Archive for the ‘Artist’ Category

Keith Jarrett @ carnegie hall, jan 16, 2011

January 17, 2011

Mary took me to carnegie hall, my christmas present, last night to see and hear  Keith Jarrett play a concert. i’ve never heard one of his concerts in person just on records and cds. it’s real nice to be in a relationship with someone who cares about you and is willing to share and experience something you care about. i highly recommend it.

we had a japanese dinner compliments of a friend them walking up the few blocks to carnegie hall. mary pushing me, the slow poke, along as the tickets said no late seating or intermission and who wants to miss a concert you pay top dollar to hear. but we along with lots of other people arrive in plenty of time to find our seats and settle in.

we were in the first row which surprised me. i don’t think i’ve ever been in the first row for anything before. it did take some getting use to looking up at the bottom of the 9 foot steinway but that’s what it was. well we sat there reading our programs along with everyone else in the hushed concert hall. i finally asked mary what time it was as i had left my phone at home and she had turned hers off. 8:15pm

a few minutes later i guess after 8:20 keith strolled out on stage to a round of applause and talked a bit about the night.my first thoughts  at that time were ‘you’re late’ after asking us to be on time what were you doing backstage what was so important that you couldn’t start on time? i can understand a few minutes late but. in order to enjoy the concert i let all this go out in the cold night where it belonged.

he began by telling  a story about the poet robert bly asking him to play for a poetry reading of his reading joseph campbell’s work. the jest of the story was about how we don’t know each other until private moments and exchanges reveal themselves. that i understood and was willing to forget about him being late.

then keith walked to the piano and started playing. lovely music, no titles just music. i listened and could actually hear the dimensionality of the notes as they were played. with the piano horizontal with the stage i could actually hear the difference of notes closer to me on the sound board than the ones farther away. that was amazing no question about it.

it didn’t distract from the music being played just added to the whole experience. what we did miss being so close to the stage was the resonance of carnegie hall itself. but hey can’t have everything.

after a time keith got up and walked off stage. nobody knew if the concert was over or what. no just an intermission, guess his fingers get tired. it was a nice seventh inning stretch for everyone. after about 15 or 20 minutes keith came back out finished making the point of the robert bly story and sat down to continue.

lovely music including a very soft piece were it happend……someone coughed or maybe a couple people coughed…..keith stopped playing, sat there for a moment, made a quick comment and walked off stage. WTF happened we thought? i can understand loosing concentration or your train of thought during these improvisations but i don’t think it’s the audience fault. after all mr. jarrett is a grown man of 60 some years.

a few moments later mr. jarrett walks back on stage and address us via the standing mike about him being disturbed by us then going off on a tangent about ‘ how he’s the only one who couldn’t leave.’ my thoughts were ‘hell you can leave at any time’ i didn’t come here to hear some rude remarks to embarrass an audience member implying they should leave the concert hall.he totally lost me as an audience member. i really felt like shouting out ‘then you leave so i can go home.’

then all i could think about was the pianist glen gould how much he hated touring drafty concert hall and hotel rooms. so he quite doing it. if mr. jarrett gets so distracted by audience members then he should just stay in the recording studio. after all it was him and his production company who was recording this concert. oh that’s right he couldn’t leave because he had a record deal and probably a clause in his contract to play for a certain amount of minutes.

his childlike tirade just turned me off to him. it seemed after that he would play a couple of songs then walk off stage wait then come back stand by his piano only to walk of stage again, toying with us. but the people around me all stood up applauding shouting as if his antics were forgotten. i felt he should have just sat down and played what he wanted then gone home. no games. we were all grownups there, well some of us were.

he just couldn’t let the cough go because before playing another piece he had to bitterly comment this was a soft song to which i thought ‘what an ass.’

i can understand being upset with  the people taking pictures after being ask not to. idiots i thought, it’s all about them, the me generation. they even took pictures of the piano sitting there on stage during intermission. being there isn’t enough for them? but then later that night we got a lecture from mr. jarretts manager for the picture taking, but not everybody or most and certainly not all of us took pictures, heck i left my cell phone at home. so why include us, mary and i in this?

then Keith came to the mike and said that it’s not that he doesn’t like his picture taken but it is distracting to see the red lights and flashes go off.  And that people should remember that they should be enjoying the moment and that just because they have the technology in hand (cell phones and digital cameras) that they should leave the photography to the people who have learned how to take pictures.

mary says she will buy this cd because she liked the music, i’ll listen to his music but won’t buy it with my money.

but a lovely evening spent with my honey abet a very cold walk home but we had each other to hold close.

see nytimes review

Smithsonian Censorship reactions

December 11, 2010

i am personally appalled at the Smithsonian secretary G. Wayne Clough’s censorship by pulling a running exhibit ‘Hide/ Seek’ by David Wojnarowicz from the National Portrait Gallery. it again makes me wonder what kind of country do i live in and do i want to continue living here?

there must be some nice island that isn’t going to be swamped in the near future by the rising  global oceans, someplace we can drive our XR 7 convertible around in peace and not worry about some narrow minded person being upset by our art work.

Yahoos artinfo has a nice piece on this as does the New York Times have two pieces one titled ‘As ants crawl over Crucifix,Dead artist is Assailed again.’ and ‘Sexuality in Modernism: the partial history’.

hey but i wanted to see the actual video that caused all this furor so i did an google search for ‘A Fire in my belly’ and of course a YouTube link came up which i clicked on that took me to a safety link that wanted me to sign in in order to view the piece, Huh. so i went back and clicked on Vimeo which brought me directly to Fire.

http://vimeo.com/17457052

after watching the video i don’t really see what this is all about. what are all these people trying to protect me from? a dead homosexual or the watching of an edited down version of the artist almost 21 minute video that was edited down to 4 minutes for the exhibit.

isn’t the Smithsonian a public funded organization? yes. then why does it react to just one or two complaints  no matter who they are from and not allowing the rest of us to be heard. talk about terrorism and the fear it creates in the community isn’t this the same thing?

i think all artist care about is to be able to create, although it’s nice to have the money to put food on the table, unless you’re dead, then you don’t need much. but hey who am i ?

just a photographer

jene youtt

Dance New Amsterdam art exhibit, ‘Figure in Motion’

December 3, 2010

if you remember i’ve written about DNA before when they were being threatened with a rent increase that would drive them from their downtown location. well negotiations are continuing so when and where DNA will be is still up in the air. Maybe writing to Mayor Bloomberg asking to preserve this dance institution might help, it couldn’t hurt, and might  be the right thing to do.

i always feel a kinship with dancers knowing how hard their lives are in creating such an ephemeral art form as dance.being a member of a dance company in the 70’s i saw how hard they worked. believe me it’s not an easy life but young people are drawn to it everyday? one wonders why?

why does any artist create? a question i ask myself every once in a while. i’ve yet to come up with a definitive answer except to say it feels right and makes me sleep better.

dance seems to be in the air this week what with the movie Black Swan opening this week. see the NYTimes article which begins with ‘ TEN years of serious training and then five more toiling in the ranks. That’s how many years of dedicated study it takes on average to become a principal ballerina at a top company.’ a quick rise to the top.

but back to our subject of Griselda Healy art exhibit ‘Figure in Motion‘ in the upstairs gallery of DNA. There is no charge for admission to the exhibit. Figure in Motion is a series of figure movement sequences; working from life with DNA founder Laurie De Vito’s company of seven dancers as models; it consists of drawings and oil sketches with graphite and charcoal materials on horizontal scroll lengths of paper.

Image: Sarah, Dance Sequence graphite and charcoal on paper 2010

Griselda Healy was born in St. James, Long Island, New York. She studied still-life and landscape painting with Paul Russotto before moving to Europe, where she studied and worked as a musician and artist. Healy recently relocated to Manhattan and now has a studio affiliated with the NARS Foundation in Brooklyn, NY. She is presently continuing her work with figure and context.

i am always amazed by the positive energy dancer students exude and DNA is full of that. it fills the air around them even when they are sitting still.

this picture reminds me of a conversation i had with a Radio City Music Hall Rockette during  a time we both worked the Christmas Show. She told me of her husbands friends in Atlanta reactions upon hearing she was a Rockette as being so ‘glamorous’  to which she smiled and nodded. she had thought of this conversation while sitting in the rehearsal hall floor dressed in sweaty tights, a t-shirt, eating an orange and dog tired. what a glamorous life. she couldn’t imagine her husband’s business associates siting on the floor. but that’s what dancers do when not dancing.

so go see this exhibit when you are downtown to see how drawing, painting, photography and dancing are all part of the human experience. enjoy the rich cultural offerings this city has to offer. hey check out DNA offerings and see one of their shows.

it’s a wonderful space it would be a shame to see them lose it after all the work they’ve put into the space.

jene

Smack Mellon call for proposals, artist & curators

December 1, 2010

Call for Proposals:

EMERGING ARTISTS and EMERGING CURATORS
Deadline: January 15, 2011

Interior Space 1
Note: Applications will only be accepted through an online process starting

December 1, 2010.  Deadline is 11:59pm, January 15, 2011

Proposals are accepted annually from Emerging Artists and Emerging Curators for Smack Mellon’s Summer Show. The selected Emerging Curator will review submissions from the Emerging Artists.  The Curator will be expected to select half of the exhibiting artists from these submissions.

The exhibition will be presented June 18 – July 31, 2011.

An Emerging Artist is considered to be an artist without commercial representation who shows significant potential; has some evidence of professional achievement but not a substantial record of accomplishment; and is recognized as emerging by other artists, curators, producers, critics, and arts administrators.

An Emerging Curator is defined as an independent curator who is beginning his or her career as a curator. Emerging Curator proposals must show history of at least 3 examples of prior curatorial projects successfully presented to a public audience.

Emerging Artist guidelines are here and Emerging Curator guidelines are here.

14th Annual Friends of Friends Photography Auction

November 29, 2010
14th Annual Friends of Friends Photography Auction 

Benefiting Angkor Hospital for Children

December 7, 2010

 

 

© Douglas Kirkland, Dennis Hopper, Taos, New Mexico 1970
Tuesday, December 7, 2010 

6:00 pm – 7:00 pm Preview & Cocktail Reception

7:00 pm – 8:30 pm Live Auction

Metropolitan Pavilion

123 West 18th Street

#5FL The Level

New York, NY 10011

Click here to view the online catalog

© Brian English, Sacred Lotus VI
Admission 

$50 donation (live/absentee Bids) or

$500 donation for a special print By Brian English

(tax-deductible portion $470) – Stlll available!

In exchange for the donation, you will receive a

duotone and four-color museum-quality

auction catalog and a paddle number.

Click here to view the images.

For Inquiries: 

Friends Without A Border
1123 Broadway, #1210
New York, NY 10010
Tel (212)691-0909

Fax (212)337-8052
e-mail: fwab@fwab.org
www.fwabphotoauction.org

 

Follow Us On

Proceeds from this auction will help thousands of Cambodian children and their

families who seek medical care at Angkor Hospital for Children. Your generous

support makes it possible for AHC to continue improving it’s much needed services

further impacting the healthcare system in Cambodia.


2nd edition, THE JACOB RIIS AWARD

November 23, 2010
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Selected among thousands of photographers from all over the world, Kamil Vojnar from France won the first edition of The Jacob Riis Award. Andrea Land (USA), Heather McClintock (USA), Nermine Hammam (Egypt), Mitch Dobrowner (USA), and Robert Baum (Belgium) were the Runner Ups in this competition.

With this second edition offers again outstanding recognition opportunities for professional and non professional photographers worldwide WPGA is committed to discover and distinguish new talents as well as to acknowledge established artists. Be part of the group of photographers that are shifting the world of photography: enter your images to one of the most challenging and rewarding photographic competitions for pro and non pro photographers.

Until November 30th you have the chance to enter with Early Bird discounted entry fees, and submit your images at any time before the final deadline; therefore you can save today and still have lot of time to prepare your work.

The winner will receive a cash prize of $3,000, and a selected works of his/her winning portfolio will be featured in the convcer of the book 2nd. Edition of The Jacob Riis Awad to be published during 2011. The first Runner Up will be featured in the back cover.

The Worldwide Photography Gala Awards organize the second edition of THE JACOB RIIS AWARD (named after the Danish-American photographer, 1849-1914) benefiting Save the Children Foundation. It will focus in portfolios (minimum of 8 and maximum of 12 images) inviting photographers working in all mediums, styles and schools of thought. Traditional, contemporary, avant-garde, creative and experimental works that include old and new processes, mixed techniques, and challenging personal, emotional or political statements will be welcome. The Award is open worldwide to all professional and amateur photographers working with digital or traditional photography or combinations of both. There is no theme for this Award, and the images will be evaluated as a cohesive body of work (a theme or images representing the artistic trajectory of the photographer), rather than individual images.

The Award will consist in a cash prize of $ 3,000. A selected image of the winner portfolio will be featured in the cover of the Book The Jacob Riis Award 2011. JURORS:

The Jacob Riis Awards will be juried by Chris Steele-Perkins, UK (Magnum Photos), Tim Anderson, USA (publisher Red Dog Journal), Larry Padgett, USA (founder and former Managing Director of The Center for Fine Art Photography), Sucheta Das, India (Photographer), and Julio Hardy, Argentina/Spain (Managing Director, WPGA).

Awarded portfolios will be exhibited during 2012 in a city and venue to be decided

AWARDS DATES:

Early Bird Deadline (with discounted entry fees): November 30th at 11:50 EST

Final Deadline: January 31th, 2011 at 11:50 EST.

Juror’s Announcement: Last week of March, 2011

ENTRY FEES:

Early Bird: $60 for the first portfolio; $30 each additional portfolio

After the Early Bird deadline: $80 for the first portfolio; $40 each additional portfolio

Each portfolio should be composed of a minimum of 8 images and a maximum of 12. Submission of entries can only be done online.

COPYRIGHT:

Submtted photographs may be reproduced for the purpose of marketing and promoting WPGA contests and awards, in catalogs, posters, postcards, publications, and on the INternet. Such use is granted for not more than two years after the announcement of the awards and without payment to the photographer of featured models. Photographers will receive photo credit with each use, and will allow WPGA to sub-license their photographs to the press for reproduction in connection with the contests and WPGA exhibitions.

To see the image specifications requirements and to submit your portfolios click here.

To see the awarded portolios of the first edition of The Jacob Riis Award click here

My life as a photography subject. who needs photo salon?

November 17, 2010

i’ve been asking a member of photo salon held each 3rd wed at soho photo to show my work there to the members who are mostly commercial photog’s and have been ignored by emmanuel on each request.

photo salon is the playground of The Photogroup Salon Committee
Jay Maisel, Howard Schatz, Bill Westheimer, Jack Reznicki, David Hodgson, Rich Pomerantz, Emmanuel Faure all of whom are excellent photog’s in their own right, they started photo salon to show their work to friends and family, but have expanded to show others as well.

shadows

i am the type of person who takes these things personally; rejections, acceptances, awards etc but try and put on a humble public face. yes it does hurt not to be accepted no matter where from the playground as children to the workplace.

it’s true i didn’t voter for myself during voting for my first emmy back in 1985. i thought that it wasn’t right to vote for yourself, of course i was lucky others voted me a winner. where did i get these cockamamie ideas? the next year of my second nomination i did vote for myself and won again. but that’s neither here nor there.

Philip F Clark writes in his The Artpoint blog about the painter Max Rodriguez that he ‘understands that art is an act of freedom.’ well so do i and others have that same right.

reflections-inspired by jay maisel

but looking at my work now, maybe they are right that i don’t fit the groups esthetic nor commercial aspect.

man on the stairs

after all my work is really just a snap shot of my life. i can’t take pictures of someplace i’ve not been to. it’s a real chore keeping up with my life photography and trying to run an informative blog such as this, but what the hell else do i have to do during the daytime? so these images are a part of my life where i’ve been

metal door

but my life isn’t something i do for others pleasure, I DO IT FOR ME. i love to share my occurences and discoveries with others, how i see things

hallway

or what i don’t see but am there anyways. so i’ve come to the same conclusion that groucho marx came to, of not wanting to belong to any club who would have me.

man with cell phone

so i’ll just continue doing what i do, wandering around the city taking pictures as  photographers have done since the invention of photography or maybe i’ll go below and see what there is to see.

hallway

radios

textures

hatchway door handle

moving down deeper into the innards of life, as was shared by a teacher of mine’ Self discovery isn’t always good news’

ship walls

engine room

until we get to the proverbial locked door, do we have what it takes to open the door and see what’s behind it?

chained door

oh well so photo salon won’t let me be a part of them. i’ll just have to continue doing what i do and they will be the lesser for it. i know i am loved and a fairly talented guy who’s just doing this because i love to make pictures. this is my life. thank you for sharing in it.

2011 Charlatan Ink Art Prize

November 17, 2010

The Charlatan Ink Art Project

was established in 2009 within the walls of the iconic Carlton Arms Hotel, New York, by two visual artists, Dariusz Solarski from Poland and Austrian born Andre van der Kerkhoff. From the moment of its conception, the Charlatan Ink Art Project has grown from a whimsical idea into an ever expanding universe of ideas, which will touch over time all aspects of the visual arts in whatever form or shape.

Within those expanding ideas the Charlatan Ink Art Project contains the essential nucleus of its creation, the establishment of the CHARLATAN INK ART PRIZE for the VISUAL ARTS. Which is part of the CHARLATAN INK COLLECTIVE.

The CHARLATAN INK ART PRIZE for the VISUAL ARTS will be the gateway for the Charlatan Ink Art Project to connect worldwide with artists, galleries and art organizations, facilitating cross pollination and creation of fertile soils to establish new and exciting means to present art to a wider public.

Once the Charlatan Ink Art Project has established itself within the New York art establishment and with time on a global stage, Charlatan Ink LLC New York will pledge itself to metamorphose into an art-entity, that will not only search for new inventive art and art practitioners, but will commit itself to nurture new talents through its facilities of publishing and art management. Charlatan Ink LLC New York will create an innovative new model in artist representation, allowing artists to be free of commercial conformity and limiting art market policies.

remember to click on the fly. to contact Charlatan Ink LLC

Charlatan Ink LLC
1133 Broadway, Suite 708
New York, NY 10010
212-330-8214

International Aperture Award 2010, bronze award in landscape

November 12, 2010

i was going to try and finish up the california trip today having caught up with posting expenses etc, cleaned my kitchen yesterday washed the window always a hard job because the window has an exhaust fan in it that gets the window screen greasy so ammonia has to be used. the one positive effect of cleaning with ammonia is i can breathe easier now. but that’s why i left the chemical darkroom the smell of the fixer.ugh

but reading my email this morning i had some pleasant news from the International Aperture Awards

Aperture Award announcement

pretty cool huh? i love this image maybe because i know the story of when and where. it was taken on RT 7 in Vermont during the time i was showing mary around where i grew up and where my family was from. We had an exhibit in Burlington and decided to drive up there to deliver the prints and stay for the opening.

this picture looks across farmland in front of Lake Champlain [not seen] toward the mountains of new york state in the background. mary stopped the car and pulled over and i took a couple of exposures. i loved the lone tree and the rays of lighting. it reminds me of how i’ve felt most of my life, me against the world.

this is the same trip where i asked mary if she would be my wife. life has changed for me now, i don’t feel as if i am alone in this world. even if i’d not asked and mary accepted my proposal did i feel the same old negative feelings of being alone. i had mary in my life but i wanted to make a statement, to whom i am not sure, the world? how i felt about her and what she really meant to me.

having her in ones corner is a real asset because once she makes up her mind, she’s there. so maybe this tree symbolizes mary and not me. i have to remember life isn’t all about me nor are the pictures. they actually present themselves to the world for all to see and if i am lucky enough to be there and capture the moment with my brownie i have a way of remembering and sharing that moment of beauty with others.

just like now, being married to mary, we both have the legal & moral right to share and enjoy our work together. my life has improved so much after meeting her, being open with her is something i highly recommend as  is having love in ones life. it does open new vistas and opportunities. but don’t get any funny ideas as she is taken and we don’t share well with strangers.

so any award i win we both win as she is a part of what and where i do life along with how open my eyes and ears are. having a life and sharing it is a wonderful thing, i highly recommend it.

so maybe you can think of ways you can share your life and the wonders that befall you, or just turn to the stranger next to you and say hello. it does make a difference.

TED winner J R, The Parisian “photograffeur”

October 20, 2010

see more photos

NEW YORK – TED, the progressive California nonprofit that brings luminaries of technology, entertainment, and design together for the sake of world betterment, has made an unexpected choice for its seventh annual $100,000 TED Prize: JR, a 27-year-old street artist who, under a mysterious cloak of semi-anonymity, has been pasting monumental black-and-white photographs across the urban infrastructure of the world’s poorest slums.

In the past, the prize — given to a charitably-minded figures from diverse fields who then choose a “wish to change the world” — has been allotted to such global figures as Bill Clinton and Bono, as well as members of the arts sphere like author Dave Eggers, architect Cameron Sinclair, and photographers James Nachtwey and Edward Burtynsky. According to a statement, TED singled out the 2011 winner for the dramatic interventions the artist — whose provocative London dealer was recently profiled in Modern Painters — has staged around the globe.

“In Rio, he turned hillsides into dramatic visual landscape by applying images to the facades of favela homes,” the statement says. “In Kenya, focusing on ‘Women Are Heroes,’ he turned Kibera into a stunning gallery of local faces. And in Israel and Palestine, he mounted photos of a rabbi, imam and priest on walls across the region — including the wall separating Israel from the West Bank.”

According to JR’s own Web site, his artistic practice — which he writes “mixes Art and Act, talks about commitment, freedom, identity and limit” — began when he found a camera in the Paris subway leading to his ownership of “the biggest gallery in the world”: the world itself. He dislikes being called a street artist, and prefers the title “photograffeur” (graffeur means “graffiti artist” in French), the New York Times reported. The Times also referred to JR as a “Robin Hood-like figure,” although he will not announce until the TED Conference next March how he plans to use the prize to help the impoverished subjects of his work.

In recent years, the money has been to fight against obesity (British chef Jamie Oliver, the 2010 winner) and to build up a healthcare system in Rwanda (Clinton, a 2007 recipient). JR will likely use his winnings to continue his guerrilla artistic installations, as he has done with money earned at auction and in galleries in the past

JR first heard of the existence of the TED prize two weeks ago, and initially was wary in communicating with prize officials through Skype, disguising himself in dark glasses and a low-brimmed hat, according to the Times. “I’m kind of stunned,” he told the paper. “I’ve never applied for an award in my life and didn’t know that somebody had nominated me for this.”

artinfo

NYTimes

Guardian