NEW YORK, NY.- A new exhibition at the International Center of Photography, IPC, offers an innovative view of the Civil Rights Movement and the catalytic social role played by changing portrayals of African Americans in the 1950s and ‘60s. Through a rich juxtaposition of visual images—including photographs, television and film clips, magazines, newspapers, books, pamphlets and posters—the exhibition shows how strategic interventions in these mediums of visual culture helped to transform prevailing attitudes toward race in America. The exhibition, organized by guest curator Maurice Berger, is titled For All the World to See: Visual Culture and the Struggle for Civil Rights, and will be on view through September 12, 2010.
Archive for the ‘photography exhibits’ Category
New York Photo 2010 Festival, impressions
May 21, 2010once again i volunteered for the new york photo festival which allows me free access to the exhibits, well free if you don’t count my time doing not much but standing around looking or checking peoples day passes.
every year it’s different but held in the same dumbo area of brooklyn just different spaces. i’ve always liked the photographers presentations in st. ann’s theater but i didn’t see many of them this year and the couple i did see i wasn’t that impressed with. but hey that’s me i am from new york and a tough audience.
there is a nice article in pdn about apeture foundation’s two part seminar on strategies for emerging photographers here. another article in pdn is a quick preview of the festival.
as curator erik kessel wrote in his galley at smack mellon catalog ‘what is photography?’ as his selections were artist not using photography in the conventional way but using it as a tool to create something totally different than one would think.
a lager portion of the festival was european influenced. one can see some interviews with curators and artist here but i am quite disappointed that not all the winners work is displayed on new york photo festival web site. see winners & honorable mentions for names but no links to work. the question arises in my mind is this a photographic festival or what?
last year everyone who entered images to the festival had their 15 seconds of fame via a slide show in powerhouse book store but the only projected images were from the leica camera photo contest. while last years slide show wasn’t perfect, not even a sign announcing what these images were at least they were photographs.
daniel power does have selections of interim awards videos with comments as does frank evers interm #2 and doug rickard shows interm #3. i thought it strange that most of the power winners examples had the subject centered, what happened to the ‘thirds rule’? am i being too academic here? i know rules are to be broken but this ‘center subject’ seemed a consistent in powers picks. oh well
there is a nice interview & video of Marc Granger who received a lifetime achievement award.
the link to coverage nyph 10 in 3D directed by martin lenclos showing interviews to exhibitors and visitors got me dizzy watching it. seems they need to have movement just because they could with the cameras view point constantly changing with mouse movement, oh 3D i forgot maybe i am too old but where is the photography? isn’t this a photography festival?
but on to the photography award ceremony that was delayed an 1 1/2 hour for technical difficulties. wonder how many audience members they lost? when they finally decided to go ahead with the presentations they went on without pictures of winning images. i would suggest the festival hire someone with more expertise next time or hey what about a tech rehearsal before hand like they do in other shows.
with all the technical savvy people here in new york wouldn’t you think someone would have planned this better? why do something half baked? is that better than doing nothing?
winning pictures still aren’t up on the web site.what i found really strange were the winners at least in the student category had to buy tickets to the awards ceremony. ten buck is ten bucks ,especially for students. the question arise did marc have to buy a ticket?
the coolest thing at the festival was leica gave out the M9 cameras to use for the day ands ran a daily photo contest. great marketing idea, who hasn’t always wanted to carry around a leica. woohoo. great feel to the camera, it really feels like a camera. but for me to see the focus rectangle in the view finder i’d need a cornia replacement. i’ll stick with my canon better or worst.
no contest winner for me as the theme was nature. but to cap off the day mary and i walked across the crowded brooklyn bridge to manhattan which we’ve never done before.
but i did meet some interesting people and the hope is to expand who i know and what work i see because it’s all good.
just my opinion
Kenro Izu; a thirty year retrospective “Sacred Places”
May 11, 2010For those who are not in NYC, I’m sending this for your information in case you have friends who may be interested.
RUBIN MUSEUM OF ART
presents
KENRO IZU: A thirty-year retrospective
Wednesday, May 12, 7 p.m. $15*
*includes admission to the museum’s exhibitions beforehand
In this richly illustrated talk, Kenro Izu talks about his life’s work: the renowned series “Sacred Places,” which includes work from holy sites in Syria, Jordan, England, Scotland, Mexico, Easter Island and, more recently, Buddhist and Hindu sites in India, Cambodia, Burma, Vietnam, Indonesia, and China.
Using a custom-made, 300-pound camera, Izu creates negatives that are 14 inches high by 20 inches wide. The resulting platinum palladium prints are widely recognized as being among the most beautiful prints in the history of the medium. Kenro Izu’s Thirty Year Retrospective, a stunning collection of the artist’s most powerful work to date marks the thirtieth year of the ongoing “Sacred Places” series. This gorgeous new monograph published by Nazraeli Press comprises some 100 plates, beautifully printed in duotone on matt art paper and bound in Japanese cloth and will be on sale at the book signing following the talk. This is Kenro Izu’s third talk at the museum.
His work has been the subject of two exhibitions here, the most recent being Bhutan: The Sacred Within (2007).
RUBIN MUSEUM OF ART
150 WEST 17 STREET, NEW YORK CITY www.rmanyc.org
Buy tickets on line here: www.rmanyc.org/tickets or call 212.620.5000 x344
Sous Les Etoiles Gallery opening May 13, 2010 6-9pm
May 11, 2010We are located at 560 Broadway between Prince & Spring street in Soho.
Please be so kind to click here to RSVP
NEW YORK – May 4, 2010 – The series Cimarrón by Max Ruiz will be on view at Sous Les Etoiles Gallery from May 13 through June 26, 2010. This is Max Ruiz’s first solo exhibition in New York. There will be an opening reception on May 13th from 6-9 pm at the gallery with the artist in attendance.
Cimarrón, the Spanish term for Maroon, meaning feral or fugitive, is a series of allegorical photographs that traces the history of runaway black slaves in the Caribbean. An imaginary tale escapes within his pictures, testifying to a poignant, often overlooked reality.
When Ruiz was on a trip to Martinique several years ago, he came across a book on Maroons. He says, “After reading it, my view of the Caribbean changed. It was as if I was receiving a message from centuries ago, which I understood to be this: There is no force stronger than the desire to be free.”
With his pictures, Ruiz is a storyteller. “I make fables,” he says. “I like providing the opportunity to share visions. I believe that some of these visions are given to me. They pass through me like water, just like the roots of a tree passes through the leaves.”
In Cimarrón, Ruiz not only connects his past with the Maroons, but his images unite the stories of anyone who has ever been enslaved. His photographs bring to mind François Makandal, Rey Bayano, Nyanga, and Gabriel Prosser- all heroes capable of defeating, defeating or attempting to defeat their oppressors. In their efforts of defiance and by creating new lives and new histories, these Maroons become an invisible part of the landscape, like the thick woven vines, ferns, tree trunks and leaves of the forest – symbols of outlaws defending justice and freedom.
ABOUT THE ARTIST:
Born in Buenos Aires in 1950, Max Ruiz grew up between two cultures. His Argentinean father was a theater director and his mother served in the French embassy in France. As a teenager, his studies focused on the arts at the Fine Arts School and Pan American Art, both in Buenos Aires. In the 1970s, the military junta was about to take power in Argentina. Ruiz says: “It was a violent period. Daily life was punctuated by raids of various secret police, the informers, inflation. The future seemed stuck there.” So in 1974, he flew to France to study film at the École Supérieure d’Études Cinématographiques (ESEC) in Paris. Over the course of 20 years, Max Ruiz’s work has been exhibited all over Europe, South America, and in the United States, including Centre National de la Photographie (Paris), Les Rencontres d’Arles (Arles), and FotoFest (Houston). In addition to his photography, Ruiz also directs music videos.
Press Contact: Corinne Tapia, Gallery Director, corinne@souslesetoilesgallery.net
Road trip, S.P.A.C.E Gallery @ the Soda factory, Burlington Vt
May 4, 2010well we are off to vermont Wednesday Cinco De Mayo to deliver prints to the SPACE Gallery in Burlington, Vt and attend the opening of ‘Profile NEW YORK ‘ a juried show, curated by John Cipriano on friday May 7, 2010 at 7p .this is in conjunction with Burlingtons ‘ First Friday Art Walk’.
we are taking a leisurely tour up there hopefully the weather will be nice as we don’t want to be stuck in a motel for three days all though the rest would probably be good for mary and i.
so if anybody reading this blog and i know there are some of you out there are close by why not stop in a say hello. it would be so nice to meet you.
of course the day after we drive back saturday we are photographing a maternity couple on mothers day. mary doesn’t mind and it shouldn’t take up the whole day, as they are coming to us.
shadow hasn’t been on a road trip in some time and she’s always loved traveling via car. we’ve done a cross-country trip visiting Glacier National Park and friends in calif. this maybe her last trip who knows. we are hoping to do another trip this summer in our convertible but who knows. i felt a swollen area on shadows belly the other morning , of course i thought the worst. shadow never complains even after a car tried to run her over and pulled her shoulder almost out. that was a pretty hectic night sitting in an animal emergency room.
she’s now officially 13 and ate veniero’s cheesecake and ice cream for her birthday. life has been pretty good for all of us.
we are bringing computer with us so i might have things to share next week.
New York Photo Festival submission
May 1, 2010well today, at midnight, is the deadline for submission to New York Photo Festival and i’ve been racking my brain, what little i have left, for images to submit as a series.
i am not crazy enough putting together a catalog & price list for my Burlington Vt show next week so late least night i said oh well just pick one strong image. who cares i never win these things anyways, just like the lottery which i’ve never won either. just the other day i asked a photographer if he’d look at my portfolio and make suggestions. short answer was he didn’t know me well enough to give me an honest answer. that was an honest answer, not the one i was looking for but honest, that’s why i approached him.
but none of this is either here or there and i am just as confused now as to how and where i might try and market my wares. but our conversation did lead me to saying that i didn’t need to sell my work but i would like to, send my children, as i think of them to good homes. making money to pay for expenses isn’t a bad idea either.
so i sent my little image somewhere in the world to have someone glance at it for maybe two seconds before they move on. i do make these things because i love to be creative and it keeps me from wondering what the soap characters are doing now.i get such a kick out of discovering, comes from my darkroom days, images as they develop or even appear on the screen.
tada
Christie’s New York announces the Prints & Multiples Sale
April 26, 2010mary and i took a stroll this sunday went over to christie’s to see some very fine prints. christie’s is one of the excellent free perks new york has to offer.all the usual big names with three small prints from an artist we discovered in Pistola , Italy, his birthplace, Marino Marini who’s a sculptor and print maker, one of his main themes are horses.
we did see something unusual in the handling of prints as a sale associate was showing a print to a perspective customer. the sales associate nor the customer wore the usual white gloves, they didn’t actually touch the printed surface but did feel the paper the print was on under the matt. odd because i’ve always thought that any human oils weren’t good for papers.
oh well the exhibit was pretty cool.
NEW YORK, NY.- Christie’s New York announces the Prints & Multiples Sale on April 26 and 27. The auction features 482 lots including an impressive variety of American, Modern, Post-War, and Contemporary prints estimated in the region of $7 million. Highlights in the sale include works by Edvard Munch, as well as Works from the Collection of Michael Crichton — best-selling author, screenwriter, film director and producer — and Pop Art prints by artists such as Andy Warhol, Jean-Michel Basquiat, and Roy Lichtenstein.
Works from the Collection of Michael Crichton
The Print Department will offer Works from the Collection of Michael Crichton. Crichton was renowned for his riveting scientific thrillers such as The Andromeda Strain, Jurassic Park, Timeline, The Lost World, Rising Sun, and State of Fear, as well as the dramatic television series ER. This rich collection of Post-War prints will be spread over three sales including the Prints & Multiples Sale on April 26-27, the Post-War & Contemporary Art Evening Sale on May 11, and the Post-War & Contemporary Art Day Sale on May 12. The Prints & Multiples Sale will contain a selection of fourteen prints from the collection. Among the works to be offered are two prints by Jasper Johns, Two Flags (Whitney Anniversary) (ULAE 207) (estimate: $20,000-30,000) and Light Bulb (ULAE 170) (estimate: $5,000-7,000).
Marc Chagall, (1887-1985), “Four Tales from Arabian Nights”, Pantheon Books, NY, 1948. (Mourlot 36-47; Cramer books 18). Estimate: $300,000 – $400,000. Photo: Christie’s Images Ltd., 2010Prints by Edvard Munch
Leading the sale are three rare and distinguished prints by the Norwegian artist Edvard Munch. The works Der Kuss (estimate: $150,000-250,000), Madonna (estimate: $350,000-500,000), and Das kranke Kind I (estimate: $100,000-150,000) are each intimate and emotionally charged images. The intertwining nude bodies in Munch’s Der Kuss create a physical and psychological tension, as the viewer becomes a voyeur peering in on the lovers’ intimate embrace. First shown in Oslo in 1895, Der Kuss was considered so provocative that officials decreed it immoral and prohibited it from exhibition. An equally evocative image, Madonna is often assigned an eroticized interpretation. The dark background of the Madonna frames and isolates the nude torso in the center of the composition, emphasizing the significance of her sexuality. In contrast to the swirling blackness behind the figure, the relaxed face of the Madonna creates a sense of peacefulness and calm. One of Munch’s most acclaimed subjects, it is a work for a true connoisseur.

Pop Art Prints
A robust selection of Pop Art works are offered in the Prints & Multiples Sale including works by Andy Warhol, Jean-Michel Basquiat, Roy Lichtenstein and Tom Wesselmann Nude with Yellow Pillow (estimate: $100,000-150,000), a later work by Lichtenstein, is a homage to his own oeuvre. Toward the end of his life the artist reflected on his own career and art historical legacy through new experimentation in his work, creating works that were self-referential. The figure in the print references art historical nudes while also suggesting that Lichtenstein believes himself to be a part of that tradition. And yet the confrontational gaze of the women rendered in a Pop style also marks his break from that convention, a suggestion of how the artist would like to be remembered.
American Prints: George Wesley Bellows
A selection of American prints, including eight works by George Wesley Bellows, also highlight the sale. Bellows was a member of the Ashcan School and was famous for depicting images of class struggle. Splinter Beach (estimate: $6,000-8,000) and Tennis (Tennis Tournament) (estimate: $4,000-6,000) are both scenes indicating the rise of social mobility in the United States. In these prints members of the middle class are taking part in leisurely pastimes, spending a day at the beach and watching a tennis match. Before the turn of the century, leisure activities were only enjoyed by high society; Bellows shows that times were changing. His images have a rigorous quality which reflects the tumultuous nature of the class struggle. This extensive selection of lithographs provides iconic examples of Bellows’ unique style.
Another Wendy Paton exhibit opened
March 25, 2010at Joyce Towbin Chasan Art Source International Gallery at 333 Park Ave. So., NYC, NY 10010, 212 228 5908. This one is so different from the Visaes De Nuit exhibit at the Sous Les Etoiles Gallery of B&W almost abstract soft focus portraits.
in this exhibit Wendy concentrates on the city Paris, France where she has spend a lot of her time, showing us its wonderful Carousel from many different angles which brings back memories of anyone who’s visited Paris. Least we forget the prints of I.M.Pei’s the Louve Pyramid which brought memories of mary’s and my stay just three blocks away on our visit.
Included some of my favorites of those fascinating French hallways. I had only a passing remembrances of them from the french movies of the sixties but here Wendy has captured them in beautiful B&W prints . Anyone who has had an apartment in paris will remember what i am talking about. alas there are no pictures to show you because wendy never sent any over to me.
Joyce Towbin Chasan always has such a warm welcome feeling in her gallery. We first met her during Aneta Barto’s exhibit for Emmanuel Fremin’s gallery who was showing at Joyce’s space. i feel comfortable as if i am in my own living room at her space. mary and i both love talking with her. she seems to be one of those few people who have an open heart and generous nature at least easy to talk to.
also talked with Tracey Henry of Type A Media who had some great suggestions for mary’s and mine Labor of love pic wedding and maternity business. so who knew or knows whom or what they will find once they venture out of their confines? one of the topics of conversations Tracey and i had were about there being no difference between giving and receiving, they both are the same thing.
not a bad evening at all, i’d say a pretty good one.
Live Nudity at the Museum of Modern Art in NYC
March 19, 2010NEW YORK, NY.- The human form, disrobed and displayed in all its glory, is arguably the most enduring motif in the history of Western art. Museums dedicated to art both ancient and modern are filled with nudes rendered every which way: painted, chiseled, molded, sketched and photographed.
They’re just usually not living and breathing. But New York’s Museum of Modern Art (MoMA) will host daily performances of five seminal works by Marina Abramović, three of which feature performers in the altogether. In Imponderabilia (1977), two players stand opposite each other, au naturel, in a narrow doorway. Visitors must brush past them to enter the exhibition—an early, if awkward, example of interactive art. On exhibition 14 March through 31 May, 2010.
and if you time your visit right you can also see a rareity from Germany in “World on a Wire”, 1973. Germany. Directed by Rainer Werner Fassbinder. Pictured: Barbara Valentin. Courtesy: Rainer Werner Fassbinder Foundation.
NEW YORK, NY.- ‘World on a Wire’ (1973), written and directed by Rainer Werner Fassbinder (German, 1945–1982) and based on the novel Simulacron-3 by American author Daniel F. Galouve, will have a weeklong run at MoMA, from April 14 through April 19, 2010. Originally made for German television in 1973, Fassbinder’s revolutionary adaptation has only been shown in America once before, in 1997, as part of a comprehensive Fassbinder retrospective at The Museum of Modern Art.
while i’ve never understood all of his films i’ve always found him interesting and knowing that Michael Ballhaus did some of the cinematography is an education in it’s self.
I first fell in love with Fassbinder for his “Berlin Alexanderplatz” done in 14 episodes, 1980 and shown on PBS when PBS filled it’s mandate of bringing quality television to the airways. now PBS is just a shadow of it’s former self especially the new york stations. i think the nyc stations should be taken off the air.
two gallery openings last night
March 12, 2010last night i made the effort to leave my safe warm house to attend two photography show openings. the first gallery was the Aperture Foundation Gallery and Bookstore opening of ‘Angry Black Snake’ by Michael Corridore which runs from 2/25/2010 thru 4/8/2010, 547 W 27th street, 4th floor, New York, NY 10001.
In the words of Aperture book publisher Lesley A. Martin, “Corridore’s project, Angry Black Snake, is an exercise in minimalism. Each image has been pared down to the barest of elements—urgent gestures and barely traceable figures cloaked in smoke and dust. Yet each image pulses with palpable emotional tension, telegraphed by these barest of representational sketches and the subtle shifting colors of the clouds that descend upon each scene like a flimsy curtain.”
but what i found really exciting at aperture was the exhibit ‘ No Singing Allowed‘ Flamenco & Photography which runs 2/6/2010 thru 4/6/2010, with prints supplied from collections from all over the world. Yes they have an accompanying book for sale. in the web page notes
Whether as social phenomenon or musical expression, flamenco has been of enduring interest and inspiration to photographers from the mid-nineteenth century to the present. While some photographers from outside of Spain went in search of it or encountered it by chance, to others flamenco and its practitioners are an essential, if not innate, aspect of their cultural heritage and their photographic work. This artistic form—also considered a way of life or being—has generated fascination in cultured urban circles, remaining one of the most secret, mysterious, and seductive manifestations of twentieth-century European popular art. Marginalized and ostracized, the world of flamenco took root in an economically backward region of southern Europe, culturally peripheral and marked by a history of authoritarianism and local despotisms. This exhibition of more than one hundred and fifty years of images, frequently taken by foreigners rather than Spaniards, is an extensive survey of how photographers of different eras have approached the universe of flamenco, whether documenting the dance itself, gestures that recall it, or the culture that is developed around it.
way cool was the best discovery of the night Wendy Paton’s work at Sous Les Etoies Gallery, 560 Broadway,#205, NY, NY 0012, 212 966 796, runs from 3/11/2010 thru 4/30/2010. her show is called Visages De Nuit consisting of a series of gelatin silver black & white candid night images that are intended to provoke compelling and mysterious emotions of uncertainly .
the gallery program says Wendy Paton ‘allows herself to disappear in order to let her subjects emerge from the night.’ ” my experience is that people act differently a night. they let their guard down.they become who they really are, or they transform themselves into someone,real or imagined,that the want to be. there are seemingly no restrictions at night. life seems to become more free flowing as opposed to how people tend to act in the light of day” she says.
but at the opening Wendy was the shining light with her red hair, busy talking to everybody, it surely was her night and she looked lovely. good luck











