Archive for the ‘photography exhibits’ Category

Hey Hot Shot print exchange

October 1, 2009

last night we went down to hey hot shot print exchange. this is something i’ve always been interested in doing. i remember some online photo groups i’ve belonged to where some members exchanged prints amongst themselves. i always thought this was a pretty neat way of learning what’s out there. i even tried doing this when i was on musecube but nobody seemed interested i doing it except one fellow nik walking bear, but oddly when i left the cube he wasn’t interested in continuing the conversation any more. oh well

to me my photography doesn’t exist unless i have a print in hand. what else is there? we can see pixels on the screen but once the power goes out what’s left? not much. but a print is something solid, while the image just sits on the paper well maybe more in the nooks and crannies of the paper, i like texture on my paper but i print on matt papers, a personal preference. it’s the print that exist as the art form, that might explain my thin negatives.

hey i shoot digital now so don’t have to worry about that. i do miss the feel of wet film in my hands as i am a very tactile person and always loved handling film. but it’s so time consuming developing boring agitating looking at the clock etc. oh did i mention the smell of the fixer?

well i digress from the subject at hand. the print

now the people running the swap weren’t very organized, first set back, lost microphone, so communication with the crowd began with cupped hands moving later to a megaphone which wasn’t much of an improvement but at least they could be heard over the crowd noise. there wasn’t much of a plan, maybe they were overwhelmed by the number of people attending, the print i picked up was labeled 81 and my number was 67.

one of the things i learned touring theater show was how to make the venue i was in then work the best it could be for the show we were performing. it had to work, the producer wasn’t going to give back the money and the artist was there  wanting to be paid after the show, so my job was to make the venue work for the production. i learned soon enough ‘no show no check.’ simple enough.

but some people seem to get lost in the details which this seemed to be the case. they put out the first selection of images and the whole heard swooped down like Harpies on the photos. both mary’s and my images were gone right away but i didn’t see who took them, i always like to see who likes my work.

i got to the front in time to see a small black and white print of the world trade center taken from the williamsburg waterfront and looking down the line at the only one other print struck my eye  of a hood ornament but i can back the the simplicity of this print. it’s by a photographer Geralyn Shukwit whom i’ve looked at her web site and it works for me. while she and i do way different stuff that doesn’t mean i don’t like what others do. it really keeps me interested in the craft and art of photography.

Friends Without A Border upcoming auctions

September 23, 2009

we found this organization on our trip to cambodia thru another photographer’s gallery. one nite looking for a place to eat we wandered around town as we do so often in visiting cities and came across this photography gallery next door to the FCC in Siem Reap.

it was John MeDermott’s Gallery full of infrared photography which i love of Angkor Wat. we went in and i bought a small print, something we could carry. while paying for the item i told the salesperson that i was a photographer to which she replied that john liked meeting other photographers and did i have a web site. i gave her my card and off we when to dinner.

arriving back at our hotel, The River Garden, we were informed i had a call and they would call back. yes it was john, he invited us down to the gallery to meet and chat.

mary asked the question about a cambodian charity because as americans we have so much that others don’t have. that brought up Kenro Izu work and about the children’s hospital. so this is how we learned of this group.

here are two events that i am donating prints to.

one of my favorite motion studies

one of my favorite motion studies

another from the same session

another from the same session

www.FWAB.org

Night of the Apsara – Washington DC Night of the Apsara – Washington DC

The pleasure of your presence is requested at the “Night of the Apsara”, an evening in support of the Angkor Hospital for Children (AHC) in Cambodia. The night will include dinner, cocktails, music, dancing and a silent auction. All tickets and donations may be partially or fully tax deductible. The event will be held on Saturday, October 17, 2009, 6:00pm – 12:00am at La Maison Française, Embassy of France. 4101 Reservoir Rd, NW, Washington, DC 20007.

Tickets:
$80.00

10th Annual Fundraising Event – New York 10th Annual Fundraising Event – New York

Friends of Friends Without A Border New York invite you to join them in an evening of celebration to benefit the Angkor Hospital for Children (AHC) in Cambodia. The night will include Cambodian cuisine, music performed by the Monorom band, a dance performance, and a silent auction. All tickets and donations may be partially or fully tax deductible. The event will be held on Saturday, October 24, 2009, 6:00pm – 12:00am at Cathedral of St. John Banquet Hall, 353 E. Clinton Ave, Tenafly, NJ 07670

Tickets:
$75.00

i don’t know what print will be at what auction, i’ll leave that up to them to decide.

jene

Canon 5D mll gripe

August 18, 2009

hi gals & guys

I just bought a Canon 5D M ll as I’ve wanted full frame for a long time. I am not a new Canon user having had to switch to Canon’s a while ago when my Exacta llB finally gave up. I own an F1, had A1 programmable, AE 1 which are gone to camera heaven , still have a 20D and now a 5D M ll. I keep my F 1 to shoot infrared since my Contax are auto loaders and not able to read infrared film.

Now to go along with the cameras I’ve had a number of FD lenses.Kept my 28mm lens for the F1 which i really love. All my older cameras had the same battery, woowhoo.

The problem now with my digital cameras is when I travel I can only carry 1 spare Lithium battery per camera? I usually carry at least two spare batteries, charger, HD and computer. Oh I could buy a grip and put two batteries in there almost doubling the size of the camera which is not good to have a large camera in some places in this world.

Another simple solution to the too big camera is to buy a G 10, oh another battery & charger? So that’s out.

So traveling around the world with two cameras, chargers, batteries, 3 lenses, thank goodness the lenses fit both cameras and my wife’s 50D, oh and her camera batteries. Some traveling show. We might need a porter just for the camera gear.

Why do all these companies need to make so much money selling me accessories for my camera when I want to buy a system, Have bought many systems of theirs , that will work for me with a limited number of parts.

How many times have I lost simple things, caps, filters, batteries and what not in the frenzy of life. I was shocked at the cost of a new lens cap, hey it’s advertising. I do get tied of paying through the nose for every little tool I use to create my work, heck it’s hard enough staying up todate with everything and be exploited by our creative partners. This may be the last time I buy another camera.

Maybe I should take up drawing again, how many no# 2 pencils can one carry on a plane?

jene

Prix de la Photographie, Paris (PX3)

August 18, 2009

gee i must be doing something right these days as i received this email the other week, see i am way behind my life. 

Congratulations for receiving an Honorable Mention in the 2009 Prix de la Photographie, Paris (PX3) competition. We received over 6,000 entries from 85 countries. PX3 strives to promote the appreciation of photography, to discover emerging talent, and introduce photographers from around the world to the artistic community of Paris. For your entry of BLUE.

African American Dancer

African American Dancer

i am aways amazed at what images people like in my work, happy for sure that they like what i do. but as i said on my facebook page wish they wanted a print as we love to go back to paris and maybe see a blue sky. last time we were there we rented an apartment a block from the Louve, how cool is that to walk a block down to the Seine and watch the boats pass by.

be still my heart before i spend more money, and then there is Venice, the active mind never sleeps

Dance images found

June 3, 2009

this week i’ve got a visitor the ‘little red celt‘, a model from England staying on my couch. we met last year when she and her partner came over to model for some photographers here in the states. she’s back doing the same this year after graduation. we’ve been talking about doing a shoot together this time.well she offered as payment for staying here which really isn’t needed but hey me turn down a lovely woman to shoot. so i’ve been thinking well maybe.

i showed her some found pictures i’d done with a dancer over a year ago which i hadn’t really looked at. i get busy just breeze through the contact sheets, as it were, and forget to come back. i always get something out of a session i can use. but i do get down on myself because of the low rate of return on my images. i am really hard on myself for not being perfect, sorry to say i can be that way with other people close to me also. the saving grace is i am willing to admit that and can back off.

here is a series that i found which ‘celt‘ also liked.

dancer copy

_MG_2833-copy

but our favorite image was this one below. what my work is about is trying to capture the feeling of dance. it’s the same way i light performance pieces. getting my lighting to advance the story through mood or what ever means necessary. one show i remember doing a bump to white lighting and getting ohs from the audience. now that’s a light cue.

_MG_2838-copy

i’ve invited my partner over here for this shoot, ‘the celt’ hasn’t met her yet but we know of each others work. we want to work with some china silk and a fan and see what happens. i love china silk ever since i saw a 100′ backdrop of red china silk the ‘peking opera’ brought over to the the metropolitan opera here in new york city may years ago.

that’s pretty much how i like to work with someone , it’s about a discovery between whom ever i am working with. them, the camera and me. heck i do have some experience doing this stuff so why not have fun along the way?

no animals will be harmed in the making of my pictures, we might have a few laughs along the way, and who knows if any art will be performed. i am very happy if someone buys my prints and hang them in their house. they have a little bit of me when they do so.

well that’s all folks for today……….

Portfolio reviews

May 26, 2009

while we were at NYPH’09 we stopped in to read the list of people doing the Portfolio reviews for the festival. when i was looking over the previews of the festival i saw they were providing these and i said to myself, ‘jene youtt you’ve been there and have always come away feeling worst than when you began.’

it’s not that they are so bad for people i’ve had encouraging words spoken about my work as being different, but i’ve also heard from gallery owners ‘i don’t know who to sell this work to.’ my work doesn’t seem to fit into a commercial mode nor too much of a fine art market.i do manage to sell an image here and there though.

i’ve also been to portfolio reviews where nobody came around to see our work. i am not shy and went looking for who was suppose to be looking at our portfolios. i got just a passing glance but i did embarrassed them enough to have them look at the people around me. how dare they treat us so, and for this we pay a hefty fee.

but back to the subject, mary looked at the list and said we should copy them down to add to our press list. good idea, so that’s what she began to do. i put my backpack on the table gave her a pad and off she went. a young photographer put his portfolio box down on the table next to me which attracted my attention.

he looked as if his dog had just died. i empathized with him and started up a conversation asking him how the review went? he said he was disappointed in the response he got. his work covers a lot of different areas which he had included in his portfolio. he had scheduled to talk with a gallery owner and said she had ripped him apart. i’ve been there and done that so i knew how he felt.

i tried to be upbeat about reviews and said it’s hard to know what people are looking for. i did tell him that i though reviewers were looking for single themes. i’ve had the same thing happen to me at Soho Photo they want to see a submission of a single subject done different ways? i’ve been rejected by this selection committee a couple of times all for different reasons but it doesn’t really matter for what. rejection still hurts.

what to me is the cruelest is when they don’t take the time to explain to you what they don’t like about your work. they get embarrassed by the confrontation. i’ve heard some of the silliest rejections about my work. one of the funniest was ‘nobody on the committee felt like dancing after reviewing your portfolio.’ i tried to keep a straight face but the absurdity of the comment got to me. my comment to that was ‘and if i took pictures of barns they’d want to go to the country?’

a young woman came over to us at the table, she knew the other photographer and they gathered their stuff and jackets and off they went. when you are young and biological and with a pretty woman some of these everyday hurts get forgotten for a time. it’s odd how we humans only seem to remember these small nicks in our egos forever.

oh well, here’s to the next portfolio review.

mary came over finished and we went about the rest of our day, holding hands, being glad to be with each other.

Selling Images

May 20, 2009

i continue to sell images at ward nasse gallery, a fine art gallery, mostly painters, in the heart of new york’s Soho section at 178 Prince street, nyc, ny and i’ve never sold anything at soho photo a photo gallery. i’ve sold three images at ward nasse so far this year and have another pending inquiry.this copy below goes to a new home.great work mia.

Sunrise

Sunrise

as we,mary and i were wandering NYPH’09 we both said some of the photos exhibited would never make it past the members jury for show at soho photo and we laughed. i am sure these members are trying to keep the soho gallery pure, what ever that is, but i think their shows lack creativity. there are some excellent crafts people there for sure, but nobody comes down to the gallery to see them. the only people who do come there don’t buy anything. i love it when someone buys my work because it opens up new wall space to put something else up.

NYPH ’09 continued

May 20, 2009

if i don’t write about these experiences right away they are lost in grey matter. this is about some of the giveaway mags i found at the festival. this isn’t a complete coverage just my own pics and eye so it’s very subjective.so i’ll just list them as they are in a pile on my desk and let you the viewer make a decision if you want more info.

  1. Nueva Luz; photographic journal, very nice matte paper mag published in Bronx NY.
  2. photoworks; glossy stock english publication, 2 issues a year.
  3. Dear Dave; another glossy stock mag, 3 issues a year.
  4. Eyemazing; glossy stock oversize mag 9.5×13.5″, published in Amsterdam,The Netherlands.
  5. 8 Magazine; which i only found a flyer for , published in the UK, photojournalism.
  6. Lensjockey; distributed by Holly Van Voast who wandered around the show every day handing out free copes of her magazine.i’ve been there done that and know from experience how hard that is. Good luck
  7. Visura; while i didn’t physically see this publication i did see the photographs displayed, some very interesting latin american artist on view. they have a special NYPH special issue.

my fav is eyemazing because of their over size and coverage of whom they featured. but hey you make up your own mind they are all good from their own perspective.

some of the galleries not participating in NYPH’09 but in the neighborhood that had outstanding exhibits were Hossein Farmani’s Farmani Gallery which has an excellent show now, Jesse Diamond’s ‘Drive‘ through June 12,09 and down the hall at Watermill Brooklyn Gallery i saw a Berlin based artist Jonnde Voigt series of large format vertical-rectangular diptychs which amazed me with their fine detail.

so this is what i do wandering around photo festivals, so much right brain activity, well not sure which brain or if i even have one at times, but i get pulled in my others view of the world and really inspired by their vision. i am just an old kid at heart.

New York Photo Festival ’09

May 19, 2009

i had the opportunity to be part of nyph’09 this year as a volunteer. last year we were in japan and cambodia so we,mary and i, missed it, oh well. it’s always so great to see other peoples work and because how the festival is set up you get to hear how they work and what they were thinking, well sort of, because the festival has events where the photographers get to talk and show slide shows of their exhibited pieces.

my first assignment was to count heads, gave me a clicker, at St Ann’s Warehouse where a theater with large screen was set up for the presentations. no i didn’t see everyone and there were some people i really wanted to see but life had different requirements for me.

my first new photographer i saw was Edith Maybin who does some very personal work with her child. hearing her story really framed her pictures in context. they are different, i think one has to know some of the backstory to see the beauty of these pictures. they really are about three generations of women. are women the only ones exploring these type of sensitive visuals?

The next presenter was Anoush Abrar who works in a totally different field and way, he works in Los Angeles shooting portraits of mostly young actresses seeking fame and fortune in a very cruel environment. the world of bought beauty silicone, latex and collagen injections. catching a slice of life we don’t really get to see except maybe fleetingly.

Los Angeles is just a hop skip and a jump to San Ferandado valley porn industry. well we all have our 15 seconds of fame. there is nothing wrong in performing sex for money, we all perform something for money or less.

The next photog was Chris Boot talking about his Gay Men Play exhibit. I saw the the exhibit the next day and i was struck by how it was presented. it was printed on canvas by Gotham Imaging and tacked to the wall with thumb tacks through the edges of the border. it looked so temporary to me almost as if the subjects were temporary. from the few older gay men i’ve known the lifestyle as one ages doesn’t seem so Gay to me. i sometimes think the term Gay is a misnomer. but what do i know?

there were so many people i wanted to hear i am not sure i want to volunteer again next year. i missed so much but i did finally get to wander around talked to a few people. that to me is a wonderful part of attending these affairs, the people.

i had some images in the group show ‘We are all photographers now’ which showed at Powerhouse books. they were hosted from Luzerne Switzerland and sent to brooklyn. i would get email notices of when they were shown but the link to see which image was shown when was bad. i did manage to talk to one of the people involved and let them know of the problem. i also sent feedback to the site. oh well

we went over to see the exhibits on sunday afternoon me again, mary for the first time. There were three photog’s who’s work blew me away one of whom we saw present his work at St Ann’s Warehouse, Louie Palu who’s portraits of the marines he was embedded with really showed the effects of war. the other two are Tim Hetheington who’s video installation about US soldiers in Iraq really touched me. the other photog Bruno Stevens shot Palestine refuges and the effects of war on them.we are so lucky not to have bombs drop out of the sky on us, killing is a horrible thing.

i did want to see more of Carlos Ranc work but life had other plans. i did see his prints which i really liked but i’ve learned i can’t be in two places at once.finding information on him is like trying to find out who B. Traven was.

i did have a chance to attend the Eastman Kodak event where i again talked to a wonderful gentleman whom i first met at APID 09 this year, Grant Romer who works at the Center for the legacy of photography about ink longevity, photography process, digital inkjet printing and a few related things. he really is a charming man and a pleasure to talk with.

there was so much to see at these affairs and how so many people do these shows i wonder why they bother at all? they walk in move around the room then back out the door on towards the next gallery. almost the same thing happens at TOAST unless you somehow grab them . this being new york one has to be careful how you grab somebody. they aren’t there to buy but maybe some thing will stop them in their tracks and make an impression. that’s all we can hope for.

a small moment in time to connect with, it’s called the present moment.

TOAST weekend artist tour

April 30, 2009

this weekend past 4/24- 4/26 was TOAST here in new york, tribeca open artist studio tour. i took some of my extra prints down to Soho Photo gallery where i am a member and sat around meeting and greeting some of the visitors who turned out on this lovely day.

maybe a hundred or more passed through the gallery. Some stopped and looked at my prints but mostly people moved on quickly. since i do mostly dance motion studies and they can be abstract my work isn’t for everybody. i had one query about a print from a couple, the woman loved the piece while the man had short arms and long pants. oh well.

someone talked about booking me for an arts center somewhere in mass but so far no contact. these things take time and i’ve found it’s best to be out and about in order to meet people.so if it happens fine if not keep moving,

the officers of the gallery got upset at my experiment because they had predetermined that no one person could sell images during a group show, hey it might have made the gallery more lively. i think the officers are afraid of causing some excitement in the gallery. lord knows there are so few visitors now without a special attraction like TOAST that very few people get to see ones work hanging in the gallery. that’s what they want so that’s what they get.

i should have gone to the car show and swap meet to look for parts to the car i am restoring a 1970 XR7 mercury cougar convertible, woo hoo.

so much happens in life it’s hard to keep up. as one of my teachers once said. ‘Life is like a wave and we are like a boat on the sea. the waves of life keep crashing against our bow, then recede along our body to pass along in our wake until another wave comes along.’

it just goes on until it stops. it’s the journey that’s important not the destination because to tell the truth i don’t know where i am going. had i kept to my chosen course in life i would have missed all this fun.

good day