Archive for September 13th, 2012

A great video from Carl Zeiss showing angle of views for different lenses

September 13, 2012

Watch This Zeiss Video to See Examples of Lens Focal Length and Angle of View on Full-Frame DSLRs

Crop factor is one of those terms that really shouldn’t exist, but it does because it makes it very easy to immediately multiply what a particular lens will look like on a sensor that is smaller than full frame 35mm (or Vista Vision in motion picture terms). The correct term, angle of view, isn’t used nearly as much thanks to the popularity of cameras like the Canon 5D Mark II, which uses lenses that have a larger diameter image circle than motion picture lenses do. Angle of view is platform agnostic, but crop factor is the term used everywhere (even by us, admittedly). Zeiss has made a video showing the angle of view of their full frame lenses mounted on a full frame camera. There is no crop factor since these are native lenses, but when we refer to crop factor, you can use the video below to see the equivalent focal length we’re talking about.

the one thing the novice needs to know about the settings that each demo is in movie language, CP.2 refers to compact prime lenses, [non zoom] the 35/T2.1 relates to 35mm angle of view and i believe the T2.1 is the aspect ratio, or f stop.  it’s been so long since i’ve worked  close to movie cameras, but lenses are lenses and no matter how you’re recording, film or digital the system work almost the same way.

I would like to never use crop factor again, since it changes depending on the lenses in question and the platform, but since it has become the standard online, it will be hard to move completely to angle of view. Either way, the video is a good representation of what you can get out of particular lenses depending on the chosen focal length and the format (full frame in this case). When talking about crop factor, for the most part it is related to these focal lengths and angle of views, so video can help give a clearer picture of exactly what we’re talking about when we use that term.

For example, when we’re discussing a camera like the Blackmagic Cinema Camera, we take about it having a 2.3x crop factor. This means that no matter what lens you mount on the camera, if you multiply the focal length by 2.3, you can use the video above to determine what that lens will look like on that camera. While this can get confusing, it’s helpful for some people who have come over from DSLRs and have been only using full frame still lenses.

B&H also thinks we would be better off just using Angle of View, and here’s a chart from Allan Weitz to show you exactly what’s going on:

What do you guys think? Would you like to see all mention of crop factor go away? Should NoFilmSchool move to simply referring to lenses by the correct term, angle of view?

Links:

i am back from north country in the wacky world of new york, hows this for fun?

September 13, 2012

Fashion week who cares? we got tat’s.

Designers, by definition, are all about creativity, visual communication, and self-expression. One of the most common ways designers express themselves is by indelibly declaring their status as Homo Creativus in the medium of ink in skin. Like anyone else, designers’ tattoos are often butterflies, skulls, koi, Tardises, or names, but sometimes the ink is a little more graphic, speaking directly to the art, science, and people of design. Here is some of that designer ink; join me again in one week for the second half of this two-part series.

Click each image to view the image at its original resolution, on its original website. see creative pro for links.

Warning: Many Websites that display tattoos also often display images and slogans that are Not Safe For Work!

Please note: This article links to resources hosted on external Web sites outside of the control of CreativePro.com and  fuzzypictures. At any time those Web sites may close down, change their site or permalink structures, remove content, or take other actions that may render one or more of the above links invalid. As such neither Pariah S. Burke nor CreativePro.com can guarantee the availability of the third-party resources linked to in this article.

Pariah S. Burke is a design, publishing, and digital & epublishing workflow expert and consultant bringing creative efficiency into studios, agencies, and publications around the world. He is the author of ePublishing with InDesign CS6, Mastering InDesign for Print Design and Production, and other books for professionals with jobs to do on InDesign, Creative Suite, Adobe Illustrator, QuarkXPress, and digital publishing; author of more than 450 published tutorials and articles; co-author of the InDesign and Illustrator Adobe Certified Expert exams; an Adobe Community Professional; the former trainer and technical lead for InDesign, InCopy, Illustrator, Photoshop, and Acrobat to Adobe’s own technical support team; the host of a series of digital publishing, epub, and the business of design Webinars; a freelance graphic designer and publisher with more than 20 years’ experience; a WordPress and social media evangelist; and the publisher of a network of Websites, communities, and tools for creative professionals, the Workflow: Network.