Archive for the ‘dance photography’ Category

what i did to waste my time today

January 13, 2010

the task at hand was trying to fix a Lightroom error message which i finally did by deleting the preference phist files and the LR folder in adobe application support. well that was pretty easy, now on to the major problem of moving the picture files from one HD to another.

well i read the forums which were written in martian, well they could have been for all i understood, but i tried a number of times following the instructions all to naught. but i did manage to find these couple of images from a shoot this spring, well actually last spring

classic greek male nude pose

classic greek pose

nude male

don't look

it seems it’s always like this, i do the session with the model and think i never get anything except a few good pics then i move on. later in life i come back to the folder and find these gems. well i think they are pretty nice.

all this comes at a time when i am reading Taschens art book on Caravaggio explaining his life and  times and showing absolutely gorgeous reproductions of Caravaggio’s paintings.

Caravaggio, for me, is one of the creators of chiaroscuro painting which i happen to like and seem to emulate in my work especially in this series. you have to realize i am more of an artist than just another shooter. i use a camera as a tool no more, no less. maybe the members of photography gallery were right in not wanting me to show my work there, their loss not mine.

nude male

the fall

this is one of two images almost the same and tonight  through my foggy brain i can’t make up my mind which one i like. well it’s not something i have to do now or forever. life is like that .

nude male

the fall ll

being an artist isn’t as easy as it seems. this morning i gave mary some feedback on her breast cancer grant proposal draft for the labor of love pix blog.

mary wehrhahn has been a great supporter of my work and i think shes got some great stuff on her web site, i especially love some of the lighting because i did it. but she is coming into her own and maybe time for me to retire and enjoy the ride.

time to lay my head on the pillow with something to read before i fall asleep. good night all

jene youtt

streb

December 18, 2009

i went over to see rehearsals at streb because i really like their work but as things go i really didn’t get anything i liked except this young man learning how to work with silk. oh well

maybe someday i’ll figure out how to take a professional picture but this is all i got

abstract color image of silk acrobat

abstract color image of silk acrobat

whats really bothering me these days is Apple dropping KEY CAPS from Snow Leopard and i have to go into system preferences to find it and Adobe seems to have dropped symbols from CS 4 all pretty stupid ideas if you ask me. where did all those groovy symbols go? oh  but i still miss all the symbols in KEY CAPS

So long Soho Photo

November 13, 2009

i’ve decided to move on from Soho Photo as they were not meeting my expectations or needs in a gallery. as Susan Sontag said “In America, the photographer is not simply the person who records the past, but the one who invents it.”

i found very few inventive photographic artists involved with the gallery. that’s not to say that there aren’t some very good photographers involved with the gallery. but some of the exhibits show a total lack of creativity, in my opinon.maybe it’s an age thing as the members seem to be much older than i but they aren’t really.

how one gets into the gallery is to submit a portfolio on their portfolio review day to the Booking Committee made up of members of the gallery who then reviews the submitted portfolio. the guidelines aren’t very specific other than saying ‘No books’ but a selection of your best work is suggested. what is not said i believe, is they want to see a portfolio of work that is ready to go on the walls.

i was rejected my first time as have been some friends of mine for having a too wide a range of subjects in my portfolio. by not giving specific instructions it gives the committee wiggle room to reject anything they so choose on any grounds. what may play an important role in acceptance to the gallery is who you know.some get accepted on their fist try while other very strong photogs are turned away.

i have been rejected three times by the gallery so far, once in the beginning and twice for a membership upgrade. once i was told the Committee reviewing my portfolio ‘didn’t feel like dancing’ after see my work to which Mary replied ‘because they are too old!’

in the two years i was involved with the gallery it seemed more a social club than a serious gallery. Soho Photo seems to have evolved into a vanity gallery with no serious press coverage or outside critical review.

i am sure i didn’t endear myself to the members when i asked at a business meeting ‘why would i want to be a member of Soho Photo?’ i think that’s a valid question. it’s a place to show your work only if the booking committee accepts your submission. they can reject your work on any grounds even after you become a member so there is a group censorship.they call it protecting other members.

with exhibit space at a premium in New York City it’s so hard for artist/photographer to be seen much less reviewed in the press that finding a clean lighted place to show your work can be critical in ones career, but so can association.

i have found in my life when one door closes another opens and it’s usually a better place as life is progressive. so it’s time to move one. where i don’t know but that’s not important. i have love in my life and i truly love what i do as well as the people around me.

i can now concentrate on the challenges at hand. working with a woman documenting her breast cancer journey.

Hell’s Kitchen Artist Studio Tour Nov 7-8 2009

October 30, 2009

well for those of you who would like to meet me i’ll be opening my studio during this event located at

Youtt, 427 51st Street, 3A, New York, NY, 10019 between 9th & 10th Ave., 212 664 1039

hell's kitchen artist studio tourHKArtiST(2)

the tour actually begins on Nov 6 with an opening party at Bar 9 on Tenth Ave but i’ll be at Emmanuel’s opening that night.

as this is the first event of this kind in the neighborhood i am hoping to meet some of my fellow artists whom i pass on the street anonymously. so far i’ve met a few very talented artists, one woman had a postcard of one of her watercolors which i recognized immediately as the lobby of the Paris Opera house. how cool is that?

maps will be available at Fountain Gallery, 702 9 Ave, NYC on the corner of 9th Ave & 48th Street. beginning Nov 6, 2009.see www.artistinthekitchen.org for more information.

i am hoping mary will baby sit a bit so i can visit some other studios.

so if you’d like to meet me and say hello or better yet buy one of my prints, actual SALE of some odd sized prints returned from a show i had in Kyoto, Japan do stop by.

i had suggested we buy balloons to display aiding location for the visitors. if lost give a call.

see you then.

jene

curator looking for artist

October 16, 2009

here is a link to a small gallery on the edges of williamsburg brooklyn called cccp run by a friend of mine, john, who is always looking for emerging artists. do contact him if you’re looking to show in a small funky gallery setting. let him know you saw this posting here.

jene

a day in the life

October 16, 2009

wandering around new york galleries on wed after an all day sitting at soho photo looking at the lighting system they have and are thinking of replacing as they have received a proposal from the contractor who painted the gallery this past summer. what an improvement over the dingy, paint peeling walls and ceiling. for an art photography gallery to look that run down i thinks reflects on the artist who show there.

i guess i should say the photographers who show there. this distinction i make with my work being art as opposed to just photographs. i create my pictures while i think most photographers capture theirs. i’ve always thought that the proof in my work was the print, that’s where i spend most of my time in creating, not that taking the picture isn’t just important because it is.

i did stop by Madame X, 95 houston St, nyc, ny to see Catlin Mitchells semi nude fashion exhibit. Madame X seems an appropriate place for the show except for the lighting but the decor of red wall paper and golden couches, can we say whore house look, seemed to the welcome the exhibit. i did look to introduce myself to Catlin who was not hard to find in her silver sequined dress, but didn’t have time to talk, who ever does at ones opening, greeting guest, friends and what not. love her carbon prints on cold press paper.

speaking of artists and galleries in the evening i continued around the corner to ward-nasse gallery where i have four prints hanging to re-lable two of them with the awards they have received, Blue the 2009 Prix de la Photographie, Paris (PX3) and Ascending the 2009 International Photography Award. because there is an opening reception at ward-nasse this saturday 10/17/09 at 7pm for this lovely young artist who paints hearts. She usually sells out and has a large following. i sold two prints at her last show. woohoo.

the next sunday 10/18/09 mary and i are showing our work in Hoboken at the Monroe Center for the Arts for their open studio tour, 12 noon to 5 pm affair.if you’re in the neighborhood stop by or better yet make the trek to the center and say hello. we are showing some of our bump, wedding and children laboroflovepixs hoping to drum up some more business.mary makes sure there’s lots of wine and popcorn, don’t ask. she will also be bring some of her wearable art, which women seem to like, as that’s what the conversation always seems to move to at our gallery openings etc.

where does our life go? mary the energizer bunny and me, i get tired just watching her, are getting ready next month for a friends art/gallery shop opening on 231 Bedford Ave in williamsburg Brooklyn called Barking Lizard. some of the art works there are fabulous. do stop by and take a look.

Canon 5D Mark ll opinion

October 2, 2009

hi gals & guys

i am somewhat disappointed with my 5D Mll especially now that the 7D is around the corner which seems to be a much better camera video wise at least.i do come from a film/video background so i am somewhat opinionated about this.

i moved up to 5DMll because i wanted a full frame camera and the people selling used 5D’s were asking way too much around here. the video component also was very enticing but 30 frames and no locked auto focus or face recognition software seems like they are just waiting for Mark lll to come out.reminds me of the epson 4000 & 4800 introductions.

to not be able to sync sound to video seems silly. i looked at some video i lit for some other shooter and i see how silly it looks. picture looks nice but since edison figured out how to record voices  and made pictures you’d think canon who makes video cameras might have married the two together on this camera. but i guess it had something to do with turf wars.

one the plus side the sensor on the Mll gives great color rendition well it is an improvement over my 20D that’s for sure.the file size for my usage is over the top, i don’t shoot billboard art but some do. with genuine fractal’s i seem to be able to get the size prints i want. i might want to do billboards later in life so maybe having such big files will come in handy.i get a whooping 300 some odd images on a card now. lexar should be happy.

as far as the seals go i try and keep my cameras out of water etc but it would be nice to have it sealed well.

as far as the software is concerned i am still learning it. i shoot mostly 4 gb cards so i can back them up on dvds and the new 9999 images on a folder threw my backup workflow off. i am adjusting as i know others are. so it’s just not a matter of dragging and dropping a folder onto a drive. yes redundancy backups on hd and dvds.

oh did i mention battery size. if the 7D can use the same legacy batteries then why did i have to buy new ones for the Mll, oh the camera didn’t cost enough money, i see. at least i don’t have to get new lenses.

but hey nothing is perfect in this world and we all need to make a buck, well except me, i seem to be supporting manufactures of equipment while art sales have plummeted bouncing off the floor but hey we all got to eat. maybe i can crack open some 20D batteries and see how they taste.

well maybe my tune will change once i learn the new camera system. remember the old camera where there was a f stop ring & focus thingy that seemed to work pretty good, still have my F1 loved the look of that camera and the metering system, whew be still heart.

just my uninformed take on the subject maybe some day i’ll know more, but i do like fast lenses and cool cars.

jene
http://www.jeneyoutt.com

hey hot shot update

October 1, 2009

what a small world. i know it doesn’t seem that way as we jump on a crowded subway car at rush hour, well maybe it does.there is a TED talk that shows exactly where we are in the cosmos which is informative. it’s given by jill tarter who is the head of SETI titled ‘are we alone?’ a question which has always interested me since lying on top of my garage looking at the stars.

Mary and i picked a photo out of the first batch put up, we both loved the colors and composition of this rather abstract image. it reminded me of a padlocked door i found in panama so i told mary why not pick it, which she did.

the small part of the world was that photographer picked my photo.Blue Ladyher name is christine finkelson and we both print on some of the same hahnemuhle papers. and i think but i am not sure but christine might be over 23 years old.

looking at the hot shot crowd makes me feel old for an ’emerging photographer’ but there were some of us there. mostly the crowd seemed right out of collage and comfortable with the single bar scene. but hey i’ve been wrong before.

we got out of there alive and had dinner around the corner and maybe made a few friends along the way. not a bad evening at all

Hey Hot Shot print exchange

October 1, 2009

last night we went down to hey hot shot print exchange. this is something i’ve always been interested in doing. i remember some online photo groups i’ve belonged to where some members exchanged prints amongst themselves. i always thought this was a pretty neat way of learning what’s out there. i even tried doing this when i was on musecube but nobody seemed interested i doing it except one fellow nik walking bear, but oddly when i left the cube he wasn’t interested in continuing the conversation any more. oh well

to me my photography doesn’t exist unless i have a print in hand. what else is there? we can see pixels on the screen but once the power goes out what’s left? not much. but a print is something solid, while the image just sits on the paper well maybe more in the nooks and crannies of the paper, i like texture on my paper but i print on matt papers, a personal preference. it’s the print that exist as the art form, that might explain my thin negatives.

hey i shoot digital now so don’t have to worry about that. i do miss the feel of wet film in my hands as i am a very tactile person and always loved handling film. but it’s so time consuming developing boring agitating looking at the clock etc. oh did i mention the smell of the fixer?

well i digress from the subject at hand. the print

now the people running the swap weren’t very organized, first set back, lost microphone, so communication with the crowd began with cupped hands moving later to a megaphone which wasn’t much of an improvement but at least they could be heard over the crowd noise. there wasn’t much of a plan, maybe they were overwhelmed by the number of people attending, the print i picked up was labeled 81 and my number was 67.

one of the things i learned touring theater show was how to make the venue i was in then work the best it could be for the show we were performing. it had to work, the producer wasn’t going to give back the money and the artist was there  wanting to be paid after the show, so my job was to make the venue work for the production. i learned soon enough ‘no show no check.’ simple enough.

but some people seem to get lost in the details which this seemed to be the case. they put out the first selection of images and the whole heard swooped down like Harpies on the photos. both mary’s and my images were gone right away but i didn’t see who took them, i always like to see who likes my work.

i got to the front in time to see a small black and white print of the world trade center taken from the williamsburg waterfront and looking down the line at the only one other print struck my eye  of a hood ornament but i can back the the simplicity of this print. it’s by a photographer Geralyn Shukwit whom i’ve looked at her web site and it works for me. while she and i do way different stuff that doesn’t mean i don’t like what others do. it really keeps me interested in the craft and art of photography.

Friends Without A Border upcoming auctions

September 23, 2009

we found this organization on our trip to cambodia thru another photographer’s gallery. one nite looking for a place to eat we wandered around town as we do so often in visiting cities and came across this photography gallery next door to the FCC in Siem Reap.

it was John MeDermott’s Gallery full of infrared photography which i love of Angkor Wat. we went in and i bought a small print, something we could carry. while paying for the item i told the salesperson that i was a photographer to which she replied that john liked meeting other photographers and did i have a web site. i gave her my card and off we when to dinner.

arriving back at our hotel, The River Garden, we were informed i had a call and they would call back. yes it was john, he invited us down to the gallery to meet and chat.

mary asked the question about a cambodian charity because as americans we have so much that others don’t have. that brought up Kenro Izu work and about the children’s hospital. so this is how we learned of this group.

here are two events that i am donating prints to.

one of my favorite motion studies

one of my favorite motion studies

another from the same session

another from the same session

www.FWAB.org

Night of the Apsara – Washington DC Night of the Apsara – Washington DC

The pleasure of your presence is requested at the “Night of the Apsara”, an evening in support of the Angkor Hospital for Children (AHC) in Cambodia. The night will include dinner, cocktails, music, dancing and a silent auction. All tickets and donations may be partially or fully tax deductible. The event will be held on Saturday, October 17, 2009, 6:00pm – 12:00am at La Maison Française, Embassy of France. 4101 Reservoir Rd, NW, Washington, DC 20007.

Tickets:
$80.00

10th Annual Fundraising Event – New York 10th Annual Fundraising Event – New York

Friends of Friends Without A Border New York invite you to join them in an evening of celebration to benefit the Angkor Hospital for Children (AHC) in Cambodia. The night will include Cambodian cuisine, music performed by the Monorom band, a dance performance, and a silent auction. All tickets and donations may be partially or fully tax deductible. The event will be held on Saturday, October 24, 2009, 6:00pm – 12:00am at Cathedral of St. John Banquet Hall, 353 E. Clinton Ave, Tenafly, NJ 07670

Tickets:
$75.00

i don’t know what print will be at what auction, i’ll leave that up to them to decide.

jene