Archive for October, 2009

Painting or drawing on prints

October 8, 2009

this is a post i made on one of my user groups about one of my work process that goes into my dancer series.

i use pastel chalks in some of my pieces because i am not happy with the gamut that i get from my printers. i use to use a Epson 1280 with dye ink which i loved that gamut but with my Epson 7600 pigment inks the gamut is much smaller. some colors just don’t reproduce as vivid as i’d like so i’ve gone back to my roots which is drawing.

i’ve talked to the people at Eastman Kodak about any destructive reactions that might happen to mixing the two mediums but since the, the 7600 and pastels are both pigments there should be no adverse effects. i do spray prints with printshield between mediums. archival? live longer than me? that never bothers me nor do i loose sleep over it. i try and make the best product i can, but looking at some old art in paris it too has seemed to have faded somewhat. what can you do? all of this planet is impermanent.

i usually print on hahnemuhle papers my fav being william turner textured papers but have moved to german etching. i know some use arches uncoated watercolor paper which i might go back to. i am thinking of looking into cranson. i’ll look around at photo expo for papers. one year i found kodaks metallic paper, woohoo.

now it seems to me in my ignorance that one could mix charcoal with b&w printing without a negative effect. the same would apply to india inks and sumi carbon which would give more permanency to the product. but do be aware that some gallery owners won’t touch my stuff even though its original and one of a kind. ignorance abounds. but the buying public seems to like these works as they do sell, alas not as many as i’d like but i am no name and people do like name dropping. but sometimes i get lucky in that my color gamut fits in with their decor.

personally i am not a big fan of acrylic paints or washes because i started with oil paints but hey what ever floats your boat and makes you happy then go for it. i think it’s all about exploring learning how to then letting the process go where it wants to. personally i am not here to make the rest of the world happy. i do clean up after myself, help others in need and believe it helps to love one another. i know too many people who don’t know how to love. that’s why i create art because i love to, it’s an inside job that i hope spills out into the world.where would we be if we didn’t explore all of creation?

i have started using adorama lab for my kodak metallic c prints, love those blacks but there again some colors just don’t come out. but hey maybe i’ll see if i can add some colors on top. it’s not brain surgery and no children or animals will be harmed,why not? just my two cents.

jene

http://www.jene youtt .com

Canon 5D Mark ll opinion

October 2, 2009

hi gals & guys

i am somewhat disappointed with my 5D Mll especially now that the 7D is around the corner which seems to be a much better camera video wise at least.i do come from a film/video background so i am somewhat opinionated about this.

i moved up to 5DMll because i wanted a full frame camera and the people selling used 5D’s were asking way too much around here. the video component also was very enticing but 30 frames and no locked auto focus or face recognition software seems like they are just waiting for Mark lll to come out.reminds me of the epson 4000 & 4800 introductions.

to not be able to sync sound to video seems silly. i looked at some video i lit for some other shooter and i see how silly it looks. picture looks nice but since edison figured out how to record voices  and made pictures you’d think canon who makes video cameras might have married the two together on this camera. but i guess it had something to do with turf wars.

one the plus side the sensor on the Mll gives great color rendition well it is an improvement over my 20D that’s for sure.the file size for my usage is over the top, i don’t shoot billboard art but some do. with genuine fractal’s i seem to be able to get the size prints i want. i might want to do billboards later in life so maybe having such big files will come in handy.i get a whooping 300 some odd images on a card now. lexar should be happy.

as far as the seals go i try and keep my cameras out of water etc but it would be nice to have it sealed well.

as far as the software is concerned i am still learning it. i shoot mostly 4 gb cards so i can back them up on dvds and the new 9999 images on a folder threw my backup workflow off. i am adjusting as i know others are. so it’s just not a matter of dragging and dropping a folder onto a drive. yes redundancy backups on hd and dvds.

oh did i mention battery size. if the 7D can use the same legacy batteries then why did i have to buy new ones for the Mll, oh the camera didn’t cost enough money, i see. at least i don’t have to get new lenses.

but hey nothing is perfect in this world and we all need to make a buck, well except me, i seem to be supporting manufactures of equipment while art sales have plummeted bouncing off the floor but hey we all got to eat. maybe i can crack open some 20D batteries and see how they taste.

well maybe my tune will change once i learn the new camera system. remember the old camera where there was a f stop ring & focus thingy that seemed to work pretty good, still have my F1 loved the look of that camera and the metering system, whew be still heart.

just my uninformed take on the subject maybe some day i’ll know more, but i do like fast lenses and cool cars.

jene
http://www.jeneyoutt.com

hey hot shot update

October 1, 2009

what a small world. i know it doesn’t seem that way as we jump on a crowded subway car at rush hour, well maybe it does.there is a TED talk that shows exactly where we are in the cosmos which is informative. it’s given by jill tarter who is the head of SETI titled ‘are we alone?’ a question which has always interested me since lying on top of my garage looking at the stars.

Mary and i picked a photo out of the first batch put up, we both loved the colors and composition of this rather abstract image. it reminded me of a padlocked door i found in panama so i told mary why not pick it, which she did.

the small part of the world was that photographer picked my photo.Blue Ladyher name is christine finkelson and we both print on some of the same hahnemuhle papers. and i think but i am not sure but christine might be over 23 years old.

looking at the hot shot crowd makes me feel old for an ’emerging photographer’ but there were some of us there. mostly the crowd seemed right out of collage and comfortable with the single bar scene. but hey i’ve been wrong before.

we got out of there alive and had dinner around the corner and maybe made a few friends along the way. not a bad evening at all

Hey Hot Shot print exchange

October 1, 2009

last night we went down to hey hot shot print exchange. this is something i’ve always been interested in doing. i remember some online photo groups i’ve belonged to where some members exchanged prints amongst themselves. i always thought this was a pretty neat way of learning what’s out there. i even tried doing this when i was on musecube but nobody seemed interested i doing it except one fellow nik walking bear, but oddly when i left the cube he wasn’t interested in continuing the conversation any more. oh well

to me my photography doesn’t exist unless i have a print in hand. what else is there? we can see pixels on the screen but once the power goes out what’s left? not much. but a print is something solid, while the image just sits on the paper well maybe more in the nooks and crannies of the paper, i like texture on my paper but i print on matt papers, a personal preference. it’s the print that exist as the art form, that might explain my thin negatives.

hey i shoot digital now so don’t have to worry about that. i do miss the feel of wet film in my hands as i am a very tactile person and always loved handling film. but it’s so time consuming developing boring agitating looking at the clock etc. oh did i mention the smell of the fixer?

well i digress from the subject at hand. the print

now the people running the swap weren’t very organized, first set back, lost microphone, so communication with the crowd began with cupped hands moving later to a megaphone which wasn’t much of an improvement but at least they could be heard over the crowd noise. there wasn’t much of a plan, maybe they were overwhelmed by the number of people attending, the print i picked up was labeled 81 and my number was 67.

one of the things i learned touring theater show was how to make the venue i was in then work the best it could be for the show we were performing. it had to work, the producer wasn’t going to give back the money and the artist was there  wanting to be paid after the show, so my job was to make the venue work for the production. i learned soon enough ‘no show no check.’ simple enough.

but some people seem to get lost in the details which this seemed to be the case. they put out the first selection of images and the whole heard swooped down like Harpies on the photos. both mary’s and my images were gone right away but i didn’t see who took them, i always like to see who likes my work.

i got to the front in time to see a small black and white print of the world trade center taken from the williamsburg waterfront and looking down the line at the only one other print struck my eye  of a hood ornament but i can back the the simplicity of this print. it’s by a photographer Geralyn Shukwit whom i’ve looked at her web site and it works for me. while she and i do way different stuff that doesn’t mean i don’t like what others do. it really keeps me interested in the craft and art of photography.