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September 27, 2010Mary has an opening at 3rd Annual Governors Island Art Fair, come meet the artist.
August 26, 2010To start the fall display of gallery openings and events, 3 of Mary’s
mary
images will be part of the 3rd annual Governor’s Island Art Fair exhibiting with TheGreatNude Small Works. Although the images are B&W they are a part of my “All That Glitters” body of works.
So come out and support and meet some of the NY Metro area artists who will be there for the opening. be sure to say hello to mary.
The Art Fair runs form Sept 4th through the 26th on Saturdays and Sundays only. And remember the gift of art is lasting and can have good investment value as the emerging artists’ work original or ltd editions increase over time.
So if you don’t want to be stuck in traffic on the LIE or GSP heading to the beaches, wander around the Island. The island also is home to the National Historic Landmark District featuring 18th Century fortifications so wear comfortable shoes as you stroll the grounds.
There is no admission fee to enter the Fair where 120 abandoned army barracks will be filled with visual art, music and performers.
Saturday Sept. 4th 11 – 6pm. opening reception from 3pm to 6pm – Building 12 – Section H-4
By subway: 1 to South Ferry Station
4, 5 to Bowling Green
R, W to Whitehall St Station
By ferry: FREE from the Brooklyn Bridge Park Pier 6 (starting at 11am) Pier 6 is located at the end of Atlantic Avenue at Columbus Street
There is also a ferry from Manhattan:
Directions to the Governors Island Manhattan Ferry
The Governors Island ferry departs from the Battery Maritime Building located at 10 South Street, adjacent to the Staten Island Ferry in Lower Manhattan. The ferry terminal is accessible as follows: click this link for schedules
By Subway
1 to South Ferry station
4, 5 to Bowling Green station
R to Whitehall St. station
Fassbinder: Berlin Alexanderplatz’ at KW Institute
August 24, 2010for those people who’ve kept up with my eclectic postings know this i some of my all time fav films. it’s a long one for sure 16 hours. i first saw it on PBS when they were a public educational television station, now they are just a tape playing house showing safe nature films and raising money to line the executives pockets. i’ve been there done that. has anyone who’s seen the replacement of Bill Moyers and Now know
Berlin– The monumental film Berlin Alexanderplatz that Rainer Werner Fassbinder made for television is based on Alfred Döblin’s 1929 novel. The film consists of thirteen episodes and an epilogue. It runs to fifteen hours and thirty-nine minutes. When it was first screened in Germany in 1980, it triggered heated debates and gained international recognition as one of the cinematic masterpieces of the past decades. A meticulously restored 35-mm version of Berlin Alexanderplatz Remastered has been successfully presented to the public at the 57th Berlin International Film Festival in February. On exhibition 18 March until 13 My, 2007.
On March 17, 2007, KW Institute for Contemporary Art will open Fassbinder: Berlin Alexanderplatz – An Exhibition. The show will present this unusual and fascinating work in a way that enables visitors to choose their own mode of approach. In fourteen separate rooms, the episodes and the epilogue of Berlin Alexanderplatz will be screened in permanent loop. In addition, all the episodes will be shown in chronological order and full length on a central big screen. Visitors can thus decide how they approach Berlin Alexanderplatz: they can divide its unusual length up into pieces, watch episodes several times, or return to the exhibition whenever they like, as the entrance ticket entitles holders to repeated visits. The parallel screening of all the episodes in one place will highlight Fassbinder’s impressive visual idiom and his artistically challenging, free and innovative use of images.
The epilogue to Berlin Alexanderplatz marks a high point in Fassbinder’s creative work, combining visual and narrative planes in a complex collage that anticipates contemporary artistic positions. The exhibition also presents stills from the film’s 224 scenes. Moreover sketches from Fassbinders storyboard will be on view for the first time ever. A further, highly personal document are the tapes on which Fassbinder himself recorded his script for the film and which have never previously been made accessible to the public.
The exhibition is accompanied by a catalogue (in German; approx. 600 pages), edited by Klaus Biesenbach, with essays by Susan Sontag and Rainer Werner Fassbinder. The catalogue includes extensive illustrations. Furthermore the publication contains the complete screenplay as well as the biography, blbliography and filmography. Curator: Klaus Biesenbach.
KW Institute for Contemporary Art is regularly listed among Germany’s foremost modern art institutions and attracts international media coverage. KW has no collection of its own but instead views itself as a laboratory for communicating and advancing contemporary cultural developments in Germany and abroad by means of exhibitions, workshops and resident artists’ studios, as well as by collaborating with artists or other institutions and by commissioning works.
Founded in the early 1990s by Klaus Biesenbach and a group of young art enthusiasts, the institution is located on the site of a abandoned margarine factory in Berlin’s Mitte district. It symbolizes, perhaps more than any other institution, the city’s development into a center of contemporary art in the decade after the fall of the Wall. As well as presenting the first solo shows or major new projects of outstanding international artists such as Doug Aitken, Dinos & Jake Chapman, Paul Pfeiffer, Santiago Sierra and Jane & Louise Wilson, KW also introduced emerging new artists from Berlin and elsewhere in Germany to a wider public.
Visit KW Institute for Contemporary Art at: www.kw-berlin.de
Forbidden City, artistic opportunity, call for participation
July 13, 2010Winkel & Balktick Present…
STRANDED III: The Forbidden City
Saturday, September 4, 2010
Saturday, September 4, 2010
Open Meetings & Socials: 7/22, 8/5, 8/26
Stranded: The Forbidden City is a one-night foray into a magical metropolis of imagination, hidden inside an enormous warehouse in Brooklyn. We are seeking installations, activities, performances, and games to entertain and delight the City’s tourists. Projects that are all of those things at once are ideal. Volunteers of all stripes are also welcome.
As the name suggests, the theme is an exploration of cities, past, present and future, real and imagined. Of course, the title is a double-entendre, suggesting both Beijing’s dynasty-era grandeur, and also a libertine red light district. Artists are free to explore either or both meanings, or simply run the laundromat of their dreams.
This is the third annual Stranded event. It started on Labor Day weekend 2008 at the Brewery warehouse in Bushwick as a gathering for those unable to attend Burning Man. Last year the event expanded to a 26,000 square foot warehouse palace in Sunset Park, and began attracting a wider variety of artists and attendees. This year, we are going to continue the trend with more space, art and friends and raise the bar for creative revelry to skyscraper heights.
CALL FOR PARTICIPATION
This should provide you more information than you need about how to participate in Stranded 2010.
If your project requires a stipend, please apply no later than August 6. The final deadline is August 20. The submission process is detailed below, after the answers to all of the questions you have. Please understand that we may not be able to accommodate all submissions.
If you want to participate, but aren’t sure how, please fill out a volunteer form using the link below.
Quick submission form: http://wandbnyc.com/forbiddenart
Quick volunteer form: http://wandbnyc.com/civilservants
Art questions: evalansberry@gmail.com
Volunteer questions: pneumaticdevotion@gmail.com
General inquiries: info@wandbnyc.com
OPEN MEETINGS & WALKTHROUGHS
We will be holding open meetings and venue walkthroughs on Thursday, July 22, Thursday, August 5 and Thursday, August 26 from 7:30pm-10pm. These are a great place to meet people, throw around and ideas, and have a good time. Food and drink will be served. The meeting location is in Dumbo.
RSVP to info@wandbnyc.com with the date of the meeting you with to attend.
URBAN RENEWAL
Artists are invited to construct an interactive establishment that one might find in The Forbidden City. Projects that have an activity, performance other social interaction are strongly encouraged.
Take a familiar city institution or feature, and give it a creative twist. Examples of potential establishments include post offices, jails, bus stops, libraries, banks, train stations, DMVs, parks, laundromats, stores and boutiques, theaters and entertainment venues, voter polling station, restaurants and cafes, courthouses, spas, galleries and of course, offices.
Standalone or roving sculpture and installation is also welcome, but priority may be given to establishments as described above.
THE CITY IS A STAGE
We will have a performance venue at the party. If you have a stage act– musical, theatrical, comical or unclassifiable, please apply and include photos, audio or other samples of your work. There is a limited amount of stage time, so please understand that we may not be able to accommodate all performances, or feature length works.
Note that we do not accept solicitations for DJs, but if you send us mixes, we will listen to them.
THE LAW OF THE LAND
A strong D.I.Y. ethic is important. We can provide the space for your project, a crowd to enjoy it, transportation assistance and a modest stipend, but it’s ultimately up to you to get it together, make it happen and clean it up afterwards.
Establishments may be anywhere from 100 square feet to 2,000 square feet. While we welcome sound installations, we already have a live music and dance music venue and are not seeking others. Your project should not be likely to combust, injure or kill anyone. In general, we do not allow projects to charge money or solicit donations.
THE FORBIDDEN CITY BANK
We can pay for the cost of approved projects. These are guaranteed to be reimbursed, even if the event is not profitable. If the event is profitable, we tip out on top of this. Consider $0 – $500 the effective range for requests. We can also provide transportation assistance. If you need a stipend, please apply ASAP.
Each project is a unique little snowflake, and we evaluate stipends on a case-by-case basis. Small budgets are easier to accommodate than large ones. On the other hand, if you have the greatest idea we’ve ever seen and a solid track record, we may be OK with splurging.
Note that in order to qualify for reimbursements for materials, you must keep your receipts and submit them to us in a timely manner.
ENOUGH TEASING! HOW DO I JOIN YOU?
If you have questions, contact the W&B creative director Eva at evalansberry@gmail.com.
Please fill out this form:
http://wandbnyc.com/forbiddenart
To make a submission, you will need to know the following information:
* Your name, and the names of other artists involved
* Your phone number
* A description of your project
* A detailed, itemized budget for materials and costs
* Setup duration
* Breakdown duration
* Will it require rigging from the ceiling or a wall?
* Will it make a mess?
* Might it accidentally injure, maim, or kill anyone?
* Floorspace requirements
* Electrical requirements
* Lighting requirements
* Any special placement requests
You will hear from us within three business days with questions, suggestions, etc. Sometimes we need to know more, have suggestions, or just need time to decide among many worthy proposals.
It may take up to ten business days to approve or decline your submission. If this wait is a problem, please let us know up front.
WHO ARE THE MAYORS OF THIS CITY?
Mark Winkel & Kevin Balktick are a pair of Brooklyn-based event producers. They met in 2005 when they became neighbors in a block-sized live/work warehouse in Dumbo. Over the course of five years, they have produced 12 feature events. In that time, their vision and following has grown from a single loft to cavernous warehouses.
Along with a dedicated community of artists, crew and volunteers, they transform mundane urban spaces into immersive fantasy environments. Their tools are larger-than-life installation art, extravagant costumes, decadent themes, surreal performances and action-packed dancefloors.
Their 2010 New Year’s Eve production, Transmutation , was held in a 30,000 square foot warehouse and was attended by 2,500 people. In February 2010, they were featured in a New York Times article about creative Brooklyn nightlife.
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opportunities mailing list
opportunities@chashama.info
http://lists.chashama.info/mailman/listinfo/opportunities
pathetic ny photo awards announcement
July 7, 2010i am really disappointed with the nyphotoawards whom just posted the entire winners of the award on 7/6/2010 of a festival held on 5/12-16/2010 with awards given out on 5/14/2010 via their unsigned newsletter.
were these guys drunk and in jail or in rehab? i know they weren’t off fighting a war unless it was with themselves. can you image the incompetence of a photo festival in not showing the pictures of the winning image? or announcing the winners two months after the awards were given out
these guys are the most inept festival organizers well i am being nice even to think they were organized which this just proves.
i’ve given my time and energy, to say nothing of entry fees money, volunteering for this festival and i’ll never do it again.
i questioned the choice of exhibits and artist but i gave them the artistic latitude which didn’t fit my aesthetic judgment but then again who am i?
it seems i am more on the ball than this group of bimbos. a fool is one who is fooled twice and i will not be one anymore. too many of these festivals and photograph contest are all about making money for the organizations. it seems this is one of them.
boo who for the loss of a fine opportunity. the fools are amongst us, least they not be us.
maybe they will go away before suckering more young photographers only if we ignore them.
The Wassaic Artist Residency project
July 3, 2010
invites all artists to apply:
Artist Residency: September / October
2010 Session EXTENDED! Application for September 1 – October 31 is NOW AVAILABLE! Residencies are 1 to 2 months.
APPLICATION DEADLINE: July 23, 11:59pm
Please see guidelines and application HERE.
Pics of the studios can be seen on facebook HERE.
— The Wassaic Project Team
2010 Artist Resident Hope Gangloff’s Studio. Images courtesy of the Artist and Susan Inglett Gallery.
2010 Artist Resident Breanne Trammell’s Studio.
The Wassaic Project Residency Program has been created to cultivate and support community for emerging and professional contemporary artists. Housed in a historic re-purposed livestock auction barn, the Residency Program offers eight artists the opportunity to live and work in the heart of a rural community and offers three local artists studio space. The Wassaic Project seeks a group of artists working in a diverse range of media who want to produce, explore, challenge, and expand on their current art making practices, while participating in a grass roots, community-based arts organization. Resident Artists are invited to participate in The Wassaic Project Summer Festival 2011.
The Wassaic Project is an artist-run sustainable, multidisiplinary arts organization that focuses on community engagement and facilitates artists and participants to exhibit, discuss, and connect with art, each other, our unique site, and the surrounding community.
We seek to make connections between artists of all disciplines. We facilitate interaction and collaboration among artists and the public by utilizing our historic location to create new ways of working in the arts and to inspire new ways of seeing art. The Wassaic Project’s activities include an annual summer festival, a year-round artist residency, studio visits/critiques for artists involved with the organization by guest curators and visiting artists, artist workshops with community members, published catalogs, and fundraising exhibitions in Wassaic and New York City. Our programs intend to generate dialogue and collaboration across geographic, ideological and disciplinary boundaries.
WassaicProject.org location: 37 Furnace Bank Rd, Wassaic, NY 12592
mailing: P.O. Box 220, Wassaic, NY 12592
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opportunities mailing list
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Guggenheim Foundation and YouTube Seek Budding Video Artists
June 16, 2010ever want to push the limits of your creativity, even though or maybe because you own one of canon’s video dslr, i just found out to my disappointment than my 5D MII doesn’t shoot 60 fps while the newer cameras do, it’s just they aren’t full frame. nobody wants to talk about the 5D MIII coming out with this capability or any other thing they might have forgotten.sometimes i just want to switch to nikon but the thought of changing all those lenses and stuff is rather intimidating.
but this isn’t what this post is about my disappointment nor canon’s latest opps factor. this is about an opportunity for you
bill viola
Bill Viola pioneered the video art form nearly 30 years ago, when hardly anybody was experimenting with it. He likes to combine Buddhism and Zen concepts in his videography. This image is taken from his 1996 video “The Crossing,” a super-slow-moving video of a man walking. He’s just walking, on a life-sized projector, through fire and rain. It’s mesmerizing.
New York, New York – For artists, being included in a museum exhibition generally means first having to penetrate the well-guarded gates of a prestigious art gallery. But now the Solomon R. Guggenheim Foundation and YouTube are aiming to short-circuit that exclusionary art-world system, at least briefly, in much the same way that other hierarchical systems have been blown apart in the Internet age. Beginning Monday anyone with access to a video camera and a computer will have an opportunity to catch the eye of a Guggenheim curator and vie for a place in a video-art exhibition in October at all of the foundation’s museums: the Solomon R. Guggenheim in New York, the Deutsche Guggenheim in Berlin, the Guggenheim Bilbao in Spain and the Peggy Guggenheim Collection in Venice.
The project, called YouTube Play and conceived as a biennial event, is intended to discover innovative work from unexpected sources. It is open even to entrants who don’t consider themselves artists, and actively encourages the participation of people with little or no experience in video. “People who may not have access to the art world will have a chance to have their work recognized,” said Nancy Spector, deputy director and chief curator of the Guggenheim Foundation. “We’re looking for things we haven’t seen before.”
For YouTube the project is one in a series of experiments in tradition busting. In late 2008 it created the YouTube Symphony Orchestra, which allowed any musician to audition for a concert at Carnegie Hall conducted by Michael Tilson Thomas; the previous year it helped create the CNN/YouTube debates, giving everyone with a Web cam a chance to ask a question of a presidential candidate.
“What we’re doing is removing the middle man,” said Hunter Walk, director of product management for YouTube. “Whether it be Carnegie Hall or the Guggenheim, we’re giving people a way to see the aspirational light on the hill. And not just online but in the physical world too.”
While the company does not publicly discuss it, some of its officials say it is also hoping that collaborations with august institutions like Carnegie Hall and the Guggenheim Foundation will attract high-end advertisers.
Applicants will be able to submit their videos (only one entry per person) starting Monday, uploading them on a channel created for the initiative, also called YouTube Play (youtube.com/play). The works must have been created within the past two years and cannot be longer than 10 minutes, made for commercial use or excerpted from longer videos. The deadline for submissions is July 31.
A team of Guggenheim curators will look at all the submissions — the foundation is expecting many thousands, Ms. Spector said — and narrow them down to 200, which will be seen by a jury of nine professionals in disciplines like the visual arts, filmmaking and animation, graphic design and music. (Ms. Spector, who will be a juror herself, is putting the group together.) Although the jurors will know the names of entrants, Ms. Spector said, the makeup of the jury should be diverse enough to prevent art-world or other biases from infecting the process.
con leche
Then, in October, the jurors’ final selection of 20 videos will be on simultaneous view at all the Guggenheim museums. And the 200 that made it through the first round will be available on the YouTube Play channel.
There will be no first prizes or runners-up among the 20, Ms. Spector said, “because this is not about finding the best, but making a selection that represents the most captivating and surprising work.”
That work could come, the foundation and YouTube say, from any quarter. “Within the last few years you can get a camera and for a few hundred dollars get the tools to create Hollywood magic,” Mr. Walk said. And Hewlett-Packard, which is collaborating on the project, is not only providing hardware to all the Guggenheim museums for displaying the videos, it is also offering online tutorials on YouTube Play to teach skills like editing, animation and lighting to the video-naïve.
While Ms. Spector and YouTube say they created the project as a way of breaking down traditional art-world boundaries, some in that world question how meaningful it really is.
“Hit-and-run, no-fault encounters between curators and artists, works and the public, will never give useful shape to the art of the present nor define the viewpoint of institutions,” said Robert Storr, dean of the Yale University School of Art, the organizer of the 2007 Venice Biennale and a former senior curator at the Museum of Modern Art, in an e-mail message from Europe.
“It’s time to stop kidding ourselves,” Mr. Storr added. “The museum as revolving door for new talent is the enemy of art and of talent, not their friend — and the enemy of the public as well, since it refuses to actually serve that public but serves up art as if it was quick-to-spoil produce from a Fresh Direct warehouse.”
But those involved in the project, naturally, see it differently. “If this is all the Guggenheim did, it would be a problem,” Ms. Spector said. “There are many layers to our programming. And we can’t say at this point that this won’t spawn ongoing relationships with people we discover through this process. One can only hope that it will.”
sold another print this weekend but need to replace it because fedex broke the frame and glass. shipping art is dangerous, maybe i should take up painting again?
CITROËN LAUNCHES PRESTIGIOUS DS3 DESIGN COMPETITION
May 21, 2010
CITROËN LAUNCHES PRESTIGIOUS DS3 DESIGN COMPETITION
Calling all designers! Ever wanted to get your work in front of senior figures from GQ or Louis Vuitton?
Citroën has launched a high profile international design competition, inviting creative visionaries to customize the roof and dashboard of DS3. In addition to a cash prize, the winning project will be presented at Citroën’s international showcase on the Champs Elysees, the C_42, in October 2010 to mark the start of the Paris Motor Show. As an ultimate reward, the design will also be put into production, available in 2011 as part of a special DS3 collection.
Designs can be submitted up until the competition’s closing date of July 4th 2010. The entries will be judged by a prestigious panel of experts from the worlds of design, art and media including senior representatives from GQ, the Cartier Foundation and Louis Vuitton. From budding designers to the experienced, the competition is open to anyone wanting to offer their own unique interpretation of DS3’s roof and dashboard.
A series of video ‘briefs’ will be available on the competition’s website – www.citroencreativeawards.com – inviting entrants to bring surprising and refreshing design proposals. ‘Daring’ and ‘professionalism’ are the watchwords of a jury that wants to be astonished by the creativity of candidates.
New York Photo 2010 Festival, impressions
May 21, 2010once again i volunteered for the new york photo festival which allows me free access to the exhibits, well free if you don’t count my time doing not much but standing around looking or checking peoples day passes.
every year it’s different but held in the same dumbo area of brooklyn just different spaces. i’ve always liked the photographers presentations in st. ann’s theater but i didn’t see many of them this year and the couple i did see i wasn’t that impressed with. but hey that’s me i am from new york and a tough audience.
there is a nice article in pdn about apeture foundation’s two part seminar on strategies for emerging photographers here. another article in pdn is a quick preview of the festival.
as curator erik kessel wrote in his galley at smack mellon catalog ‘what is photography?’ as his selections were artist not using photography in the conventional way but using it as a tool to create something totally different than one would think.
a lager portion of the festival was european influenced. one can see some interviews with curators and artist here but i am quite disappointed that not all the winners work is displayed on new york photo festival web site. see winners & honorable mentions for names but no links to work. the question arises in my mind is this a photographic festival or what?
last year everyone who entered images to the festival had their 15 seconds of fame via a slide show in powerhouse book store but the only projected images were from the leica camera photo contest. while last years slide show wasn’t perfect, not even a sign announcing what these images were at least they were photographs.
daniel power does have selections of interim awards videos with comments as does frank evers interm #2 and doug rickard shows interm #3. i thought it strange that most of the power winners examples had the subject centered, what happened to the ‘thirds rule’? am i being too academic here? i know rules are to be broken but this ‘center subject’ seemed a consistent in powers picks. oh well
there is a nice interview & video of Marc Granger who received a lifetime achievement award.
the link to coverage nyph 10 in 3D directed by martin lenclos showing interviews to exhibitors and visitors got me dizzy watching it. seems they need to have movement just because they could with the cameras view point constantly changing with mouse movement, oh 3D i forgot maybe i am too old but where is the photography? isn’t this a photography festival?
but on to the photography award ceremony that was delayed an 1 1/2 hour for technical difficulties. wonder how many audience members they lost? when they finally decided to go ahead with the presentations they went on without pictures of winning images. i would suggest the festival hire someone with more expertise next time or hey what about a tech rehearsal before hand like they do in other shows.
with all the technical savvy people here in new york wouldn’t you think someone would have planned this better? why do something half baked? is that better than doing nothing?
winning pictures still aren’t up on the web site.what i found really strange were the winners at least in the student category had to buy tickets to the awards ceremony. ten buck is ten bucks ,especially for students. the question arise did marc have to buy a ticket?
the coolest thing at the festival was leica gave out the M9 cameras to use for the day ands ran a daily photo contest. great marketing idea, who hasn’t always wanted to carry around a leica. woohoo. great feel to the camera, it really feels like a camera. but for me to see the focus rectangle in the view finder i’d need a cornia replacement. i’ll stick with my canon better or worst.
brooklyn bridge
graffiti
someone not too interested, guess who
no contest winner for me as the theme was nature. but to cap off the day mary and i walked across the crowded brooklyn bridge to manhattan which we’ve never done before.
but i did meet some interesting people and the hope is to expand who i know and what work i see because it’s all good.
just my opinion
The Times Square Alliance seeks letters of interest
May 21, 2010Open Call
All Art Organizations and Artists
All Art Forms
+ Times Square Alliance Public Art Program
+ TIMESSQUAREARTS
Request for Letters of Interest
Art Projects and Art Events in 2010-2012
Due on July 15, 2010
For Complete Details: http://www.timessquarenyc.org/arts/opencall.htm
The Times Square Alliance seeks letters of interest from arts organizations and artists across disciplines to present contemporary art projects and art events in the public spaces in and around Times Square. In a one-page letter, applicants can propose a single project or series for anytime between September 2010 and December 2012.
Artists and arts organizations are encouraged to propose projects that address the unique nature and rich history of Times Square. Projects should be able to have an impact in a space defined by dynamic activity and continuous, competing visual stimuli.
Organizations, curators and artists are encouraged to consider how their projects will change or effect the space during the presentation and how the 350,000 people here every day (as well millions of virtual viewers) will interact with the presentation.
Public spaces to consider as locations for art projects and events include the new Broadway plazas and Duffy Square in Times Square and other public and private spaces throughout the Theater District, 42nd Street and 8th Avenue.
Through its Public Art Program, the Times Square Alliance brings temporary high-quality, cutting-edge art and performance to Times Square’s public spaces, so that it is known globally as a place where ordinary people encounter authentic, ever-changing urban art in multiple forms and media.
Letters of Interest are due on July 15, 2010 and should not exceed 500 words. Organization history or artist resume plus five images of relevant past work should be attached, along with an image list of titled and descriptions. Applicants with accepted proposals will be invited to enter a dialogue with the Times Square Alliance.
For complete details on the Times Square Public Art Program, visit www.timessquarenyc.org/arts
We look forward to you ideas and proposals.
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