Archive for the ‘galleries’ Category

what i did to waste my time today

January 13, 2010

the task at hand was trying to fix a Lightroom error message which i finally did by deleting the preference phist files and the LR folder in adobe application support. well that was pretty easy, now on to the major problem of moving the picture files from one HD to another.

well i read the forums which were written in martian, well they could have been for all i understood, but i tried a number of times following the instructions all to naught. but i did manage to find these couple of images from a shoot this spring, well actually last spring

classic greek male nude pose

classic greek pose

nude male

don't look

it seems it’s always like this, i do the session with the model and think i never get anything except a few good pics then i move on. later in life i come back to the folder and find these gems. well i think they are pretty nice.

all this comes at a time when i am reading Taschens art book on Caravaggio explaining his life and  times and showing absolutely gorgeous reproductions of Caravaggio’s paintings.

Caravaggio, for me, is one of the creators of chiaroscuro painting which i happen to like and seem to emulate in my work especially in this series. you have to realize i am more of an artist than just another shooter. i use a camera as a tool no more, no less. maybe the members of photography gallery were right in not wanting me to show my work there, their loss not mine.

nude male

the fall

this is one of two images almost the same and tonight  through my foggy brain i can’t make up my mind which one i like. well it’s not something i have to do now or forever. life is like that .

nude male

the fall ll

being an artist isn’t as easy as it seems. this morning i gave mary some feedback on her breast cancer grant proposal draft for the labor of love pix blog.

mary wehrhahn has been a great supporter of my work and i think shes got some great stuff on her web site, i especially love some of the lighting because i did it. but she is coming into her own and maybe time for me to retire and enjoy the ride.

time to lay my head on the pillow with something to read before i fall asleep. good night all

jene youtt

Tim Burton @ MOMA

December 31, 2009

or how i learned to love the ‘A’ train at rush hour.

yesterday mary and i took the kids to MOMA to see this show as did most of the tourists visiting new york that day. to say the lines were long is an understatement because as i past them they reached to ave of americas  from the entrance. i knew i was in trouble right away.

moma is not my favorite museum but i remember it more fondly before they spent $858 million on its renovation  and expansion which has seemed like an actual reduction in viewing experience. they say there is more room  for exhibits but the whole museum experience for me is too crowded, not just popular shows as is the burton exhibit, but the hallways, stairs, bathrooms  and moving to the elevators, everything is square and small.

i tried looking down on the sculpture garden from one of the floors only to be blocked by some horizontal bars that obstructed my view. what was yoshio taniguchi thinking while designing this space?

even with the open space in the middle of the museum,which to me in reality feels restricted space where one can never touch. maybe it’s a japanese thing. when i first revisited moma they had Monet’s water lillies hanging there, what a waste to try to see them so far away,50 or 100 feet away, since then they’ve moved them to their own room next to the second floor cafe  which now reminds me of the port authority bus terminal waiting room. what happened to the nice quiet room they hung in at old moma?  but the room does make a nice place to drink your cafe latte or whatever comes from the cafe. slurp quietly.

i now feel crushed by the weight to the condo tower, or what ever it is,  above the exhibit space i guess by the money represented above. but i am being distracted by my hate for the new building. but before i move on you know the nice first floor restaurant in the old building, the one with lots of light coming in the floor to ceiling windows, well it’s now a much smaller members only dinning room. the masses are shuttled to the other cafe’s, now just feeding rooms on long impersonal tables popularized by barbican courts to feed the masses with no views.

but the tim burton shuffle show, and that’s what the experience is, shuffling along, reminding me of an old character on the life of riley radio show, digger odell ‘i’ve got to be shoveling along’, which in a way suits tim burton’s work very well. but because of the crowd one is moved along or bumped into by the mass. most of the show consists of small working drawings and it’s  really exhibited in a very small space.

what i’ve aways thought the strong part of burtons work were his movies. at the entrance to the exhibits there are a number of televisions sets showing different segments of a video piece. they don’t seem to be coordinated as the first one ends the next station should  begin so one can see the video as a whole. as it is now the next video is already running so you move to that staqtion in the middle. how hard would it be to sync things up? hello museum. ‘well move on there, we’ve got your money’, there is big crush  behind you and lots of kids,, little ones to the front please, ‘hey you big oaff could you move, you’re blocking the screen for everyone else, yes you.’

the crowd moves on one more hansel & gretel video with a small space to sit. the crowd moves on into bigger smaller room with models of characters from movies them over to the egress, hey what happened ? ‘oh bauhaus, looks interesting lets go there.’

did i say how much i despise moma, yet i go there, now i won’t pay $20.00 to visit a place with a lot more money than i’ll ever see, but target still subsides friday’s at moma which i support by going and making purchases at target stores. so supporting the arts is always nice.

if only i could get some people interested in buying my art work oh well see www.jeneyoutt.com or my OMP portfolio  for samples.

for artists who want to know about new spaces and opportunities

December 18, 2009
chashama Studio Application – Brooklyn Army Terminal
DEADLINE : January 12, 5pm – at our office / January 11 – postmark

The chashama Studio Program at the Brooklyn Army Terminal (BAT) encompasses 89 visual artist studios in two neighboring buildings in Sunset Park, Brooklyn.

We are seeking artists to join our BAT Studio community, beginning occupancy February 2010.

chashama offers low-cost, work-only studio space to eligible individual artists for a period up to one year (depending on availability of the space from the landlord), subject to renewal. Organizations are not eligible. This program does not provide living space.

Studios:
range in size from 200 to 800 square feet,
will cost no more than $1 per square foot per month.
have 8-foot high walls, with ceiling heights that range from 12 to 15 feet.
24-hour access
freight elevators during business hours

A communal environment is encouraged through proximity of the studio artists. The studios do not have individual studio doors (if an artist wishes for privacy, he/she may hang fireproof material over the studio opening.) For an image of the building and a sample studio, check out
http://www.chashama.org/_brooklyn/index.htm

Artists who are awarded a studio are expected to work in their spaces on a consistent and ongoing basis, and must be prepared to actively use their studio a minimum of 50 hours a month or they will lose it; sign-in sheets are used to record studio use. Studios may not be sublet.

Each artist provides a security deposit ($200) along with the first month’s rent upon signing the lease agreement. Studio artists are asked to participate in one (1) open house per year in which their studios are open to public visitation.

Eligibility: All applicants must be residents of the United States or have a valid visa not expiring before the end of the residency, be 18 years or older, and able to demonstrate need for a studio. Applicants may not be residents in another studio program at the same time as their chashama residency, unless agreed to by chashama.

Welding, work that requires use of fire, or work that creates an abundance of air-born particulate matter is not allowed. If your work samples are of this type of work, please describe how your future projects may differ.

Selection Process:
chashama will place artists in a studio based on the information received in the application.
A panel of arts professionals and artists will review applications and select artists based on
• Artistic merit. Quality of work.

We will then interview selected artists to determine
• Need. The need for space measured against other options available.
• Use. Potential for making the most of time in the studio.
• Personal responsibility. Personal references and ability to pay fees.

All applicants will be notified in February if they have been selected for interview. Please do not call our office for selection results.

link to pdf application: http://www.chashama.org/downloads/chashama_Studio_Application_BAT.pdf

“for artists who want to know about new spaces and opportunities”

December 18, 2009

here is an organization looking for various artist performers they have the space you have the talent.

Applications accepted on an ongoing basis – but don’t delay, spaces fill up quickly!

Subject to availability, chashama is now offering a $50/week rental of a Sprint wireless broadband router (with $50 deposit).

The Windows Program is a hallmark public art initiative of chashama, enlivening vacant storefronts with multi-disciplinary performances and visual installations. The program offers art in unexpected public places, and aims to build a broader audience for contemporary art and performance.

This program has two points of entry: by curated rental or via Windows Awards, and a competitive award process. Rentals are by the week or month and are offered at affordable, subsidized rates. (currently between $250 – $1000 a week). Windows Awards offers free space, and marketing, technical and administrative support, and may include a small stipend. All Windows Program projects are chosen based upon feasibility, venue limitations, and artistic/experimental vision.

Though not a necessity, we have a preference for work that actively engages the passerby.

Note: It is recommended that you make site visits to these window spaces to see which space would be the best for your project before submitting an application.

266 W 37th: This window space is located on a Garment District block with heavy daytime foot traffic, and it is fully equipped with theatrical sound and lighting. If you are proposing a visual art installation, please consider this. For a complete floor plan and technical specs, please go to http://www.chashama.org/266w37/index.php.

112 W 44th: This installation/window space is within the tourist zone of Time Square, close to Bryant Park, and often has packs of theater goers passing by. It is a large space with a wide window, and a back room for costume changes or additional set pieces. Track lighting normally used for exhibits can be refocused into the space and controlled from the back room. A sound system is not currently installed, but may be in the future. For a complete floor plan, please go to http://www.chashama.org/112w44/index.php.

679 3rd Avenue: This building is at the corner of 43rd Street and 3rd Avenue with three 7×12 and two 4×12 windows on the 3rd Avenue side, and fifteen windows facing 43rd Street ranging from approximately 4×12 to 4×10. For pictures of the space and full window specs, please go to http://www.chashama.org/679third/index.php.

141 East 33rd Street @ Lexington Avenue: This venue, at the corner of Lexington Ave and 33rd Street, has 4 windows on the Lexington Ave side, and 4 windows facing 33rd Street. Three windows on each side will be available to the artist, with metal supports behind each window for hanging artwork. This venue is currently for VISUAL ART ONLY.

Timeline & Conditions:
* Artists will be rented space for 1-4 weeks, and granted space for 1-3 week residencies; please stipulate if a specific term length is necessary for your project.
* chashama will provide technical assistance in an advisory capacity only; artists must be capable of installing, teching and de-installing their own projects.
* chashama will assist artists with creating and distributing a press release.
* Participating Artists of both the Windows Award and rental programs are required to pay a fully-refundable security deposit ($75-$200 depending upon venue).
* Please visit www.chashama.org/windows.php for complete application information including the Windows Program Application Form.
* For more information, please email your questions to Programming Director, Janusz Jaworski at janusz@chashama.org.

Deadline: There is no deadline, but the sooner you submit your application, the sooner we’ll see it!

robert frank film:leaving home, coming home

December 10, 2009

well instead of working today i made a loaf of banana walnut bread which has filled the house with its fragrance. i can’t wait until it cools so i can taste it. but more to the point robert frank.

it’s good to revisit things as i did the other day with friends  to re-see the robert frank’s exhibit at the met museum. this time the exhibit wasn’t crowded and there was time to see everything once more.i had a chance to look at the original books and displays things that didn’t seem important the first time. im love seeing the original writings done on typewriters with all the misspellings etc. my bad spelling really intimidated me from writing.

what i realized seeing the show and then movie that when along with the show which i really recommend. “Leaving Home, Coming Home: a portrait of robert frank (1986) december 17, 2:00 pm.

but seeing the show again without the crowd was much better for me. the show prints are exceptional gelatin silver prints which is something i’ve always been confused about with silver gelatin prints also see another explanation at. but any show that spends that much money on prints in this day and age is going to look good.

i must say the banana bread is pretty good also, warm covered it butter not good for my arteries but so smooth going down.

the american’s, robert frank

November 24, 2009

a friend was in town the other week whom i don’t usually get to spend time with but he had a day to kill so we decided to try and see la danse the weisman dance film of the paris opera’s dance company. both his daughters are ballerinas in a european company so we thought that might be fun.

we showed up to the theater to be met with a very long line half way down the block , oh well i don’t like crowded theaters nor crowds in general. so kenny suggested we go up to the metropolitan museum of art and see the robert frank exhibit ‘the americans.’

on the way up on the subway kenny told me why he had an interest in robert franks work. kenny used to work at baldwin pottery on la guardia place a long long time ago. i knew it from my chip monck days because he had a loft  in the building down the alley behind baldwin pottery. kenny worked as a potter before we met working at the filmore east. i met chip as a daily hire for his rolling stones tour of europe in 1970 to take care of the follow spots. long story…….

the owner suggested kenny to mary frank’s who was looking for someone to mix and kneed her clay as she spent many years as a sculpture artist. kenny said she had given him a schetch which now hung in his mothers house. really odd how these connections happen.

what i learned abotut the show is totally different than what kenny walked away with. see the link for pics etc. no they are not mine as pictures are forbidden in traveling shows besides i didn’t have my camera with me, we were going to the movies.

seeing the actual first prints, working prints etc in a way is pretty neat, but what struck me is how far we, photographers, have come with printing. this is also true of a show earlier this year with fred steins work. the new archival prints are so much better than the originals.

now i’ve never seen any ansel adams prints that were created under his supervision, but think they too would show their age now. everything paper, well actually everything is decaying right before our decaying eyes.

but i guess what’s interesting to most people is seeing the originals. the show was certainly crowded enough but lots of tourist wander through new york on any given day. there was a quotation from jack kerouac on the wall which caused me to smile because i knew jack when he was living in northport, ny. i don’t remember the quote but i do remember drinking and closing many a bar with jack and friends.

i remember driving into the sun with jack in the seat besides me, more on that later.

So long Soho Photo

November 13, 2009

i’ve decided to move on from Soho Photo as they were not meeting my expectations or needs in a gallery. as Susan Sontag said “In America, the photographer is not simply the person who records the past, but the one who invents it.”

i found very few inventive photographic artists involved with the gallery. that’s not to say that there aren’t some very good photographers involved with the gallery. but some of the exhibits show a total lack of creativity, in my opinon.maybe it’s an age thing as the members seem to be much older than i but they aren’t really.

how one gets into the gallery is to submit a portfolio on their portfolio review day to the Booking Committee made up of members of the gallery who then reviews the submitted portfolio. the guidelines aren’t very specific other than saying ‘No books’ but a selection of your best work is suggested. what is not said i believe, is they want to see a portfolio of work that is ready to go on the walls.

i was rejected my first time as have been some friends of mine for having a too wide a range of subjects in my portfolio. by not giving specific instructions it gives the committee wiggle room to reject anything they so choose on any grounds. what may play an important role in acceptance to the gallery is who you know.some get accepted on their fist try while other very strong photogs are turned away.

i have been rejected three times by the gallery so far, once in the beginning and twice for a membership upgrade. once i was told the Committee reviewing my portfolio ‘didn’t feel like dancing’ after see my work to which Mary replied ‘because they are too old!’

in the two years i was involved with the gallery it seemed more a social club than a serious gallery. Soho Photo seems to have evolved into a vanity gallery with no serious press coverage or outside critical review.

i am sure i didn’t endear myself to the members when i asked at a business meeting ‘why would i want to be a member of Soho Photo?’ i think that’s a valid question. it’s a place to show your work only if the booking committee accepts your submission. they can reject your work on any grounds even after you become a member so there is a group censorship.they call it protecting other members.

with exhibit space at a premium in New York City it’s so hard for artist/photographer to be seen much less reviewed in the press that finding a clean lighted place to show your work can be critical in ones career, but so can association.

i have found in my life when one door closes another opens and it’s usually a better place as life is progressive. so it’s time to move one. where i don’t know but that’s not important. i have love in my life and i truly love what i do as well as the people around me.

i can now concentrate on the challenges at hand. working with a woman documenting her breast cancer journey.

Hell’s Kitchen Artist Studio Tour Nov 7-8 2009

October 30, 2009

well for those of you who would like to meet me i’ll be opening my studio during this event located at

Youtt, 427 51st Street, 3A, New York, NY, 10019 between 9th & 10th Ave., 212 664 1039

hell's kitchen artist studio tourHKArtiST(2)

the tour actually begins on Nov 6 with an opening party at Bar 9 on Tenth Ave but i’ll be at Emmanuel’s opening that night.

as this is the first event of this kind in the neighborhood i am hoping to meet some of my fellow artists whom i pass on the street anonymously. so far i’ve met a few very talented artists, one woman had a postcard of one of her watercolors which i recognized immediately as the lobby of the Paris Opera house. how cool is that?

maps will be available at Fountain Gallery, 702 9 Ave, NYC on the corner of 9th Ave & 48th Street. beginning Nov 6, 2009.see www.artistinthekitchen.org for more information.

i am hoping mary will baby sit a bit so i can visit some other studios.

so if you’d like to meet me and say hello or better yet buy one of my prints, actual SALE of some odd sized prints returned from a show i had in Kyoto, Japan do stop by.

i had suggested we buy balloons to display aiding location for the visitors. if lost give a call.

see you then.

jene

Thomas Barbey exhibit

October 30, 2009

hi guy & gals

a friend and curator Emmanuel Fremin at his gallery of the same name is having an opening of Thomas Barbey’s work on November 6 thru 26 2009 at his gallery at 546 Broadway, PH 5B , NYC, NY opening reception 6-8p.SowingtheSeedsofLove

ODUOMOMIOCrashCourseinItalian

emmanuel always has interesting artists and it’s a pleasure to see him back on the boards in new york city again. especially with pictures from our favorite city.

welcome

jene

Busy weekend

October 20, 2009

last weekend was pretty busy running around to different galleries and participating in the hoboken open studios at the monroe center. we, mary & i, met some interesting people to talk with and i always like these things because i meet other artist talk about each others work and share the day. i like to see other artist work as it gets me to thinking about things i’ve never thought of before.

here is mary meeting people, i am the guy behind the curtain, oh camera

mary show our work

mary showing our work

add my pixs

add my pixs

another bus load

another bus load

mary’s jewelry which surprised us didn’t sell. heck she sells it off her body at some of our openings.

IMG_9659-

sometimes i get locked into an idea or work space and can’t easily see my way out of it. that’s one of the values of the Artist Way book by julia cameron and mark bryan, but mark has disappeared from the amazon book page and the web site. maybe some sort of riff between them. i did meet him years ago as he was doing sessions about the book and how to use the information given. i do recommend the book or should i say the system it teaches., although i can’t say i know anybody who’s ever finished the book and all it’s exercises. but the ideas are top notch and it generates an idea of ‘self care’ and appreciation, that can open many a closed door or window. of course now there is an artist way web site.

one of the things i got from mark and out of the book was journal writing . i’ve got somewhere close to 150 legal pads of writings which they call morning pages. i’ve no way of knowing if they’ve helped me or not.but i haven’t thought of walking half way across the george washington bridge lately.

i do remember this nutty girlfriend who was so insecure about our relationship that she would read them when i wasn’t around. well between my comments on that relationship and her reading my private musings it wasn’t very good. that whole relationship was wacky from the beginning but my comments and her insecurity weren’t a good mix.

well maybe i shouldn’t say that exactly because the woman i am with now doesn’t even bother to read them or if she does she doesn’t bring them up in conversation. as painful as breaking up with someone is, and that one was because i thought i loved her, i’ve found that life does get better as i do. so that girlfriend, as i was for her, was the way to move onward with our lives. she left her husband and i found someone who learned to love me, sometimes i don’t make it easy. what i learned from that relationship was that i could try and love again, we should never forget how to love one another.

so the morning pages are a pretty powerful event.

well i was going to write about art and photography and how the printer gods are frowning on me, but i’ll have to do that some other time. my finger are sore.

we did see an interesting young artist photographer at daniel cooney gallery named tim roda who does these ‘creations’ is all i can describe them as. he gave a talk sat attended by a few people and a couple of his friends. mary an di went down to hear him because his work is so different. we dropped in on cooney’s gallery, gallery mega opening day this fall when the streets were alive with wine drinking harpies wandering from gallery to gallery. fine arts halloween evening for sure. some tricks some treats. boo