Archive for October 8th, 2012

cinema as we know it………………. isn’t anymore….. RIP 1888-2011

October 8, 2012

this almost brings a tear to my eyes and surely the days spent in hollywood floating back in front of my memory. the kodak adv say it all to me and yes there is still some motion picture film being made, the problem is there are no students learning how to use it. but they call themselves filmakers. today i read that Kodak has stopped making t-max p3200 and Fuji has stopped velvia 50 & 100.  i guess adobe will just have to make more plug-ins for photoshop 8.

Film is beautiful. It’s going to be around for years to come. Plenty of feature films and TV shows are still being shot on film, and used film cameras will remain a viable rental market for a long time. But in the last several months, the major manufacturers of motion picture cameras — ARRI, Panavision and Aaton — have all ceased production of film cameras. Celluloid, you’ve had a great 123-year run. So long, and thanks for all the fish!

Here, then, one last ad for film from Kodak, for nostalgic purposes:

 You could pick apart so many quotes here, from Brett Ratner talking up film even though his latest, Tower Heist, was partially shot on the ARRI ALEXA, to anyone who says film has greater dynamic range (the ALEXA has the same DR, and RED’s HDRx exceeds it). Not to mention that 4K cameras meet or exceed film’s resolution, which is not to say that digital cameras are objectively better in terms of pure aesthetics — the texture and highlight detail of film are still magical — but cost and workflow-wise, digital has come a long way and will continue to improve to the point where it’s not just a matter of meeting film’s image capture capabilities but exceeding it. Here’s the word from Aaton and Panavision

[Aaton founder Jean-Pierre] Beauviala believes that that stereoscopic 3D has “accelerated the demise of film.” He says, “It’s a nightmare to synchronize two film cameras.” Three years ago, Aaton introduced a new 35mm film camera, Penelope, but sold only 50 to 60 of them. As a result, Beauviala turned to creating a digital Penelope, which will be on the market by NAB 2012. “It’s a 4K camera and very, very quiet,” he tells us. “We tried to give a digital camera the same ease of handling as the film camera.”

Panavision is also hard at work on a new digital camera, says Phil Radin, Executive VP, Worldwide Marketing, who notes that Panavision built its last 35mm Millennium XL camera in the winter of 2009.

One thing I don’t buy at all is people saying that the best way to archive digital material is on film. Sure, there are plenty of concerns about codecs going in and out of use, but you’re telling me that physical celluloid, which is subject to the ravages of time, temperature, fire, mishandling, and accidents, is a better archival material than 1s and 0s which can be stored as exact lossless copies in many locations? If you’re worried about future-proofing your codec choices, output your archival file in several formats. Not to mention that you can keep the NLE timeline and source files in the digital realm, though good luck opening that FCP7 timeline in Final Cut Pro X! Point for film, I guess.

Anyway, we’re going to see plenty of films shot on celluloid for years to come, but for all intents and purposes the last motion picture film camera has already been manufactured. Check out both articles below for more. Onward and upward!

Links:

jene

New comet discovered- may become one of the brightest in history……. until a brighter one comes along

October 8, 2012
Comet Lovejoy picture: people watching the comet from Perth, Australia

Sky-watchers in Australia ogle comet Lovejoy late last year.

Photograph by John Goldsmith, TWAN

Andrew Fazekas

for National Geographic News

Published September 27, 2012

If astronomers’ early predictions hold true, the holidays next year may hold a glowing gift for stargazersa superbright comet, just discovered streaking near Saturn.

Even with powerful telescopes, comet 2012 S1 (ISON) is now just a faint glow in the constellation Cancer. But the ball of ice and rocks might become visible to the naked eye for a few months in late 2013 and early 2014—perhaps outshining the moon, astronomers say.

The comet is already remarkably bright, given how far it is from the sun, astronomer Raminder Singh Samra said. What’s more, 2012 S1 seems to be following the path of the Great Comet of 1680, considered one of the most spectacular ever seen from Earth.

“If it lives up to expectations, this comet may be one of the brightest in history,” said Samra, of the H.R. MacMillan Space Centre in Vancouver, Canada.

So what makes a comet a showstopper? A lot depends on how much gas and dust is blasted off the central core of ice and rocks. The bigger the resulting cloud and tail, the more reflective the body may be.

Because 2012 S1 appears to be fairly large—possibly approaching two miles (three kilometers) wide—and will fly very close to the sun, astronomers have calculated that the comet may shine brighter, though not bigger, than the full moon in the evening sky.

(Also see “New Comet Found; May Be Visible From Earth in 2013.”)

Refugee From the Edge of the Solar System?

First spotted late last week by Russian astronomers Artyom Novichonok and Vitali Nevski of the International Scientific Optical Network (ISON), comet 2012 S1 was confirmed by the International Astronomical Union on Monday.

But while we know what 2012 S1 is, it’s still unclear where it came from. Its orbit suggests the comet may be a runaway from the Oort cloud, where billions of comets orbit about a hundred thousand times farther from the sun than Earth is.

“For astronomers, these distant origins are exciting,” Samra said, “because it allows us to study one of the oldest objects in the solar system still in its original, pristine condition.”

(Related: “Comet Is Cosmic Snow Globe, NASA Flyby Shows.”)

New Comet Bound for Glory?

Right now, 2012 S1 appears to be about 615 million miles (990 million kilometers) from Earth, between the orbits of Saturn and Jupiter, astronomers say.

As the sun’s gravity pulls the comet closer, it should pass about 6.2 million miles (10 million kilometers) from Mars—possibly a unique photo opportunity for NASA’s new Curiosity rover.

Current orbital predictions indicate the comet will look brightest to us in the weeks just after its closest approach to the sun, on November 28, 2013—if 2012 S1 survives the experience.

As the comet comes within about 1.2 million miles (2 million kilometers) of the sun, the star’s intense heat and gravity could cause the ice and rubble to break apart, scotching the sky show. (Related: “Comet Seen Vaporizing in Sun’s Atmosphere—A First.”)

“While some predictions suggest it may become as bright as the full moon, and even visible during the day, one should be cautious when predicting how exciting a comet may get,” Samra said.

“Some comets have been notorious for creating a buzz but failing to put on a dazzling display,” he said. “Only time will tell.”

More: See the first pictures of a peanut-like comet >>

so get out your cameras and tripods and stand by or you could read david hobby’s the strobist about jonathan snyder’s  So- Cool- It- Must- Be-Fake night portrait and see how it’s done.

jene