The 3rd Annual Governors Island Art Fair is accepting submissions for its annual exhibition in September. The Governors Island Art Fair is dedicated to promoting independent artists. Governors island is only 800 yards (a 5 minute free ferry ride) from Lower Manhattan, and even closer to Brooklyn. It is, perhaps, the very last great expanse of undeveloped space for public use in New York City.

The call for submissions is open to all artists, 2D, 3D, Video, Performance and Installation. Artists must install all artworks themselves or make arrangements for installation. Art handlers are available. Fee $20 for up to 5 jpegs. Deadline June, 30, 2010. For submissions and guidelines please go to www.4heads.org
Archive for the ‘art’ Category
Call for Artists – Governors Island Art Fair (Governors Island, Manhattan)
May 23, 2010CITROËN LAUNCHES PRESTIGIOUS DS3 DESIGN COMPETITION
May 21, 2010CITROËN LAUNCHES PRESTIGIOUS DS3 DESIGN COMPETITION
Calling all designers! Ever wanted to get your work in front of senior figures from GQ or Louis Vuitton?
Citroën has launched a high profile international design competition, inviting creative visionaries to customize the roof and dashboard of DS3. In addition to a cash prize, the winning project will be presented at Citroën’s international showcase on the Champs Elysees, the C_42, in October 2010 to mark the start of the Paris Motor Show. As an ultimate reward, the design will also be put into production, available in 2011 as part of a special DS3 collection.
Designs can be submitted up until the competition’s closing date of July 4th 2010. The entries will be judged by a prestigious panel of experts from the worlds of design, art and media including senior representatives from GQ, the Cartier Foundation and Louis Vuitton. From budding designers to the experienced, the competition is open to anyone wanting to offer their own unique interpretation of DS3’s roof and dashboard.
A series of video ‘briefs’ will be available on the competition’s website – www.citroencreativeawards.com – inviting entrants to bring surprising and refreshing design proposals. ‘Daring’ and ‘professionalism’ are the watchwords of a jury that wants to be astonished by the creativity of candidates.
New York Photo 2010 Festival, impressions
May 21, 2010once again i volunteered for the new york photo festival which allows me free access to the exhibits, well free if you don’t count my time doing not much but standing around looking or checking peoples day passes.
every year it’s different but held in the same dumbo area of brooklyn just different spaces. i’ve always liked the photographers presentations in st. ann’s theater but i didn’t see many of them this year and the couple i did see i wasn’t that impressed with. but hey that’s me i am from new york and a tough audience.
there is a nice article in pdn about apeture foundation’s two part seminar on strategies for emerging photographers here. another article in pdn is a quick preview of the festival.
as curator erik kessel wrote in his galley at smack mellon catalog ‘what is photography?’ as his selections were artist not using photography in the conventional way but using it as a tool to create something totally different than one would think.
a lager portion of the festival was european influenced. one can see some interviews with curators and artist here but i am quite disappointed that not all the winners work is displayed on new york photo festival web site. see winners & honorable mentions for names but no links to work. the question arises in my mind is this a photographic festival or what?
last year everyone who entered images to the festival had their 15 seconds of fame via a slide show in powerhouse book store but the only projected images were from the leica camera photo contest. while last years slide show wasn’t perfect, not even a sign announcing what these images were at least they were photographs.
daniel power does have selections of interim awards videos with comments as does frank evers interm #2 and doug rickard shows interm #3. i thought it strange that most of the power winners examples had the subject centered, what happened to the ‘thirds rule’? am i being too academic here? i know rules are to be broken but this ‘center subject’ seemed a consistent in powers picks. oh well
there is a nice interview & video of Marc Granger who received a lifetime achievement award.
the link to coverage nyph 10 in 3D directed by martin lenclos showing interviews to exhibitors and visitors got me dizzy watching it. seems they need to have movement just because they could with the cameras view point constantly changing with mouse movement, oh 3D i forgot maybe i am too old but where is the photography? isn’t this a photography festival?
but on to the photography award ceremony that was delayed an 1 1/2 hour for technical difficulties. wonder how many audience members they lost? when they finally decided to go ahead with the presentations they went on without pictures of winning images. i would suggest the festival hire someone with more expertise next time or hey what about a tech rehearsal before hand like they do in other shows.
with all the technical savvy people here in new york wouldn’t you think someone would have planned this better? why do something half baked? is that better than doing nothing?
winning pictures still aren’t up on the web site.what i found really strange were the winners at least in the student category had to buy tickets to the awards ceremony. ten buck is ten bucks ,especially for students. the question arise did marc have to buy a ticket?
the coolest thing at the festival was leica gave out the M9 cameras to use for the day ands ran a daily photo contest. great marketing idea, who hasn’t always wanted to carry around a leica. woohoo. great feel to the camera, it really feels like a camera. but for me to see the focus rectangle in the view finder i’d need a cornia replacement. i’ll stick with my canon better or worst.
no contest winner for me as the theme was nature. but to cap off the day mary and i walked across the crowded brooklyn bridge to manhattan which we’ve never done before.
but i did meet some interesting people and the hope is to expand who i know and what work i see because it’s all good.
just my opinion
Caravaggio’s bones
May 21, 2010ROME (AP).- Italian researchers said Friday that they may be close to identifying the remains of Caravaggio, the great Italian painter whose death 400 years ago is shrouded in mystery. The researchers have dug up and studied bones found in a Tuscan town where Caravaggio died in 1610. According to results of carbon dating and other analyses released Friday, one set of bones is compatible with Caravaggio’s remains. The bones belonged to a man who died in the same period as the artist at an age between 37 and 45. Michelangelo Merisi — known as Caravaggio after his hometown — died at 39.
Team leader Silvano Vinceti said the bones also have high levels of lead and other metals associated with painting.
“We are closing in,” Vinceti said in an interview with Associated Press Television News. “Have we or have we not found the great Caravaggio?”
The results, while promising, are not conclusive.
That’s why the group is conducting DNA testing, with results expected in about two weeks. The DNA extracted from the bones will be compared with samples from possible male kin in Caravaggio, in northern Italy.
Even though Caravaggio had no known children, Vinceti said the group has studied the town’s death registry and found some 20 possible male relatives.
Caravaggio died in Porto Ercole, a beach town on the Tuscan coast. His death after a dissolute life of street brawls, affairs with prostitutes and even murder, remains an enigma. To this day, his remains are officially missing.
The researchers say he was buried in the town’s San Sebastiano cemetery. His bones were dug up when the graveyard was moved in the 1950s to make space for a public park. According to the researchers, the remains were at that point moved to another cemetery nearby.
The cause of Caravaggio’s death has also not been established. Possibilities raised by scholars range from malaria to syphilis to murder at the hands of one of the many enemies Caravaggio made during his tumultuous existence. Vinceti’s team includes historians, anthropologists and other scientists. His project has drawn interest as Italy marks the anniversary of Caravaggio’s death, but also some skepticism because so much time has passed.
Copyright 2010 The Associated Press. / By: Alessandra Rizzo, Associated Press Writer
Art Knowledge news
The Times Square Alliance seeks letters of interest
May 21, 2010Open Call
All Art Organizations and Artists
All Art Forms
+ Times Square Alliance Public Art Program
+ TIMESSQUAREARTS
Request for Letters of Interest
Art Projects and Art Events in 2010-2012
Due on July 15, 2010
For Complete Details: http://www.timessquarenyc.org/arts/opencall.htm
The Times Square Alliance seeks letters of interest from arts organizations and artists across disciplines to present contemporary art projects and art events in the public spaces in and around Times Square. In a one-page letter, applicants can propose a single project or series for anytime between September 2010 and December 2012.
Artists and arts organizations are encouraged to propose projects that address the unique nature and rich history of Times Square. Projects should be able to have an impact in a space defined by dynamic activity and continuous, competing visual stimuli.
Organizations, curators and artists are encouraged to consider how their projects will change or effect the space during the presentation and how the 350,000 people here every day (as well millions of virtual viewers) will interact with the presentation.
Public spaces to consider as locations for art projects and events include the new Broadway plazas and Duffy Square in Times Square and other public and private spaces throughout the Theater District, 42nd Street and 8th Avenue.
Through its Public Art Program, the Times Square Alliance brings temporary high-quality, cutting-edge art and performance to Times Square’s public spaces, so that it is known globally as a place where ordinary people encounter authentic, ever-changing urban art in multiple forms and media.
Letters of Interest are due on July 15, 2010 and should not exceed 500 words. Organization history or artist resume plus five images of relevant past work should be attached, along with an image list of titled and descriptions. Applicants with accepted proposals will be invited to enter a dialogue with the Times Square Alliance.
For complete details on the Times Square Public Art Program, visit www.timessquarenyc.org/arts
We look forward to you ideas and proposals.
proposals from artists for a mural project, queens ny
May 21, 2010c h a s h a m a
RFP for MidBlock Parking Garage Mural in Jamaica, Queens, NY
Contact:
Samantha Lewis
chashama Jamaica Studios
Curator & Outreach Coordinator
Samglewis@gmail.com
914.260.7974
Project Description:
The Greater Jamaica Development Corporation (GJDC) is seeking proposals from artists for a mural project in the MidBlock Parking Garage located at 89-35 163rd Street in Jamaica, NY. The goal of the mural project is to enhance the pedestrian pathway that stretches from the entrance to the garage on 162nd street to the entrance on 163rd street. The mural design should be contemporary, colorful and appropriate for a wall 248’ in length and 12’ in height. The mural will seldom be seen front on. For pedestrians viewing the mural, it will be a progressive experience as they move along the pathway. In conjunction with the mural project, GJDC will also be enhancing the pedestrian pathway with new lighting.
Guidelines:
The design should be picture-based, not word-based. Designs that include logos, copyrighted or trademarked images, advertisements, or political, commercial, religious, or sexual symbols, themes or messages will not be accepted. Designs should be appropriate for a diverse, broad-based audience of all ages.
The artist will develop and submit a preliminary visual concept for the mural to be painted on the concrete wall surface. GJDC staff members will review the conceptual design for the mural project and provide feedback to the artist/s before design approval.
Proposals should include the amount of time necessary to complete the mural and materials needed.
Timeline:
Weather permitting; the mural project will begin in July.
Deadlines:
Conceptual Design Proposals due: June 15th, 2010
Artist Selection: June 21st, 2010
Artist Compensation:
Compensation for the artists TBD. GJDC will pay for materials.
www.gjdc.org

_______________________________________________
chashama is supported, in part, by public funds from the New York City Department of Cultural Affairs, an award from the National Endowment for the Arts and an award from the New York State Council on the Arts in partnership with the City Council: Council Speaker Christine Quinn, Manhattan Delegation, Council Member Sara Gonzalez and Council Member Daniel Garodnick; and with funds from A.R.T./New York, Carnegie Corporation, Robert Sterling Clark Foundation, Dramatists Guild Fund, Peg Santvoord Foundation, Rockefeller Brothers Fund, Steinberg Charitable Trust, Tides Foundation, and through private donations from individuals. Also supported in part with goods and materials provided through donations to Materials for the Arts, NYC Department of Cultural Affairs/NYC Department of Sanitation/NYC Department of Education.
Kenro Izu; a thirty year retrospective “Sacred Places”
May 11, 2010For those who are not in NYC, I’m sending this for your information in case you have friends who may be interested.
RUBIN MUSEUM OF ART
presents
KENRO IZU: A thirty-year retrospective
Wednesday, May 12, 7 p.m. $15*
*includes admission to the museum’s exhibitions beforehand
In this richly illustrated talk, Kenro Izu talks about his life’s work: the renowned series “Sacred Places,” which includes work from holy sites in Syria, Jordan, England, Scotland, Mexico, Easter Island and, more recently, Buddhist and Hindu sites in India, Cambodia, Burma, Vietnam, Indonesia, and China.
Using a custom-made, 300-pound camera, Izu creates negatives that are 14 inches high by 20 inches wide. The resulting platinum palladium prints are widely recognized as being among the most beautiful prints in the history of the medium. Kenro Izu’s Thirty Year Retrospective, a stunning collection of the artist’s most powerful work to date marks the thirtieth year of the ongoing “Sacred Places” series. This gorgeous new monograph published by Nazraeli Press comprises some 100 plates, beautifully printed in duotone on matt art paper and bound in Japanese cloth and will be on sale at the book signing following the talk. This is Kenro Izu’s third talk at the museum.
His work has been the subject of two exhibitions here, the most recent being Bhutan: The Sacred Within (2007).
RUBIN MUSEUM OF ART
150 WEST 17 STREET, NEW YORK CITY www.rmanyc.org
Buy tickets on line here: www.rmanyc.org/tickets or call 212.620.5000 x344
Sous Les Etoiles Gallery opening May 13, 2010 6-9pm
May 11, 2010We are located at 560 Broadway between Prince & Spring street in Soho.
Please be so kind to click here to RSVP
NEW YORK – May 4, 2010 – The series Cimarrón by Max Ruiz will be on view at Sous Les Etoiles Gallery from May 13 through June 26, 2010. This is Max Ruiz’s first solo exhibition in New York. There will be an opening reception on May 13th from 6-9 pm at the gallery with the artist in attendance.
Cimarrón, the Spanish term for Maroon, meaning feral or fugitive, is a series of allegorical photographs that traces the history of runaway black slaves in the Caribbean. An imaginary tale escapes within his pictures, testifying to a poignant, often overlooked reality.
When Ruiz was on a trip to Martinique several years ago, he came across a book on Maroons. He says, “After reading it, my view of the Caribbean changed. It was as if I was receiving a message from centuries ago, which I understood to be this: There is no force stronger than the desire to be free.”
With his pictures, Ruiz is a storyteller. “I make fables,” he says. “I like providing the opportunity to share visions. I believe that some of these visions are given to me. They pass through me like water, just like the roots of a tree passes through the leaves.”
In Cimarrón, Ruiz not only connects his past with the Maroons, but his images unite the stories of anyone who has ever been enslaved. His photographs bring to mind François Makandal, Rey Bayano, Nyanga, and Gabriel Prosser- all heroes capable of defeating, defeating or attempting to defeat their oppressors. In their efforts of defiance and by creating new lives and new histories, these Maroons become an invisible part of the landscape, like the thick woven vines, ferns, tree trunks and leaves of the forest – symbols of outlaws defending justice and freedom.
ABOUT THE ARTIST:
Born in Buenos Aires in 1950, Max Ruiz grew up between two cultures. His Argentinean father was a theater director and his mother served in the French embassy in France. As a teenager, his studies focused on the arts at the Fine Arts School and Pan American Art, both in Buenos Aires. In the 1970s, the military junta was about to take power in Argentina. Ruiz says: “It was a violent period. Daily life was punctuated by raids of various secret police, the informers, inflation. The future seemed stuck there.” So in 1974, he flew to France to study film at the École Supérieure d’Études Cinématographiques (ESEC) in Paris. Over the course of 20 years, Max Ruiz’s work has been exhibited all over Europe, South America, and in the United States, including Centre National de la Photographie (Paris), Les Rencontres d’Arles (Arles), and FotoFest (Houston). In addition to his photography, Ruiz also directs music videos.
Press Contact: Corinne Tapia, Gallery Director, corinne@souslesetoilesgallery.net
New York Photo Festival submission
May 1, 2010well today, at midnight, is the deadline for submission to New York Photo Festival and i’ve been racking my brain, what little i have left, for images to submit as a series.
i am not crazy enough putting together a catalog & price list for my Burlington Vt show next week so late least night i said oh well just pick one strong image. who cares i never win these things anyways, just like the lottery which i’ve never won either. just the other day i asked a photographer if he’d look at my portfolio and make suggestions. short answer was he didn’t know me well enough to give me an honest answer. that was an honest answer, not the one i was looking for but honest, that’s why i approached him.
but none of this is either here or there and i am just as confused now as to how and where i might try and market my wares. but our conversation did lead me to saying that i didn’t need to sell my work but i would like to, send my children, as i think of them to good homes. making money to pay for expenses isn’t a bad idea either.
so i sent my little image somewhere in the world to have someone glance at it for maybe two seconds before they move on. i do make these things because i love to be creative and it keeps me from wondering what the soap characters are doing now.i get such a kick out of discovering, comes from my darkroom days, images as they develop or even appear on the screen.
tada
new york photo festival outtakes or maybe intakes
April 27, 2010i am trying to select a series of photos to enter in the NYPF that closes 5/1/10 and i am finding it really hard maybe because of the amount of images 5 to 15 and what might at least win. win what ever? my work is somewhere between photography and……….. well i really don’t know. yet today i got a check from a gallery for one of my images selling. some people buy my work and i am always surprised.
the real fun about entering these contest is going through my hard drives looking for images and finding some like the ones below.
but i always knew about this since i have prints of this hanging on my wall, these were done 2008 so that was some time ago but the other images i had forgotten about. this image below is from a completely different session using the same red cloth but in a totally different way.
one is a dancer the other is not, but the cloth is still red silk. the reason i think these images work besides them being lovely young women in shadows is for the red silk. the one below i remember working on the cloth bring out the redness but i had forgotten about it.
it reminds me of a crane or stork.
a lovely image the way the light reveals the female body yet keeps the mystery. this is one of the reason i left the manhattan figure study & lighting workshop. i need to work on my own discovering these moments. i also don’t like to share my work even though i do.
it’s like my personal relationship with mary, a journey, discovering new things along the way. that’s life
just my opinion








