Archive for the ‘Artist’ Category

CALL FOR ARTISTS, No Chains Project

February 3, 2010

CALL FOR ARTISTS

Summary No Chains, a collaborative project undertaken by the two worker cooperatives “20th of December” (La Alameda) in Argentina and “Dignity Returns” in Thailand, seeks artists, designers, and activists to assist in creating images for a global “sweat-free” brand of t-shirts to be launched in April 2010. The application deadline is 25 February 2010. Five submissions will be chosen by the joint vote of both cooperatives in early March 2010 and produced as t-shirts that will be marketed to ethical consumers and distributed among unions, NGOs, labor activists as part of an international campaign to promote non-exploitative garment production, international labor solidarity, and sustainable workers’ self-management.

Background On 12th March 2009 a representative from La Alameda met with members of the Dignity Returns cooperative in Bangkok. After discussing the factories’ respective goals and difficulties, members decided to jointly produce and advertise sweat-free goods both to act as a model for viable worker-operated garment production and to raise awareness about non-exploitative labor. Expanding their existing media networks and activist alliances, both cooperatives would participate in a coordinated campaign about safe and ethical consumption, while addressing abuses specific to the garment industry’s global supply chain, which depends upon the exploitation of gendered, migrant, and subcontract labor in Argentina, Thailand, and throughout the global South.  

Aims The No Chains project model will hold quarterly t-shirt design contests that invite the direct collaboration of artists, designers, and art collectives with the workers of La Alameda and Dignity Returns, of which February 2010’s selection will be the first installment. The momentum generated by a joint brand consistently renewed by artists’ participation, coupled with each cooperative’s longstanding commitment to labor activism, will enable No Chains to serve as a platform that highlights various labor struggles throughout the globe, connecting artists, consumers, and supporters at these important global flashpoints. While maintaining this momentum through the projects’ stability, both La Alameda and Dignity Returns will remain open to the prospect of collaborating with other worker-owned factories that wish to join in producing under the No Chains brand.

Submission Specifications

The Design The design must represent the general theme of “No Chains”. T-shirt designs may be produced using any visual medium, but should:

1)    be suitable for silkscreen reproduction on various colors of cotton fabric.

2)    use a maximum of three colors.

3)    be in .jpg file format.

The Artist/Designer

1)    Please include a brief artist/collective bio, along with an optional artists’ statement. It may be 50-150 words long (if in English or Spanish). The file should be in MS Word, Open Office Writer, or as an .rtf file.

2)    Artists must either grant the copyright of their submitted designs to No Chains, or place their design under a Creative Commons license by which No Chains is authorized to produce shirts bearing the design.

Translation Offered If Necessary We are happy to assist with translation of brief phrases into Spanish, English, or Thai. However, please remember that because of the broad scope of existing labor networks, from Brussels to Jakarta to Porto Alegre to Seoul, it is best to communicate through a visual graphic image rather than through words. Submission Please submit your design or any further queries electronically by email to art@nochains.org by 25 February 2010.   Remember: images must be as .jpeg files, and the description of the artist must be as Word/Open Office/.rtf files.   Selection Process Maintaining a commitment to collective principles, the full memberships of both groups will decide on the selection of the five winning images by vote, and the results will be informed to the winning artists and also announced on the No Chains website www.nochains.org in early March 2010. The t-shirts will be marketed to ethical consumers, supportive labor unions, and NGOs. In addition, some NGOs will sponsor the donation of some shirts to members of selected workers’ struggles as they arise.

Because both collectives operate autonomously without access to external funding, No Chains is unfortunately unable to provide financial compensation for artists’ contributions that are adopted for use in the global “sweat-free” brand. However, artists whose work is selected will receive five shirts bearing their winning designs.

good luck

Jene Youtt, nyc

C4FAP ‘Motion’ selection

January 29, 2010

well i’ve had one of my images selected for a c4fap Motion shows coming up this spring. i also have a cold as does mary, these things happen when we are out and about in the world.

nude female leaping upward

Ascending

i’ve made a package for the image and have downloaded the forms needing to accompany the framed print. one really should never have to read instructions and understand them when one doesn’t feel good. it’s just too much to understand nor wanting to comply with. i’d rather lay down on the couch, turn on tv and see what’s going on in soap opera world and put my head gently down on a pillow waiting for oprah to come along and lull me to sleep.

i’ve time to think about all this and since it’s 23 degrees outside i don’t need to trudge off to UPS and send the package. besides they want an artist statement. do you think they accept a note saying i’d rather take a nap?

i’ve plenty of time as the show isn’t until march 19 thru april 17 2010.

busy week as i am going over to meet the people who run the 52nd Street Project tonight and see one of their shows. the project is about helping the neighborhood kids expresses themselves using theater and since we are living in the theater district capital of the world, arrogant statement for sure but this is broadway. i think it’s nice to give back to the community who supported me and i know that one person can make a difference in another’s life.

i’ll always be grateful for Joe coming into my life, a newark policeman who read my families dynamic and offered me friendship instead of telling me what i should do. me being a teenage i wasn’t too open for advice as i knew everything but he was there with a friendly place for me to go when i needed another perspective.

i think everyone needs places like that in their lives.

so i’ll just not do too much thinking today and maybe take a nap. we can all benefit from my doggie’s suggestion on this cold winter day.

dog sleeping on couch

but with the snap of a shutter and living with a photographer one can never relax completely

smiling dog on the couch

you want to do what on the couch?

jene youtt, nyc

The Wassaic project, I Heart Art, deadline 2/1/10

January 28, 2010


ARTISTS:

3 days till the Artist Residency deadline of February 1st!  Apply HERE.

I HEART ART submission form is now online HERE.
Support WORK Gallery and The Wassaic Project with a 5″ x 7″ piece of art work!
**********
The Wassaic Project is getting very excited as we gear up for our summer season, and as a result, we have a few announcements to make.

This email is mostly aimed at artists, but please read and spread the word – help reach as many wonderful artists as we can!


The Wassaic Project Artist Residency deadline is only 3 days away. We are now open to proposals for 1 to 4 month residencies.
Apply HERE.
We have received many amazing applications and are very much looking forward to this summer!
The Luther Barn where artist’s studios are located.

On Saturday April 17th, 1pm – 5pm, once again The Wassaic Project will be partnering with WORK Gallery in Red Hook, Brooklyn to bring you our annual “I HEART ART” event.  We are now accepting 5″ x 7″ submissions.  Please read the submission guidelines, and submit away!!!!

I Heart Art in 2009 at WORK Gallery.

SAVE THE DATE for:
I Heart Art: Saturday, April 17th, 1pm – 5pm
The Wassaic Project Summer Festival 2010:
August 13th, 14th, and 15th.

Hope this finds you well, and thanks for being friends of The Wassaic Project!!!



WassaicProject.com 35 Furnace Bank Rd, Wassaic, NY 12592

chasing people & pony’s

January 23, 2010

why do i feel it’s my job chasing people? why don’t they just do the right thing? i am not the only one who was rasied with moral values but it seems that way at times. having to write to Canon’s president about software updates, why? this is how i feel.

pony skeleton head

lost pony

chasing the woman who backed into my car last week to save her money on her insurance and possibility myself from a rate hike. i’ve got enough to do in my life instead of chasing people. i don’t mind waiting as i am doing for the image selection from my entry in c4a motion juried show. just to add salt to my wounds those images won’t load here.

well i guess i’ll go about my day as a blank posting, there are days like that and then other days when a client calls to schedule a booking. woo hoo. so that’s life and the first noble truth.

maybe i’ll find another pony today.

Letter to Canon about my 5D Mll software, feel free to use

January 22, 2010

Canon U.S.A., Inc.
One Canon Plaza
Mr. Yoroku Adachi
President & CEO, Canon U.S.A., Inc.
Lake Success, NY  11042
Ref: Canon 5D Mll software

Dear Mr. Adachi
I am writing to you concerning the perceived lack of support for your 5D M ll camera. At least that’s the way the general photographic community and users I belong to feels about this camera.

When is your R&R department going to issue an update on the firmware or software to bring this camera in line with the rest of your digital cameras video capabilities. I was told at 2009 Photo Expo that this software should be ready this month, January 2010, for download but so far I’ve received no such announcement.

To say I am quite disappointed that none of these missing features have been included for this camera is an understatement.

– Add / Improve: In Full HD (1920×1080) mode, allow these frame rates: 29.97, 25, 23.976 fps
FIX the current 30.00 fps to the standard NTSC 29.97 fps
Improve the video quality in 23.976 and 25 to minimize “jello” effect
– Improve AutoFocus algorithm in Live View mode (contrast detection mode)
– Add Focusing Aids in Video mode, maybe face reconnection?
– Add HD (1280×720) video mode with the above frame rates.
– Improve: Make HDMI output at FULL HD (1920×1080) and CLEAR of any overlay or information when recording and/or when just watching in Live View (if when recording is not possible)
– Add: a split video function to continue recording once the 4GB limit is reached in another video file without stopping the recording process.
-Allow Audio Manual Gain
-oh why limit recording time to 12 minutes?

This lack of support has me wondering why I’ve stayed with this company through my A1 & F1 cameras  right into the digital age, even after your company dumping the FD line of lenses. That was a sizable investment on my part while having to part with my favorite lenses.

So my question is when will your company wake up and take care of it’s customer base?

Sincerely
Mr. Jene Youtt
cc. https://fuzzypictures.wordpress.com

“Call for Artists : 12X24 Art Initiative”

January 21, 2010

“Call for Artists : 12X24 Art Initiative”
2010-01-21 until 2010-01-29
Arts Incubator
Kansas City, MO, USA United States of America

“Who wants to wait until you’re dead to be a famous artist?” Now announcing the Arts Incubator’s new 12X24 art initiative. The Arts Incubator is now accepting applications to enlist 12 talented and determined artists for an intensified 24-month program called 12×24 art initiative and will assist resident artists to: ·  establish & maintain a rigorous studio schedule ·  identify long-term goals ·  create your business plan ·  broaden your art income potential ·  develop professional skills to launch and grow a successful career ·  build your regional and national professional network ·  take on the challenge and live your dream The 12X24 curriculum is intensive and includes studio critiques, marketing strategies, business management and networking. All graduates will leave with the experience and tools to accelerate their careers as artists. Application deadline is 1.29.10.

For more information, contact Jennifer at 816.421.2292 or jtuttle@artsincubatorkc.org .

The Arts Incubator helps artists to acquire a productive studio practice while learning the business skills required to establish a successful career in the arts. We are a nonprofit organization dedicated to working with artists in the development of their careers. In addition to affordable studio space and 24-hour access to multiple studio facilities including a wood and metal shop, printmaking facilities, technology studio and a photo studio; AIKC provides business workshops, one-on-one consulting and access to arts industry experts. The Arts Incubator is located in the Crossroads Arts District, a community experiencing national recognition as one of the top arts communities in the nation. Please forward this on to your friends.leas Arts Incubator 115 West 18th Street Kansas City, MO 64108 816.421.2292 http://www.artsincubatorkc.org

what i did to waste my time today

January 13, 2010

the task at hand was trying to fix a Lightroom error message which i finally did by deleting the preference phist files and the LR folder in adobe application support. well that was pretty easy, now on to the major problem of moving the picture files from one HD to another.

well i read the forums which were written in martian, well they could have been for all i understood, but i tried a number of times following the instructions all to naught. but i did manage to find these couple of images from a shoot this spring, well actually last spring

classic greek male nude pose

classic greek pose

nude male

don't look

it seems it’s always like this, i do the session with the model and think i never get anything except a few good pics then i move on. later in life i come back to the folder and find these gems. well i think they are pretty nice.

all this comes at a time when i am reading Taschens art book on Caravaggio explaining his life and  times and showing absolutely gorgeous reproductions of Caravaggio’s paintings.

Caravaggio, for me, is one of the creators of chiaroscuro painting which i happen to like and seem to emulate in my work especially in this series. you have to realize i am more of an artist than just another shooter. i use a camera as a tool no more, no less. maybe the members of photography gallery were right in not wanting me to show my work there, their loss not mine.

nude male

the fall

this is one of two images almost the same and tonight  through my foggy brain i can’t make up my mind which one i like. well it’s not something i have to do now or forever. life is like that .

nude male

the fall ll

being an artist isn’t as easy as it seems. this morning i gave mary some feedback on her breast cancer grant proposal draft for the labor of love pix blog.

mary wehrhahn has been a great supporter of my work and i think shes got some great stuff on her web site, i especially love some of the lighting because i did it. but she is coming into her own and maybe time for me to retire and enjoy the ride.

time to lay my head on the pillow with something to read before i fall asleep. good night all

jene youtt

Tim Burton @ MOMA

December 31, 2009

or how i learned to love the ‘A’ train at rush hour.

yesterday mary and i took the kids to MOMA to see this show as did most of the tourists visiting new york that day. to say the lines were long is an understatement because as i past them they reached to ave of americas  from the entrance. i knew i was in trouble right away.

moma is not my favorite museum but i remember it more fondly before they spent $858 million on its renovation  and expansion which has seemed like an actual reduction in viewing experience. they say there is more room  for exhibits but the whole museum experience for me is too crowded, not just popular shows as is the burton exhibit, but the hallways, stairs, bathrooms  and moving to the elevators, everything is square and small.

i tried looking down on the sculpture garden from one of the floors only to be blocked by some horizontal bars that obstructed my view. what was yoshio taniguchi thinking while designing this space?

even with the open space in the middle of the museum,which to me in reality feels restricted space where one can never touch. maybe it’s a japanese thing. when i first revisited moma they had Monet’s water lillies hanging there, what a waste to try to see them so far away,50 or 100 feet away, since then they’ve moved them to their own room next to the second floor cafe  which now reminds me of the port authority bus terminal waiting room. what happened to the nice quiet room they hung in at old moma?  but the room does make a nice place to drink your cafe latte or whatever comes from the cafe. slurp quietly.

i now feel crushed by the weight to the condo tower, or what ever it is,  above the exhibit space i guess by the money represented above. but i am being distracted by my hate for the new building. but before i move on you know the nice first floor restaurant in the old building, the one with lots of light coming in the floor to ceiling windows, well it’s now a much smaller members only dinning room. the masses are shuttled to the other cafe’s, now just feeding rooms on long impersonal tables popularized by barbican courts to feed the masses with no views.

but the tim burton shuffle show, and that’s what the experience is, shuffling along, reminding me of an old character on the life of riley radio show, digger odell ‘i’ve got to be shoveling along’, which in a way suits tim burton’s work very well. but because of the crowd one is moved along or bumped into by the mass. most of the show consists of small working drawings and it’s  really exhibited in a very small space.

what i’ve aways thought the strong part of burtons work were his movies. at the entrance to the exhibits there are a number of televisions sets showing different segments of a video piece. they don’t seem to be coordinated as the first one ends the next station should  begin so one can see the video as a whole. as it is now the next video is already running so you move to that staqtion in the middle. how hard would it be to sync things up? hello museum. ‘well move on there, we’ve got your money’, there is big crush  behind you and lots of kids,, little ones to the front please, ‘hey you big oaff could you move, you’re blocking the screen for everyone else, yes you.’

the crowd moves on one more hansel & gretel video with a small space to sit. the crowd moves on into bigger smaller room with models of characters from movies them over to the egress, hey what happened ? ‘oh bauhaus, looks interesting lets go there.’

did i say how much i despise moma, yet i go there, now i won’t pay $20.00 to visit a place with a lot more money than i’ll ever see, but target still subsides friday’s at moma which i support by going and making purchases at target stores. so supporting the arts is always nice.

if only i could get some people interested in buying my art work oh well see www.jeneyoutt.com or my OMP portfolio  for samples.

winter solstice

December 23, 2009

last winter i convinced mary to go up to st johns the divine to hear paul winters winter solstice celebration. living in new york one has exposure to all these wonderful events. i think it took me 28 years before i made my first solstice celebration so now i’ve made two of them.

this was something i though her grand daughters might enjoy but they are still too young or maybe they will never enjoy a music concert, mary doesn’t think it would be their cup of tea.

but we enjoyed it, maybe not as visual as the summer celebration i first saw but then again is anything able to match our first time at anything? for years i tried to match how great i felt or thought i felt with my first cigarette, although it might have been nauseous but cool. glad that’s over with.

at least now the day will be lengthening and it will soon be time to shed our wraps and let our bodies bask in the sun, woop tee do. i love bodies even this strange one appearing in my mirror everyday. were did that Michelangelo di Lodovico Buonarroti Simoni body go?

but if you’ve been putting this off as i had done for years, i suggest you circle the date , mark you ical or what ever it is you do on 6/1/10 and look at living music site to book your tickets for the summer solstice celebration. st johns  is a wonderful music venue and maybe something will be reborn in you to sing and dance as if nobody is watching which they aren’t.

hey i even bought two cds so i can connect with those moments again lying in bed with my honey and howling at the moon. whooooooo . try it you might like it.

wedding pictures

December 22, 2009

here are a nice couple on their wedding day, well sort of we took these pictures as part of a promation from their upcoming show of  a section of “Forever Hold Your Peace (for now)”, will be performed at the upcoming Frenetic Fringe Festival in Houston, TX this month.

we all have a pretty good time doing  these pics. it’s all part of my philosophy of ‘meeting interesting people’ to work with. it seems Rob Davison of kinetic architecture and i are interested in some of the same performance expressions  so we have said ‘lets work together’. who knows what will come out of it.

bride & groom

Kinetic Architecture

bride & groom dancing

Kinetic Architecture