flowers & frustration = creativity

January 15, 2014

ever since i can remember i’ve been trying to find out how things work. i can’t count the toy cap guns and other toys that i couldn’t figure out how to put back together again so they worked. but after reaching my quota of toys to learning ratio i figured out where the original springs, screws and various parts went, BANG i was back in business.

and so it is with the rest of my life. i never became an expert at one thing but more of a ‘Jack Of All Trades’ or in other words an artist. i don’t claim to be a photographer because there are so many other ones out there that know a hell of a lot more than i do.  heck i’ve got to remind myself to take off the lens cap.

i am in awe of real photographers who ply their trade making wonderful pictures, right exposure, timing and location along with a clear vision which i seem to lack.

i am lucky enough to be part of photo salon, a group of heavy duty togs including Howard Schatz,  Jack Reznicki  and Jay Maisel, well i am not really part of, more like an observor of their work. they’ve never asked to see my work so i guess saying i am part of isn’t correct. I sometimes go over to SVA to see the monthly presentations. oh well i learn from them anyways. one of Jay Maisel’s pictures of the Venice canals changed how i looked at things in the world of photography and i told him so. he liked hearing that.

i’ve a portfolio on model mayhem website which is mix of all levels of photographers, models, makeup people, etc. we all need to start somewhere. I don’t do fashion, beauty or comp cards, so why am i there, i’ve asked myself that many times. but as i say i am an artist who takes pictures and why not be there?

there are occasions when i meet someone there who just clicks with me, so that’s enough reason. i am working with an artistic  person, a fellow traveler as it were who clicks. of course she is a designer along with a beginning model so we both have a chance to learn from each other. This weeks assignment we trying to glue flowers on her body, starting with her breasts, something left over from my flower power days which she’s totally ignorant of. ah youth…..

beginning experiment

beginning experiment

What we tried to use to adhere the flowers was eyelash glue to be gentle on her areolar. one yellow one whitish.

cutting the flowers from the stems the leaves fell off the centers and had to be glued each leaf at a time which took her hours.

flower experiment

close up

close up

so now what do we do now that this isn’t working?

retouched image

retouched image

China doll, as i’ve called her here suggested we do some plastic drop cloths shots which we had discussed a while ago. sure why not? but we didn’t have much set up time. i pulled a lowel dp and stand out with a full blue placed it behind a sheet of plastic and around a corner of a hallway  as a back light/key. her tungsten key light consisted of  a mini mri 75w  clear spot coming from the left between sheets with a frost gel. i white balanced camera to tungsten to match her key light. not the idea lighting locations but far enough away from the plastic to not melt it.

dropcloth test

dropcloth test

test

test

pretty boring right? So this is where my painting skills come into play. i guess all that money and hours of being a student and teaching assistant at ICP photoshop classes paid off somewhere. i always do something to my images, darken the corners do this or that. heck i did the same in the darkroom though i wasn’t as good at it then.

gold tint

gold tint

white bouquet

white bouquet

and these two we both like, i guess because she is relating to something we all see. i understand it’s so hard modeling and figuring out where to place my hands, eyes or feet. working together as a unit creating on the fly and we are not professional or experienced takes a bit of learning to trust in the process. maybe that’s the creativity part, just relax listen to the inner voices, whatever feels right.

who will buy my lovely flowers?

who will buy my lovely flowers?

 usually the image below would wind up in the trash but thanks to jay maisel it’s a keeper for me

abstract

keeper

http://www.jeneyoutt.com

Wet Plate Collodion Photography within Hand Blown Glass

January 8, 2014

Life is so amazing with all kinds of opportunities out there, here is an interesting young artist i found on Creative pro com

Some of the most interesting expressions of creativity can come from the combination of seemingly unrelated art forms. Case in point: a Kickstarter project by San Francisco artist Emma Howell, whose idea is to combine wet plate collodion ambrotypes (think: Matthew Brady Civil War era photography) and glass blowing. Here, the photographic “plates” can actually be bowls. The process and results are unique, beautiful, and just about as far from the throwaway, instant gratification of modern mobile photography as you can get.

Wet plate Collodion Photography within Hand Blown Glass

or to see the history of The Wet Collodion Plate process it self follow the link below.

since her project is fully funded now i am not sure how to be involved other than to keep track of her on the web. maybe one can still contribute to the project helping her along on the creative trail.

that’s all for today back to copying images and backing up files from our Russian trip. ugh or maybe add some images to my web site, haven’t done that in a while. the spiders are wondering jene who?

jene

Boston charlie and a few friends wish you all the best

December 22, 2013

Deck Us All With Boston Charlie

This is my favorite christmas carol, remembering it always brings a smile to my face. There are at least three versions of this famous Pogo comic strip by Walt Kelly Christmas carol:

The most famous version:

Deck us all with Boston Charlie,

Walla Walla, Wash, and Kalamazoo!

Nora’s freezin’ on the trolley,

Swaller dollar cauliflower Alleygaroo!

Don’t we know archaic barrel,  Lullaby Lilla Boy, Louisville Lou.

Trolley Molly don’t love Harold,  Boola Boola Pensacoola Hullabaloo!

Then there is Beauregard’s version:

Bark us all bow-wows of folly,  Polly wolly cracker n too-da-loo!

Donkey Bonny brays a carol,  Antelope cantaloup, ‘lope with you!

Hunky Dory’s pop is lolly gaggin’ on the wagon,  Willy, folly go through!

Chollie’s collie barks at Barrow,  Harum scarum five alarum bung-a-loo!

We also have this third version:

Duck us all in bowls of barley,  Ninky dinky dink an’ polly voo!

Chilly Filly’s name is Chollie,  Chollie Filly’s jolly chilly view halloo!

Bark us all bow-wows of folly,  Double-bubble, toyland trouble! Woof, Woof, Woof!

Tizzy seas on melon collie!  Dibble-dabble, scribble-scrabble! Goof, Goof, Goof!

But no matter what the words are or who’s doing the singing it’s the joy of being connected with other human beings 
fuzzypictures Xmas card'13

this picture is my wife’s nice ice photo, with this we wish you all the best in this coming year. take care and be safe……….

mary &  jene

Merry Christmas to thieves in La

December 13, 2013

Lenses and other gear Stolen from a LA film set, i’d hate to be that assistant camera person. so many things are laying around a film set and security is often left to PA’s (production assistants) fresh out of film school.

Leica-Summilux-C-cinema-lenses

A late-breaking holiday shopping tip: If someone offers you a screamingly good deal on a Leica Summilux-C movie lens, be very suspicious. That’s because there’s currently $500,000 worth of stolen gear floating around the black market — including a $200K set of Summilux-C lenses — that was taken off the set of a Los Angeles film shoot..

The theft happened this last Sunday, December 1st, when a total of eight extremely expensive lenses belonging to CPT Rental of Long Island City, NY disappeared from the shoot, along with some Zeiss Ultra Prime lenses and a digital cinema camera.

500K-Lens-Theft_02

The Summilux-C, introduced in 2011, is Leica’s premiere line of prime lenses for video/movie cameras, favored by cinematographers for their minimal distortion, wide apertures and yummy bokeh. Those lenses alone made up $200K of the stolen goods.

They’re available in focal lengths of 16, 18, 21, 25, 29, 35, 40, 50, 65, 75 and 100mm and have been produced in limited — and very expensive — quantities. Which is why most are used via rental services, at rates of around $300 a day.

Both the LAPD and the FBI have been contacted and are investigating, while CPT is doing its part to recover the stolen glass by distributing fliers among film industry contacts describing the theft and listing the serial numbers of the hot lenses.

 

(via La Vida Leica!)

i wonder if they are offering a reward

 


 

Correction: This post originally stated that the lenses in question cost $500K. That was incorrect. The Cine lens set was valued at $200K. The $500K total in stolen goods also included a set of Zeiss Ultra Prime lenses and a digital cinema camera. Thank you to CW Sonderoptic for getting in touch with us to clarify!

 

 

thanks petapixel

jene

 

 

 

Young female model first shoot

December 1, 2013

As mary said in her NY metro blog posting about this photoshoot “Things don’t always go as planned… but it doesn’t mean that it has to turn out bad… just different” and so it was with this one.

China doll a young graphic designer discussed working with me on something creative. we began with her concept of a golden gift, something soft and warm like a woman’s body, working with a young woman who never modeled before but is a creative and expressed her interest in modeling. well isn’t that what it takes and being interested in learning? i hope i never loose that myself. i think half the process is just showing up an be willing to learn that’s most of what i do.

she is unlike so many other young wanttobe models who think it’s a glamorous life and guys tell them all the time, hey you should be a model, yea right on your way to riches and fame jump in this bed with me, well you know the rest.

it’s a lot of hard work, takes knowledge of the form, practice, practice, and more practice along with a hell of a lot of luck. many are called, few are chosen. hey what do i know i don’t deal in the world of professional photography. i am just a hobbyist or artistic hobbit, never really sure what i am.

thank goodness my early pictures were done on film which was easy to dispose of. as i recall helmut newton  had a pretty rough start. tho i am not in helmuts league nor do i think i ever will be, i am just saying.  creatively i just try to be open and go with the flow, showing my hippie roots.

oh well, on to the reason i struggle with this technology. hum a gift [naked woman] without wrapping paper, oh wait i’ve got some of this silver mylar so we begin this picture story of salome our china doll.

silver mylar with hands

but out of four tries coming out of the hershey wrapper i wasn’t able to get much i liked. it was hard for her to stand from a kneeling position.

young nude chinese woman

but i am always trying this and that but if this isn’t working why don’t i try going in closer?

young nude chinese woman

what i should have done in the beginning as the body paint was being applied by china doll  is be there supervising more, i did ask a mm make up person to join us but never heard back.

young nude chinese woman

but instead i just dropped in occasionally seeing how it was going but staying on the sidelines i never got the base i was looking for, it got out of hand.

young nude chinese woman

the model was having some difficult time finding the light and i am changing it as we go turning this on this off,  i should have articulated more what i wanted with the body paint. like what happened around her eyes below.

young nude chinese woman

 live and learn.

but below is my favorite of all the images. i don’t expect to get a lot of images out of a shoot i am happy if i get one. i think there is a softness and sensuality here as bob dylan said in the song Just like a woman ‘she breaks like a little girl’

young nude chinese woman

Why people pay so much for art…………………

November 29, 2013
The man who sold the Art world
Zwirner at home, with a painting by Raymond Pettibon. “Nobody’s selling expensive stuff like we do with the frequency we do,” Zwirner said. “This is an industry in its golden age.”

Zwirner at home, with a painting by Raymond Pettibon. “Nobody’s selling expensive stuff like we do with the frequency we do,” Zwirner said. “This is an industry in its golden age.” Photograph by Pari Dukovic.

 Very important people line up differently from you and me. They don’t want to stand behind anyone else, or to acknowledge wanting something that can’t immediately be had. If there’s a door they’re eager to pass through, and hundreds of equally or even more important people are there, too, they get as close to the door as they can, claim a patch of available space as though it had been reserved for them, and maintain enough distance to pretend that they are not in a line.

Prior to the official opening of Art Basel, the annual fair in Switzerland, there is a two-day V.I.P. preview. In many respects, the preview is the fair. It’s when the collectors who can afford the good stuff are allowed in to buy it. After those two days, there isn’t much left for sale, and it becomes less a fair than a kind of pop-up museum, as the V.I.P.s, many of whom have come to Basel from the Biennale in Venice, continue on, perhaps to London for the auctions there. The international art circuit can be gruelling, which is why pretty much everyone who participates in it takes off the month of August, to recuperate.

The Basel preview began at 11 a.m. on a Tuesday in June. The meat of the fair was in a gigantic convention center on the east side of the Rhine. The dealers’ booths were arrayed along two vast rectangular grids, which enclosed a circular courtyard that resembled a panopticon. The fair occupied two floors. The bottom one featured blue-chip art, offered by the powerhouse dealers; Picassos and Warhols could be seen among more contemporary work. Upstairs, for the most part, was younger work, exhibited by smaller galleries.

On the morning of the preview, after a champagne breakfast in the panopticon, the V.I.P.s gathered at the doors, under the watchful eye of guards in berets and dark crewneck sweaters. Through a window in the door, you could see, down the hall, the dealer David Zwirner, with his sales staff huddled around him, as though for a pep talk. The Zwirner booth was just past the Fondation Beyeler’s. (The Swiss dealer Ernst Beyeler, who died in 2010, was one of Art Basel’s founders and its presiding spirit.) Zwirner comes in force: he had about a dozen salespeople with him, a mixture of partners, directors, and associates, as well as a platoon of assistants and art handlers. A few minutes before the doors opened, they took up positions in a sales-floor spread defense. Bellatrix Hubert, a Zwirner partner, pantomimed a gesture of being slammed by an incoming flood. The doors parted, and the buyers poured in.

read the rest of this post : Here  from The New Yorker.

French newspaper removes all images

November 24, 2013

French newspaper removes all images in support of photographers

liberation-04

To coincide with Paris Photo’s opening, French newspaper Libération has chosen to remove all images from its 14 November issue in a bid to show the power and importance of photography at a time when the industry is facing unprecedented challenges, say the newspaper’s editors

Author: Olivier Laurent

15 Nov 2013Tags:Business

“A visual shock. For the first time in its history, Libération is published without photographs. In their place: a series of empty frames that create a form of silence; an uncomfortable one. It’s noticeable, information is missing, as if we had become a mute newspaper. [A newspaper] without sound, without this little internal music that accompanies sight,” writes Brigitte Ollier, a journalistLibération‘s Culture desk.

Ollier is right, and by choosing to maintain the newspaper’s usual design – with its articles flowing around the spaces where images should have been shown – Libération has succeeded in its attempt to show the power and importance of photography in our understanding of world events.

The French newspaper explains its decision with these opening words, published on its front page: “Libération vows an eternal gratitude to photography, whether produced by photojournalists, fashion photographers, portraitists, or conceptual artists. Our passion for photography has never been questioned – not because it’s used to beautify, shock or illustrate, but because photography takes the pulse of our world. To choose Paris Photo’s opening day to “install’ these white images highlights our commitment to photography. It’s not a wake, we’re not burying the photographic art […] Instead we give photography the homage it deserves. Yet, no one can ignore the calamitous situation press photographers now find themselves in, especially war photographers who risk their lives while barely making a living. And for those whose work went on show today in the Grand Palais thanks to shrewd gallery owners, we might think that the odds are in their favour, but it’s all smoke and mirrors: the art photography market is currently confused.”

Here are a series of shots of the special issue:

liberation-01

liberation-02

liberation-03

A flatplan with the missing images is included at the end of the newspaper, this time with all articles and written materials removed:

liberation-05

[For access to high-res versions of these images for media use, email Olivier Laurent at bjp.news@bjphoto.co.uk – usage is free if referencing and linking back to this article]

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the problem is how to get out of New York……….alive

September 8, 2013

of course when one makes a decision to go one way another direction pulls in the another. so it is with this series i’ll call a somewhat learning experience. i was hired by this productions company to do lighting for a video of theirs in texas. they loved my lighting in my portfolio. all we needed to do was meet, agree to a price and shake hands.

but, yes here it comes, could you do an outdoor shoot of our dancers to show to our people. well most if not all of my portfolio is studio stuff. can i light outside, well sort of i’ve done enough movies but here i was alone. i packed up a couple of speed lights, a 580 ex & 580 exll plenty of batteries and off we went.  the crew consisted of me the tog, producer acting lighting assistant holding a speed light and another person who was always on the phone.

we shot in fort tryon park without a shot list or photo script. there is a story/script not in the conventional movie scene setting ‘they walked down the street’ that i knew, but i was briefly told the story, not in picture terms but the gist of the story.

we had a boy, we have a girl, they meet are attracted to each other, dance a bit then who knows?

the boy

the boy

the girl

the girl

the location

the location

and then we dance well sort of, my concern was to be able to tell a story with just pictures. but it’s hard without a story board.

the look from her

the look from her

from him

from him

the touch

the touch

the mount

the mount

talking to someone afterward about what a photographer does their reaction was ‘how cool’. hummmmm  oh you don’t mean when i knelt down on one knee and put a piece of glass in it? my language wasn’t too cool then. every one sees the glamor and not the work. i don’t get the chase jarvis shoots.

tables are turned

tables are turned

oh that candy wrapper over there is really a used pastel condom, how naive i am, this is a deserted part of the park.

the bend

the bend

so what i had with me were a cannon 580ex and a cannon 580exll. the ex being mine so i knew how to zoom it in but my lighting assistance weren’t really paying attention to,lighting. the 580exll changed how tos so i was a bit lost. sometimes there were recycle problems, my error. or batteries etc.  but i got what i got and here is most of it.

any way i left the park exhausted i always give my all no matter what. i headed home to do the edit because the producer was leaving the next day at noon. oh i don’t mind picking the images and burning a disk. oh it wasn’t what you wanted? no problem here, they loved the stuff.

my body still hurts two days later but at least i know i did the right thing and gave the production my all.

today i started packing for the russian trip. my think tank bag is giving me a big problem from their bad design, their  partitions being a 1/4″ too long causing the bag to buckle outwards putting a bad strain on the zipper.

think tank bag

think tank bag

side

side

close up of zipper

close up of zipper

vise grips to straighten zipper

vise grips to straighten zipper

as you can see i don’t have a lot in there 2 cannon mark ll and a spare camera without a lens.

loaded

loaded

and i needed to bend the partitions and change one to smaller one, not the idea and this doesn’t work completely.

you can see the problem on their web site. i’ve got to fix their design to. they will hear about this before i go, so will adoroma where i bought the bag.

hopefully the silicon spray on the zipper and changing one the the partitions helped but i know i won’t buy another think tank bag i can’t inspect before committing to buying it. pictures just don’t do it for me. maybe hot glue and gaffers tape can help, noting worst than having a secure camera bag fall apart.

but it’s late and i need sleep

good night

jene

to russia with love……… one week and counting

September 2, 2013

I am exhausted from all this planning and it’s not even lunch hour. spent most of the morning doing uploading new images from the abandoned building shoot on to web site,  then doing the SEO info. at least i have that option with photoshelter, my web host, is it a drag to have to change web browsers because they went to html5 but it’s much better in the long run for people searching for images. speaking of which……………….

last week i sold and image from my photoshelter  web page, lesson learned, upload hi res images as i had to replace the jpg with a high res. not a big deal but that wouldn’t happen if i was out of town. i threw in some retouching because i cared i didn’t think the jpg was print quality. from one of the car shows i wander around, it’s a hood ornament from 1956 Chevrolet.

1956 Chevrolet chrome hood

no it wasn’t enough to begin to cover the cost of this new adventure of ours. RUSSIA and all that entails.  we begin in St. Petersburg for eight days then move on to Moscow for another five. we are touring the golden ring around moscow which are some old cities preserving the old way of life. we are pretty excited about the whole thing.

while is St. Petersburg we have tickets for the Hermitage museum for two days and the Kirov ballet for evening. they are performing Raymonda on our night. maybe not the most exciting ballet but a classic for sure. what better place to see classical ballet than Russia? i’ve tried to contact photographers both in Moscow and St. Petersburg that are on Model Mayhem but not heard back from any one of them. internet is expensive over there.

Oh well we did well in Japan, Hirotaka Kasuga and John McDermott in Cambodia both of whom have inspired us.. so i am sure we can find some photography galleries and see what happens.

all these things to prep, how much money to bring, what cameras, camera insurance, travel insurance what to see when. we did manage to go through a travel agent for the russian part, MIR travel agency in seattle wa. yes this is only part of the trip.

we are going through Amsterdam where we’ve rented and apt for a while. i have a friend who’s daughter is a dancer with the Dutch National Ballet who’s invited us to dinner and to see one of her performances. we also know a photographer Eduard Lampe in amsterdam who we showed around new york on his last visit.

we’ve lots of time there with a long list of things to do. also on the list is another dutch tog Vincent Rijs who has a gallery opening when we are there called ‘Behind the Mirror’ at Gallery CNCPT13. cool

so this is how it is  now that we are world travelers. i’ve tried to contact some russian photographers listed on model mayhem but so far haven’t heard a word. i am sure people around the world aren’t as obsessive about www stuff as new yorker’s constantly carrying about their phones in the palm of their hands so they don’t miss a thing.

amsterdamwe are finishing up some work in the basement,sheet rock and mud, how i hate doing that but it saves us money to spend elsewhere.

i am getting ready for a dance shoot next fri so all images need to be processed before we leave next tue. i haven’t even started to pack and mary who usually has packed a couple of times by now is in the same boat.

the day we get back oct. 10 a friend has an opening at his gallery emmanuel fremin gallery. 547 West 27 Street, suite 510, New York City, NY 10001 from 6p-10p. not sure we will be ready for that having just stepped off the plane from amsterdam.

oh well it’s only our life, something to be savored and enjoyed as is most of ours. so i am off to finish sanding the mud before mary comes home with the paint.

love you all

jene